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Horror Icons in Fighting Games – Why It’s a KO Move!

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As more and more horror icons are getting crammed into fighting titles, we explore the relationship between the two

The villains and anti-heroes of our favorite horror franchises have effectively been terrorizing and entertaining audiences (“terrortaining”, to coin a bad phrase) for decades now across numerous franchises. We love these monsters. We need these monsters. But in spite of the constant franchise-ization of horror and the many costumes of these boogeymen that are trotted out every Halloween allowing us to become them, there is still a degree of disconnect going on here. Even though audiences have made it clear that they want to be these monsters, video games have been incredibly slow on the uptake to cater to this wicked whim.

With the recent announcement that the Xenomorph and Leatherface are both soon to join the bloody fray of Mortal Kombat X, some interesting questions have been brought up as a result. With this news causing an avalanche of excitement between Mortal Kombat and horror fans alike, why has this trend been so slow moving? Why haven’t horror icons seen a full invasion into the violent fighting genre of gaming at this point? We’ll examine the progress made in this area through the recent years, as well as how horror could firmly transplant itself in the medium and create a whole new messy playground to invade.

Admittedly, video games haven’t been completely devoid of featuring some of our favorite horror heavyweights through the years. Franchises like Friday the 13th, A Nightmare on Elm Street, and even The Texas Chain Saw Massacre have all seen video game adaptations, but these have been few and far between, not to mention resulting in shoddy titles that are largely superfluous. Only recently, with the release of Alien: Isolation have we seen horror franchises beginning to get respect in the medium with this hopefully becoming a trend of what’s to come. There have been wheels in motion recently to get Jason Voorhes back in the gaming world with a new Friday the 13th title, and the timing couldn’t be better.

TexasChainSawMassacre

With it appearing like (at least for now) that action-adventure and even survival horror angles for horror franchise adaptations aren’t the right direction, what seems like the next logical choice is to turn to the realm of fighting games. This genre distills this mindless carnage of horror films into a medium that revolves around excessive gore. Putting people in control of these psychopaths (as opposed to surviving them), is additionally a fresh twist that gamers are eager for. Adversely, having a bunch of free-range horror icons in one title together becomes a fun mash-up of sorts that allows you to create your own Monster Vs. Monster scenarios, truly indulging and flexing your horror muscle.

Horror franchises allow such an easy transition into fighting games, and it’s likely why there’s already been a good deal of cross-pollination in the field. While not taking iconic horror villains per se, the Killer Instinct and Clay Fighters series were still indulging in these sort of archetypes, featuring fighters that would span everything from werewolves, to headless horsemen, to skeletons, to killer snowmen. In a lot of ways the waters were being tested here to see how palatable characters like this could be in a fighting title.

Flash forward into the more recent generations of gaming and the genesis of the popular trend of “guest characters” in fighting games. I suppose it only makes sense that in a growing time of “system exclusives” and pre-order bonuses that differ depending on your retailer, finding a way to incentivize purchases is the natural progression of things. One of the more famous examples of this has been with Namco’s popular Soul Calibur series. The multi-platform fighting title would feature different guest characters depending on which system you were purchasing for. While they might not be horror franchise icons necessarily, XBOX’s version of Soul Calibur II contains Todd McFarlane’s Spawn, and Soul Calibur IV for the PS3 features Darth Vader, opening the doors for such villainous cameos. If these sort of sweeping experiments could work, then clearly pushing things a little further wouldn’t be that difficult.

Such a push finally happened in the ninth Mortal Kombat title (aptly titled simply, Mortal Kombat), which saw the release of several DLC characters (including Kratos from the God of War video game franchise), which most notably saw the inclusion of Freddy Kreuger. With fans accepting this character with open claws and Freddy quickly becoming one of the most popular characters within the game, clearly this crossover could work. Mortal Kombat might have merely grazed this premise, but the latest game in the series, Mortal Kombat X, has made it their mantra. So Freddy might be absent from the party this time, but Mortal Kombat X does have Jason Voorhes, the Predator, with Leatherface and the Xenomorph from the Alien series on the way. That’s kind of unbelievable. People are going to be reenacting their own personal Alien Vs. Predator fight scenes now, and it’s within a title that exists beyond both of them.

