Editorials
In Defense Of ‘House of Wax’ – Anniversary Edition!
Today is a very special day: it is the 10-year anniversary of the remake of House of Wax. Okay, I jest. It’s really not that special of a day, but I thought it would be appropriate to bring back our “In Defense Of” series to discuss what I think is a very underrated film. Is it perfect? No, but it’s a helluva lot better than its 25% Rotten Tomatoes score and 41 MetaCritic score would suggest. Plus, it’s fun!
Let’s get the obligatory Paris Hilton section out of the way first. I am not particularly for or against her so I won’t bash her or her acting, but casting her in House of Wax was definitely a publicity stunt. Her reality series The Simple Life (as well as her actual social life) was at the peak of its popularity, so it apparently looked like the smartest thing to do. Whether you agree or not is irrelevant, but really, she’s not bad in the movie. She does exactly what she is asked to do for the role of Paige (and her character isn’t even that annoying!). The best way to describe her casting is trendy, and everyone immediately hopped on the hate bandwagon. It’s depressing that House of Wax will forever be remembered as “that one where Paris Hilton gets a pole thrown through her face,” because it’s much more than that.
I think part of the reason I love this movie so much (and yes, I do love it) is simply because of nostalgia. The trailer was one of those that I would watch repeatedly (I just love that montage choir music at the end) and I gathered a bunch of friends to go see it in a theater the Friday it opened after school let out (I was a sophomore in high school at the time). It’s a strong trailer, to be sure. and it almost made my list of favorite horror movie trailers:
Looking back on some of the 2005 reviews for the film, the consensus seemed to be that it was too long, the first 40 or so minutes were too slow, the characters were dumb, the acting was poor, and the film was too vile/sadistic/violent. Most of the horror films coming out at the time were far more violent than House of Wax (Hostel would be released just eight months later), so those criticisms don’t make a lot of sense. I could just be desensitized, though. What say you on this subject?
From an effects and gore standpoint, House of Wax doesn’t disappoint. There aren’t many kills in the film, but each one of them stand out. While Hilton’s death gets the most discussion when the film is brought up, it’s the below scene that is one of the best set pieces in House of Wax (though not the best, which I’ll get to in a second):
It’s apparent that the film has a good sense of humor about itself, which is something that many critics at the time didn’t detect. This is why the characters making dumb decisions (one review even pointed out that they split up a record four times during the film) isn’t particularly bothersome. The film comes across like an extended (and violent) episode of Scooby-Doo, and viewing the film as such makes it much more entertaining to watch. Whether or not that was intentional, we’ll never know (director Jaume Collet-Serra also directed the 2009 film Orphan, so make of that what you will). The “bad acting” ties into that too, though I think that Elisha Cuthbert and Chad Michael Murray do a perfectly fine job playing estranged siblings.
House of Wax is long for a horror film. At 113 minutes, it wears out it’s welcome a little bit. The criticism that the first 40 minutes are slow is valid, and it could have done with about 10-15 minutes cut from the first act. The intention was probably to allow the audience to spend more time with the characters, but other than Cuthbert’s and Murray’s characters (with the possible exception of Jared Padalecki), they’re all pretty one-dimensional. Again, if you go into it with the Scooby-Doo mindset, that’s not a bad thing! But at nearly 2 hours, the film could have used a better editor.
My final point (and one that most critics agree on) is that the climax of the film is a beast. Some of the CGI is spotty (the shot of the exterior of the house warping has always looked laughably bad to me), but it’s a showstopper of a set piece if I ever saw one. I would argue that it’s the main reason to see the film, but as I’ve stated already, I think the whole thing is a blast.
What are your thoughts on House of Wax? Do you agree with me that it’s a fun, goofy Scooby-Doo-style romp? Or do you think it’s lazy filmmaking at its worst? Let me know in the comments below!
From child-eating witches to village-burning dragons, fairy tales have always had a foot in the horror genre. That’s why it makes sense that, for every The Hobbit and The Chronicles of Narnia, there are also darker and more adult-oriented stories about magical worlds inhabited by ravenous monsters and cruel villains.
Funnily enough, these sinister tales were precisely the ones that I gravitated towards back when I was a kid, and I was reminded of this while watching Netflix’s recently released I Am Frankelda, Mexico’s first ever feature-length stop-motion animation and one hell of an entertaining parable about the intersection between fiction and reality.
