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2011 HORROR MOVIE PREVIEW: SONY PICTURES

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With the Underworld franchise under their belt, and a love for PG-13 horror released through Screen Gems, Sony Pictures has established themselves as a studio with genre films aimed at tweens. 2011 doesn’t look much different, sans Columbia Pictures’ highly anticipated release of Battle: Los Angeles, and James Wan’s return to horror with Insidious. What are you most looking forward to?

–SONY PICTURES 2011 HORROR MOVIE PREVIEW–

SONY / LIONSGATE & AFTER DARK / SUMMIT / WARNER BROS. & NEW LINE
PARAMOUNT / UNIVERSAL / DIMENSION / RELATIVITY / VARIOUS

CLICK ANY IMAGE FOR SYNOPSES, TRAILERS, DETAILS & MORE STILLS (If Available)

Dates Subject to Change

THE ROOMMATE (February 4, Screen Gems)


The movie will center on Sara, a college student randomly assigned to a freshman dorm with a stranger named Rebecca. They start off as friends but things turn deadly as Rebecca begins to target people in Sara’s life.

Beautiful Girl (March 11, Screen Gems)


EXPECT THIS TO SHIFT DATES: The story concerns a shy but brainy high school girl who returns for senior year after having slimmed down six dress sizes. She finds herself flirting with the handsome English lit teacher, but the mutual crush turns deadly when the teacher’s obsession with the student compels him to exact maniacal revenge on everyone who was cruel to her.

BATTLE: LOS ANGELES (March 11, Columbia Pictures)


From Darkness Falls and TCM: The Beginning director Jonathan Liebesman, for years, there have been documented cases of UFO sightings around the world – Buenos Aires, Seoul, France, Germany, China. But in 2011, what were once just sightings will become a terrifying reality when Earth is attacked by unknown forces. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. It’s up to a Marine staff sergeant (Aaron Eckhart) and his new platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered before.

INSIDIOUS (April 1, Sony Pictures)


A young family makes the terrifying discovery that the body of their comatose boy has become a magnet for malevolent entities, while his consciousness lies trapped in the dark and insidious realm known as The Further.

PRIEST 3D (May 13, Screen Gems)


The film is an adaptation of a TokyoPop comic book, the story is set in a world ravaged by centuries of war between man and vampire and follows a warrior priest who turns against the church to track down a murderous band of vampires who have kidnapped his niece.

STRAW DOGS (September 16, Screen Gems)


The new Straw Dogs follows Los Angeles screenwriter David Sumner (Marsden), who moves with his wife to her hometown in the deep South. Once there, tensions build in their marriage and old conflicts re-emerge with the locals, leading to a violent confrontation.

TERMINAL: QUARANTINE 2 (TBD, Stage 6)


In QUARANTINE, an apartment building in Los Angeles was quarantined by the CDC (Center for Disease Control), trapping the frightened residents inside as a deadly mutant virus turned the residents into rabid killers. QUARANTINE 2: TERMINAL picks up later that night at LAX, as passengers board a flight to Nashville. When a passenger becomes violently ill with a mysterious rabies-like virus, the plane makes an emergency landing at a large metropolitan airport. Jenny (Mercedes Masohn, CBS’s “Three Rivers”), a heroic yet inexperienced flight attendant, takes charge of the safety of her passengers. Relieved when a swarm of heavily equipped emergency vehicles, police units and the CDC arrive, Jenny and the passengers soon discover that they have been quarantined and are now trapped. Desperate to escape, Jenny enlists the help of one of the surviving passengers, a kindergarten teacher, Henry (Josh Cooke, A Fork In The Road, I Love you Man), to devise a plan to survive.

HOSTEL: PART III (TBD, Stage 6)


The story concerns a Vegas bachelor party that turns grisly when the groom (Hallisay) learns that his longtime best friend (Pardue) has targeted him for ritual murder.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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