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Trace’s 10 Best Horror Movies of 2016!

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best 2016 horror

Mr. Disgusting’s Top 10 Horror Films | Several More Must-See Horror Films | Kalyn’s Top 10 | Trace’s Top 10 | Trace’s Worst 510 Best Posters | Worst Posters | Best Trailers | Luiz Picks the Best Horror Shows | Chris’ Best Blu-rays 2016: The Year Netflix Embraced Horror | 10 Sci-fi Movies You May Have Missed | 13 Most Disturbing Horror Movie Moments |
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[Poll Results] The Bloody Disgusting Readers Chose the 10 Best Horror Movies of 2016
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2016 was a pretty phenomenal year for horror. There was a winner released nearly every month and sometimes even more often than that. Even summer, which was overall a box office disappointment, was saved by horror films like The Conjuring 2, The Shallows and The Purge: Election Year. This made singling out 10 of the best films rather difficult, but somehow I prevailed. In an attempt to reduce reader frustration I have left off any films that I saw at festivals that haven’t seen a release yet. I did the same thing last year, so that means that some films I saw last year at festivals that saw a release this year were eligible for placement on this list. I didn’t get to see quite as many horror films as I would have liked (only about 70 out of 120), but to see what was up for consideration you can see the list of 2016 horror films I watched on my Letterboxd page. Let’s get started, shall we?

Honorable Mentions

As mentioned above, there were a ton of great horror movies this year. Unfortunately not all of them could make my Top 10. Here are some of the films that I thoroughly enjoyed but aren’t exactly the best of the best (of the best).

Let’s start with the mainstream releases. Had Arrival (my review) been an actual horror film it would have easily cracked the Top 5 in this list, but since it’s a bit of a stretch to call it a horror film I left it off. If you haven’t seen it yet stop reading now and go see it immediately. It’s brilliant. Also brilliant? Yeon Sang-Ho’s Train to Busan, one of the most fun zombie movies to come out in over a decade. After all the controversy surrounding the new Ghostbusters, I was surprised to find out that I enjoyed it quite a bit. It is a lot of fun and set up what could be a wonderful franchise, but it looks like that won’t be happening any time soon. Many of you gave us a lot of crap for liking Blair Witch (my review), but I maintain that it is the sequel we deserved 16 years ago. It’s a tense, exciting film that was a perfect way to end the summer. Finally, Jaume Collet-Serra’s The Shallows proved against all odds to be the perfect form of escapism. Who knew watching Blake Lively on a rock for 90 minutes would be so entertaining?

On the indie front we had Mickey Keating’s Darling (my review), a beautiful homage to films like Repulsion. Bernard Rose (director of Candyman) surprised everyone this year with a modern adaptation of Frankenstein. Bryan Bertino (The Strangers) had a return to form with the heartbreaking The Monster. And how could we forget about The Autopsy of Jane Doe? André Øvredal’s (Trollhunter) spooky haunted house movie is an exciting roller coaster ride that is marred only by a middling final act. Finally, the best B-movie to come around in a long time is Pet (my review), a film with a second act twist so great it would be a crime to spoil it here.

Up Next: My Top 10 Horror Films of the Year

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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