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John Carpenter’s ‘The Thing’ Turns 35 Today!

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The Thing Anniversary

Can one write enough articles about John Carpenter’s masterpiece of a remake, The Thing? The correct answer is no. The Thing turns 35 today, so let’s celebrate (as if you needed another reason to pop this bad boy in the Blu-Ray player).

The Thing opened on June 25, 1982, the same day as Ridley Scott’s Blade Runner and just two weeks after the release of Steven Spielberg’s E.T. the Extra-Terrestrial. Because of this (Carpenter believed that audiences wanted a more positive outlook at alien life), the film was a critical and commercial flop. It was greeted with negative reviews upon its release and earned just $3.1 million on its opening weekend, placing it at the number eight spot at the box office.

The Thing went on to gross $19.6 million against its $15 million budget, which doesn’t account for marketing and advertising costs. Of course, the film was eventually reappraised by critics and is now considered one of Carpenter’s best films, if not one of the best films ever made, horror or otherwise.

In fact, the film has had a rather significant impact on pop culture over the last 35 years. It seems that any film or television show includes a reference to the 1982 classic (okay, that’s an exaggeration, but just look at this list!), so here are some of the more memorable references to the film over the past 35 years.


Tomb Raider III: The Adventures of Lara Croft

Not only does much of the climax of this video game take place in an Antarctic research base where the human researchers have been turned into mutants by an alien that crash landed on earth, but the final boss is a giant spider creature with a human head! They should have just called this Tomb Raider III: The Thing.

Tomb Raider 3


The Faculty

This one probably needs to explanation, but screenwriter Kevin Williamson pays homage (Or rips off? Your call.) to the infamous blood testing scene in The Thing with a slight tweak (ha ha) on the formula. The students in this alien invasion thriller learn that the aliens are susceptible to a homemade drug made by Zeke (Josh Hartnett) so they all take turns snorting it to figure out if any of them have been infected. Spoiler alert: it’s Delilah (Jordana Brewster).


Ghosts of Mars

I couldn’t find a clip of this, but John Carpenter references one of his best films in one of his worst films. Pam Grier’s character asks the question “Who goes there?”, which is the name of the novella that Carpenter’s film (and the original) is based on. She probably shouldn’t have asked, because this is what happens to her later:

Ghosts of Mars


Resident Evil 4

The Resident Evil franchise is known for its eclectic set of monsters for your character to fight against, but the dogs in Resident Evil 4 dog transformationfrequently have tentacles from the Las Plagas parasite emerge from their spines. This is a direct homage to the in The Thing.

Resident Evil 4 Tentacle Dog


Slither

Attentive viewers will see that the funeral home is in James Gunn’s 2006 film Slither is owned by none other than R.J. MacReady, the name of Kurt Russell’s character in The Thing. Maybe he did make it out of Antarctica after all?

Slither


The Mist

The opening scene of Frank Darabont’s adaptation of Stephen King’s novella features quite a few Easter Eggs for horror fans, the most high profile of which is some Dark Tower artwork and a poster of The Thing hung up on a wall.

The Mist


Monsters Vs. Aliens

In the 2009 film Monsters Vs. Aliens, the Missing Link (Will Arnett) escapes from a block of ice much like the titular baddie in Carpenter’s 1982 film.

Monsters Vs. Aliens


Futurama: “Murder on the Planet Express”

The 24th episode of the seventh season of Futurama is a full-on parody of The Thing. The episode sees the core cast of characters thrust into a team-building trust exercise in which an alien slowly begins shape-shifting into them and eating the other characters.


Celebrity Deathmatch: “Deathbowl ’98”

In this episode of the hilariously inappropriate MTV series, Charles Manson bites a chunk of flesh out of Marilyn Manson’s shoulder and spits it out. After a brief moment, the chunk of flesh grows legs and walks away, much like Norris’s (Charles Hallahan) head in The Thing.


The X-Files: “Ice”

The eighth episode of the first season of The X-Files took a lot of inspiration from The Thing in that it put Mulder (David Duchovny) and Scully (Gillian Anderson) in an Alaskan outpost where an alien parasite has begun taking over the team of geophysicists who are stationed there. Before they know it, they are turning against everyone on their team, which includes Desperate Housewives‘ Felicity Huffman, as they try to figure out who is infected and who isn’t.


Teenage Mutant Ninja Turtles: “Buried Secrets”

April O’Neil’s mother returns to her in the third episode of the third season of Nickelodeon’s hit cartoon series, but she is actually a Kraang creature posing as her to get intel from the Turtles. The tentacles that emerge from her are highly reminiscent of the creature in The Thing.

TMNT


The Hateful Eight

Not only does Quentin Tarantino’s latest film feature a group of people locked in an icy setting as they try to figure out who among them is working against them, but it also features an Academy Award-winning score by Ennio Morricone, the same man who composed the score for The Thing!


Stranger Things

Any science fictions television set in the 80s has to mention The Thing, right? There is a poster for the film in Mike’s house and footage from the film can be seen on science teacher Mr. Clarke’s TV screen in the seventh episode of the series.

There are a lot more references to The Thing out there in popular culture, and I’m sure I’ve missed most of them. What are some of your favorites? Let us know in the comments below and help celebrate The Thing‘s 35th anniversary!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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