Editorials
[Short Film Spotlight] You’ve Got a Mystery Date with Terror in “Your Date is Here”
There are tons of bite-sized horror films popping up online everyday…each a potential quick fix for your fear addiction. Here at BD, we’re happy to show some love to the good ones. We even have our own show dedicated to just that! “World of Death” exposes some of the best up and coming talent in the horror world. But, even beyond our weekly anthology of underground goodies, there’s a bevy of films deserving of a few minutes time with your eyeballs. We hope to shed some light on the hidden corners and dark shadows of the internet where the most gruesome shorts may lurk with “Short Film Spotlight.”
It’s amazing what can be accomplished with a free weekend and a strong concept. Just take a look at David Sandberg. His itsy-bitsy short, “Lights Out,” not only scored himself a Hollywood feature based on the same material but an upcoming mega budget DC flick (Shazam!). The truth is, it’s hard, especially within the horror genre, to cram a miniature dose of terror within a coherent package in just under 10 minutes, let alone craft a story worthy of the big screen treatment. Filmmakers Todd Spence and Zak White have certainly cracked the code with “Your Date is Here.” The six minute spooker produced for the duo’s Midnight Video outlet tells the story of a mother and daughter sitting down for a girls night in with a delivery pizza and an old school board game.
The game, aptly titled Your Date is Here, is a clear takeoff on the classic gender stereotype enforcing Mystery Date. A game in which players have to collect cards in order to build the perfect outfit to match the possible dream boat lurking behind a little plastic door affixed to the game board, likely wouldn’t fly off shelves today. Oh, and you also had to ensure you avoided winding up with “The Dud,” a nerdy zero who was sure to be the death of your social life. Spence and White use the dated concept and retool it to feature a telephone for communicating with the mystery man. Suffice to say, this is a horror film, and what ‘s behind the door and on the other end of the line is far from a pretty sight.
I had the chance to chat with the writer/directors about “Your Date is Here,” and I’ll be sharing that convo below. However, you should totally check the short out first to avoid spoilers! So…here ya’ go.
Still here? Great! Hopefully you enjoyed that as much as I did. I wanted to pick their brains about their inspirations and find out just what led them to make “Your Date is Here.”
Todd Spence: Growing up in a small town, there’s not a whole lot to do beyond getting into trouble or going to the movie theater and video store. I chose the latter. Horror/Comedy might be my favorite subgenre. Movies like American Werewolf and Innocent Blood have always been great. I grew up loving John Landis movies and can thank “The Making of Thriller” for peaking my interest in filmmaking and possibly horror movies overall. I think that’s where Zak and I connected in our writing. I’ve known Zak since college when we went to Webster University and joined the film program there. Actually a lot of those guys that we became friends with worked on this short and our other horror short“Where is It”. I have to say, I didn’t learn a ton of technical skill in college but you meet some really great people.
Zak White: You learn the most in film school by just going out and making something and we were both very lucky to meet a group of really talented people who had similar tastes and goals. We spent most of our time focused on comedy, but when we started to focus more on horror, things began to click.
While I’ve never actually played Mystery Date, I did (unknowingly) wind up with a “Saved by the Bell” board game as a kid that was practically a rip off. I had no idea that when I asked for a game based on one of my favorite shows that I would be playing to win a date with either Zack, Slater, or, heaven forbid, Screech (“The Dud”…or in this film’s case, “The Dweeb”). So, had Spence or White ever played the game themselves, and what drew them to this particular concept?
TS: We never played Mystery Date but we vaguely remembered the commercials growing up. The game was released in the 50’s but then they reproduced it in the 90’s and when we were thinking of an idea we hadn’t really seen before, that game entered the conversation. It’s already creepy without meaning to be creepy. There’s some dude behind the door, you don’t know who it is, you don’t know what he looks like but you’re about to go on a date with him and trust this guy? Yeah, that’s scary.
ZW: A horror Jumanji seemed like too much fun to pass up. Plus, blind dates might’ve seemed fun and exciting a half century ago when the game first came around, but in this day and age that concept is straight terrifying.
Of course, I had to know about the actual board game design used in the short. It was so authentic that I forgot while watching that the original game was called Mystery Date and not Your Date is Here. I just assumed they found this in a thrift store somewhere and decided to use it in their short. I should’ve known better.
TS: We took a Mystery Date board and put our own logos, aged the board a bit and added the phone and call button. The phone isn’t a part of the original Mystery Date design, but we liked that extra level of contact within the game. Tate Marshall designed the logo and box art. Incredibly talented artist.
ZW: It was a lot of fun taking the existing design and seeing what we could warp and change to fit our needs. Obscuring faces and aging corners, it really gave an eerie feel to just an ordinary piece of cardboard. I would absolutely play this game.
The Dweeb feels like a piece of a much larger story. Did you know the backstory for the spirit (or demon) going into the film? If there were interest, is there potential to see this expanded into a feature?