MortalKombat9

Elsewhere in gaming the boundaries have become increasingly fluid, with multi-property titles like Lego Dimensions bringing stuff on the fringe of horror like Doctor Who, Jurassic World, and even 2001 into play. Valve’s Poker Night surprisingly has Ash Williams from Raimi’s Evil Dead as a character, which is a step in the right direction, even if his inclusion here is mostly useless. Even an iOS game like Car Town Streets has the Ecto-1 from Ghostbusters in it! Our perception of what is acceptable and how sacred these worlds are is broadening every year.

There have been several fighting games at this point that have featured a mélange of all the monsters and kaiju out of the Godzilla franchise, with that seeming to have a somewhat smaller fan base (at least in America) than all of the most popular horror series. If these Godzilla fighters can stand, then why not a horror royal rumble? Sure, licensing could be a pain (the only real obstacle I see), but if Mortal Kombat can already assemble this sort of “talent” while seemingly not even trying, then it must be doable. Mortal Kombat saw itself branching out and crossing over with the DC Universe in their Mortal Kombat Vs. DC Universe game, and with so much of a horror slant already being present in their following titles, why not just go all-in and make your next crossover title be Mortal Kombat Vs. All-Star Slashers? When Shrek can appear in Tony Hawk’s Underground 2 (and Iron Man in its predecessor), pretty much anything is possible.

MortalKombatX

A fully realized horror franchise fighting game seems like where we should be heading, so naturally it makes sense to touch upon when this very thing did end up happening…kind of. Terrordrome is a fan-made, free-to-download PC/MAC/Linux title that’s a nightmare come true for horror fans. It’s essentially everything we’ve been talking about here, as it provides a fighting game featuring fourteen of horror’s most famous antagonists. Terrordrome is far from perfect, but there’s a ton of attention to detail and love for horror that’s clearly present in the project (plus online play). It’s a far cry from a commercial release in this vein, but any fraction of enjoyment that you experience here is a glimpse of how incredible a major release like this would be.

A very nice blueprint has been set up so far by the likes of Mortal Kombat but just picture the madness that could be had by really scraping the bottom of the murderers’ row of horror villains. Legends like Ash, Hellraiser, Michael Myers, Damien Thorne (in both child and adult-form, like Human and Robot Smoke), or any Murder Santa would be too much. There could even be DLC focusing on certain sizes of characters, with a Tiny Horror Pack containing the likes of Chucky, Leprechaun, and Critters, and a Beasts of Burden Pack featuring more unruly types like The Thing or Pumpkinhead. The sort of variety of fighters present in a title like this, rather than everyone being lumbering men with sharp knives, adds even more value to the concept.

With the release and fallout of Leatherface and the Predator in Mortal Kombat X still having yet to take place, it’s impossible to predict just how much of an influence they’ll end up having. It seems safe to say though that we’ll surely be seeing more of this, and I would honestly be surprised if Mortal Kombat didn’t end up eventually fully giving into this rather than just dishing out more and more guest DLC characters. Whether it’s through Mortal Kombat or some new franchise all onto its own, it likely won’t be long until we’re creating our own horror franchise deleted scenes and acting like a murder pig in murder slop. And don’t we deserve that?

Now, quickly, tell me what Chucky’s fatality would be! Go!

Daniel Kurland is a freelance writer, comedian, and critic, whose work can be read on Splitsider, Bloody Disgusting, Den of Geek, ScreenRant, and across the Internet. Daniel knows that "Psycho II" is better than the original and that the last season of "The X-Files" doesn't deserve the bile that it conjures. If you want a drink thrown in your face, talk to him about "Silent Night, Deadly Night Part II," but he'll always happily talk about the "Puppet Master" franchise. The owls are not what they seem.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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