Editorials
Which Horror Movies Do You Like To Have On in the Background?
People lead busy lives. Because of this it can be difficult to keep up with the constant barrage of new horror films being released, especially in the DTV and VOD markets where the film quality can be a little sketchy. If you work during the day, you probably come home to a bunch of chores to do around the house and don’t always have time to sit down and pay attention to what’s on TV (I come home to cook and/or write, with the occasional video game session thrown in for good measure). It’s nice to have a go-to horror movie that you know is good that you can just have on in the background while you get your work done. Maybe you’ve seen a certain movie so many times that you could play it in your head from memory. Maybe there’s a movie so atmospheric that you like the way it makes your house feel when it’s on. Or maybe there’s just a movie that you have fond memories of. My question to you is: which horror movies do you like to have on in the background? Leave a comment below or Tweet me with your go-to background horror movie and why you love it so much and I may include it on my next “Readers’ Choice” post!*
*I get that many answers will skew towards films like The Texas Chainsaw Massacre, Suspiria, Friday the 13th and other classics like that, and that’s alright! But I also want to see some unconventional answers. As a measure of good faith, I’ve listed off five of my go-to horror movies that I like to just put on in the background. Some may be obvious choices. Others…not so much.
Halloween (1978)
You know those movies that you’ve seen so many times that you can actually play it back in your mind? Halloween is one of those movies for me. John Carpenter’s pivotal slasher movie is one of the first classic horror films I ever saw (thanks Dad) and because of that it has stuck with me ever since. You just can’t go wrong putting Halloween in your Blu-Ray player!

I Know What You Did Last Summer
Did I just lose any of you? I know, I know, I Know What You Did Last Summer is a sub-par slasher that represents Kevin Williamson ripping off his own film: Scream. You know what? I don’t care. It’s nowhere near as terrible as some people say it is. I will confess that I usually start the film on Chapter 10, when Helen (Sarah Michelle Gellar) is in the cop car, but that’s still a good 40 minutes of movie left to have on in the background!

Scream 2
You may have read my recent piece on 1997 horror. You also may have read some of my other articles showing my complete and total adoration for Wes Craven’t slasher sequel. This is no coincidence. I could watch Scream 2 any day of the week. It’s just one of those movies for me. Interestingly enough, it was actually my least favorite of the original trilogy when I watched them all for the first time (I was 14. Sue me). As the years went by I slowly started to recognize the absolute genius of Scream 2. I’ve memorized musical cues, dialogue and even camera angles. It’s just one of those films for me.

Deep Blue Sea
Aquatic horror is sort of my thing, and while the obvious choice here would be Jaws (which I love, don’t get me wrong), the winner for me is Deep Blue Sea (with Jaws 2 being a close second simply because it’s an aquatic horror film merged with a slasher film and that is A-OK in my book). Renny Harlin’s dumb-but-fun film is about killer sharks with enlarged brains that have become much smarter than the dim-witted human characters. How can you not enjoy that?! Trevor Rabin’s score is nothing to scoff at either.

Sorority Row
Sorority Row is a total blast and I will tear into anyone who says otherwise. Or just direct them to my defense of the film from a couple of years ago. Playing like a combination of Scream and Mean Girls, it is filled to the brim with fun kills and bitchy quips from its quintet of lead actresses. Sorority Row is endlessly quotable and doesn’t demand a lot of attention, making it a perfect horror movie to have on in the background.

So there you have it. Should I feel embarrassed? I don’t think so, but maybe you feel different. I promise I love good horror! But when it comes to background noise only a few movies will do. Plus, I’m a child of the 90s. This lineup fits me perfectly.
What are some horror films that you like to just put on in the background when you aren’t able to fully pay attention to the TV? What is your “comfort movie,” if you will? Leave a comment below or Tweet me with your go-to background horror movie and why you love it so much and I may include it on my next “Readers’ Choice” post!
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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