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8 Festival Favorites We Can’t Wait For You to See in 2017!

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We here at Bloody-Disgusting often get spoiled. We get to go to film festivals (sometimes for free) and see loads of horror movies months (sometimes years) before they get any sort of release. It can also be alienating for readers to read a bunch of top 10 lists containing a plethora of films that they themselves are unable to see. That is why I don’t include festival films on my top 10 lists. It’s not fair to all of you and the last think I would ever want to do is make you feel left out. So I’ve created a separate list to start the year off on a positive note, in the effort to get your hopes up for some truly special films that will hopefully see a release this year. The following eight films are festival favorites of mine that I’ve seen in the past two years and for some reason still haven’t seen a release.

Safe Neighborhood

It’s no secret that Chris Peckover’s Safe Neighborhood, which pits a babysitter (Olivia DeJonge, The Visit) and her charge (Levi Miller, Pan) against some psychotic intruders, was one of my favorite films of the festival. It provides a bonkers twist on the home invasion sub-genre that had me squealing with glee from start to finish. It has earned its place with Gremlins, Krampus and Batman Returns as part of my annual holiday viewing tradition. Just don’t let anyone spoil the twist for you when it gets released (supposedly in the 2017 holiday season). It’s a doozy.

2017 indie horror


The Devil’s Candy

Man, I cannot believe this hasn’t seen a release yet. I saw this back in September 2015 at Fantastic Fest here in Austin and it wound up being one of my favorite films of the festival. Sean Byrne’s (The Loved OnesThe Devil’s Candy is a thoroughly enjoyable possession film about a painter (Ethan Embry) who is possessed by Satanic forces after he and his wife (Shiri Appleby, UnREAL) and daughter (Kiara Glasco) move into a new house. Part haunted house film and part possession film, The Devil’s Candy is a fresh take on a stale sub-genre. The final 20 minutes are incredibly tense and worth the price of admission alone.

2017 indie horror


February The Blackcoat’s Daughter

Just what the hell is going on with Oz (son of Anthony) Perkins’s The Blackcoat’s Daughter (my review)? It was a hit at many 2015 film festivals and has been running into release issues ever since. His second feature, I Am the Pretty Thing That Lives in the House (review), already saw a release on Netflix this year. This is depressing because The Blackcoat’s Daughter is a truly haunting film with great performances that will stick with you for days (or even weeks) after you see it. I can’t get the damn thing out of my head and I saw it a year and a half ago.

UPDATE: I wrote this article the day before this news broke. You’ll get to see it soon!

2017 indie horror


Don’t Kill It

Don’t Kill It (my review) is incredibly fun B-movie trash that is a hoot from start to finish. Lundgren is really in his element here and gets to show off his skills as a comedian (the guy is hilarious) while Kristina Klebe (Rob Zombie’s Halloween) has some fun playing his foil. Director Mike Mendez (Big Ass Spider!, The Gravedancers) gets a lot of mileage out of a gimmicky villain. The film does peak about halfway through with a town hall meeting and never fully recaptures the batshit insanity of that scene, choosing to play the ending a little too seriously. Still, it’s a fun popcorn movie that deserves to be seen with a crowd.

2017 festival horror

Next: A cannibal coming-of-age tale and an Anne Hathaway kaiju movie!

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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