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Which Horror Film Will You Be Seeing in Theaters This Weekend?

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horror at the theater

This October surprisingly doesn’t see that many horror films getting a theatrical release, but a good chunk of the ones that are are coming out this weekend. And by “good chunk” I mean three of them. Of your three options, two are legitimate horror films. The third film is a Tyler Perry comedy. Pick your poison and let us know which one you’ll be seeing in theaters this weekend!

Ouija: Origin of Evil

I had a chance to watch the first Ouija this weekend, and I actually didn’t hate it like so many other people seem to. Sure it’s painfully generic and not particularly scary, but it’s not offensively bad or anything. It’s just a cookie-cutter horror film for tweens. Director Mike Flanagan (Hush, Oculus, the always-delays Before I Wake) hopes to improve upon the original by bringing his own unique talent to the prequel, which he also co-wrote with Jeff  Howard, his writing partner on Oculus and Before I Wake. The prequel delves into the story of the Zander family, the family of women who featured prominently in the backstory of the Ouija board in the original film. The fact that Origin of Evil is a prequel essentially means that you know how it is going to end (unless you haven’t seen Ouija), but Flanagan undoubtedly has a few tricks up his sleeve to keep the film from being a bore.


Boo! A Madea Halloween

So this is a thing that exists. Tyler Perry is making his first attempt at horror comedy (which, let’s be honest, is just comedy) with Boo! A Madea Halloween. It is only the second Madea film of his to not be adapted from one of his own stage plays. Interestingly enough, the idea for the film came from the 2014 Chris Rock movie Top Five, which featured a clip from a fake Madea movie called Boo! After that film’s success, Lionsgate approached Perry about making the film for real. Two years later and here we are! In the film, Madea (Perry) is stuck babysitting her great-niece (Diamond White) on Halloween night and must fend off zombies, ghosts and serial killers.


31 (Limited)

It’s likely that many of you have already seen Rob Zombie’s latest film (our review). After a moderately successful Fathom Events screening last month, the film was released on digital OnDemand platforms, making the film readily available for anyone with an internet connection. Fathom Events had another special screening last night, but according to the film’s website it will supposedly be getting a limited theatrical run starting today. In the film, a group of carnival workers must play the game of “31” by surviving 12 hours in a maze-like set of rooms. The catch is that they are being stalked by a horde of murderous clowns for the duration of those 12 hours.

What are you going to be seeing this weekend? Let us know in the comments below!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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