In honor of this special kind of horror-adjacent fairy tale, today I’d like to share this list recommending six Dark Fantasy films that horror fans might enjoy.
For the purposes of this list, we’ll be defining Dark Fantasy as fantastical stories that don’t shy away from the more macabre elements that fuel classic fairy tales. That being said, don’t forget to comment below with your own grim favorites if you think we missed a particularly thrilling one.
With that out of the way, onto the list!
6. Hansel & Gretel: Witch Hunters (2013)
I’m fascinated by bizarre attempts at blockbuster filmmaking – especially when the resulting movies are somehow still fun despite their corporate-mandated origins. Hansel & Gretel: Witch Hunters is precisely one of these strangely compelling studio projects, as this surprisingly successful action-thriller boasts a lot of heart (and tongue-in-cheek humor) for a CGI-heavy creature feature.
Directed by Dead Snow’s Tommy Wirkola, Witch Hunters re-frames the classic fairy tale as an origin story for a duo of badass monster-slayers. Of course, it’s the flick’s anachronistic aesthetic and overall visual flair that make it stand out from other action-horror endeavors from around the same time.
5. The Wolf House (2018)
Made in the tradition of faux cursed films in the same vein as Antrum: The Deadliest Film Ever Made, the eerie backstory to 2018’s Chilean animated flick The Wolf House (La Casa Lobo in the original Spanish) already makes it a nightmarish experience before the flick even really begins.
After all, the movie is presented to us as a faux propaganda film produced by the leader of a death cult (heavily inspired by the real life Colonia Dignidad), with this hybrid animated feature using complex movie magic to simulate a single uninterrupted shot as it tells the story of a lazy young girl who runs away from an isolated colony and encounters a creepy old house in the woods.
4. The Brothers Grimm (2005)
Out of all the Monty Python alumni, Terry Gilliam has had the most interesting career outside of the original comedy group. From fascinating canceled projects (such as his scrapped adaptation of Watchmen) to dystopian parodies that feel more relevant by the minute (1985’s Brazil), even his “lesser” films are still intriguing in their own way.
2005’s The Brothers Grimm is one such project, with this peculiar movie attempting to combine the comedian-turned-filmmaker’s unique visual style with a more blockbuster-oriented plot reimagining the titular brothers as con-artists rather than mere writers. The end result isn’t exactly a masterpiece, but it’s still a legitimately fun ride with plenty of memorable monsters and wonderful performances by both the late, great Heath Ledger and Matt Damon.
3. Dante’s Inferno: An Animated Epic (2010)
2010’s Dante’s Inferno game may have a reputation as something of an unapologetic God of War clone, but I’d argue that the now-obscure game was aesthetically unique enough to deserve a bigger fanbase. However, while the title remains trapped on the seventh console generation, its highly underrated anime adaptation is a lot easier to get a hold of!
Animated by 6 different studios in order to make the 9 circles of hell feel unique from each other, this may not be a completely faithful adaptation of Dante Alighieri’s poem, but it’s still one heck of a great (not to mention gory) time that I’d highly recommend to fans of Netflix’s take on Castlevania.
2. Underworld: Rise of the Lycans (2009)
My personal favorite entry in the Underworld franchise, Rise of the Lycans, is a highly ambitious prequel that actually works better if you haven’t had the story spoiled to you by the previous Underworld films.
While the rest of the series features plenty of urban fantasy elements as the movies combine machine guns and modern environments with gothic storytelling, Patrick Tatopoulos’ prequel fully embraces its fantastical origins and tells a classic tale about a doomed romance between a werewolf and a vampire amid a medieval uprising.
And the best part is that we get a lot more Michael Sheen as the fan-favorite Lucian.
1. Solomon Kane (2011)
One of my personal favorite movies on this list, MJ Basset’s criminally underseen adaptation of Robert E. Howard’s other iconic warrior is thoroughly steeped in horror ambience and features plenty of memorable monsters. However, it’s also a classic origin story for a swashbuckling hero that wouldn’t feel out of place in a tabletop RPG.
While I’ve already written about how the film deftly combines both horror and fantasy elements without breaking the bank, I’ll never pass up an opportunity to recommend the bizarre movie where James Purefoy expertly plays a puritan John Wick.
It’s just too bad that we never got the other films in this intended trilogy.
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