TS: Going into the completed short script, we didn’t know what the back story would be, but we actually just completed a feature script we’re shopping around, which explains not only who this guy is, but all of his friends. In the game, you have a few date options so it’s the Dweeb times five. The script also has a lot to do with today’s social commentary in regards to male and female roles and what’s going on with abuse.
ZW: We really enjoyed taking this monster and digging into the “how and why” of him. He’s not just popping out and doing this thing, he’s having fun with it. Teasing his victim, toying with them, it really says a lot about him and not to spoil anything, but turns out… he’s a big creep.
I, for one, would be all over that. Let’s get a Dweeb movie, people! The shoot itself was filled with the typical foibles of indie production: hot lights, no AC, angry neighbors making noise complaints. It’s a testament to anyone out there who wants to get behind the camera. Just do it! Plan it out, be smart, and get creative. If you have a roof over your head, you already have you location. Of course, if you keep this up you might find yourself in the same position as Spence and White.
ZF: We shot our first short in Todd’s apartment, our second short in mine. We’ve run out of free apartments!
If you or someone you know has an awesome short worthy of the Short Film Spotlight, hit me up on Twitter. Until next time, later, fiends!
Horror was permanently changed in 1984 when Wes Craven’s A Nightmare on Elm Street unleashed Freddy Krueger on the world. This brutal boogeyman pushed horror to exciting new places, but so much of the character’s impact is the result of Robert Englund’s quintessential performance.
Englund has a long and storied career as a performer that’s covered far more than horror alone. However, there’s such a sublime, sinister synergy between Englund and this heightened genre that’s made him one of horror’s most revered names.
Englund is set to scare audiences again as a malevolent reimagining of Jiminy Cricket in Pinocchio Unstrung, but he’s also been responsible for many more macabre monsters.
The Cricket (Pinocchio Unstrung)
Winnie the Pooh: Blood and Honey has somehow spun a morbid experiment in public domain exploitation into its own cinematic universe, the Twisted Childhood Universe. There’s been increasing promise in the TCU’s various films, which has also led to a growing list of capable horror guest stars, such as Roger L. Jackson, Richard Brake, and now Robert Englund. Englund is by far the most impressive name to attach himself to one of these movies, and Pinocchio Unstrung certainly doesn’t squander the opportunity to have him on board as its terrifying take on Jiminy Cricket. Englund’s performance as “The Cricket” in Pinocchio Unstrung becomes a sinister subversion of the classic character who is meant to function as Pinocchio’s conscience and moral compass.
Englund’s Cricket is instead the ultimate instigator who perpetually pushes Pinocchio into greater violence that condemns humanity and its many misgivings, rather than idolizing all the “real boys” in the world. Pinocchio Unstrung is a love letter to practical effects and old-fashioned animatronics and puppetry. This means that Englund just provides the voice for Cricket, but it’s still a deeply sinister performance and one of the most unnerving characters to appear in the Twisted Childhood Universe. Once again, Englund is careful not to just repurpose his Freddy Krueger persona, and he instead develops an original voice that plays into past renditions of the character. There’s a palpable rage and disdain in Englund’s Cricket that turns him into a threatening loose cannon and makes the audience forget that he’s only a few inches tall.
The Phantom of the Opera (The Phantom of the Opera)
The Phantom of the Opera is a foundational horror story that’s still being explored over a century later. 1989’s cinematic adaptation of Gaston Leroux’s 1910 classic doesn’t always get the respect that it deserves, despite it containing one of Englund’s most nuanced horror performances. Directed by Dwight H. Little, who previously helmed the underrated Halloween 4, The Phantom of the Opera operates as a gorier take on Leroux’s source material that feels like a lost Hammer Film picture. The titular Phantom is the perfect role for Englund following A Nightmare on Elm Street, and his participation in the picture was initiated by Englund promising his agent that he’d do another horror project after Elm Street’s success.
Englund was excited to tackle an iconic character who had previously been portrayed by formative horror legends like Herbert Lom, Claude Rains, and Lon Chaney. Englund beautifully fits the mold and is sublime casting for this ‘80s take on the character. Englund taps into a powerful dichotomy between the Phantom’s brutal and tragically sympathetic nature. It’s a role that’s significantly deeper than Freddy Krueger and better explores Englund’s range as an actor, which helps get him away from cheesy one-liners. It also doesn’t hurt that Little concocts a uniquely twisted take on the Phantom’s disfigurement, which was achieved by sewing human skin onto Englund’s face. The modern-day sequences that bookend the film were meant to tie into a planned sequel, The Phantom of the Opera 2: Terror in Manhattan, which unfortunately never came to fruition.
Victor Creel (Stranger Things)
Love it or hate it, Stranger Things assembled some impressive guest stars that took advantage of their respective legacies as ‘80s genre legends, such as Linda Hamilton, Matthew Modine, Cary Elwes, and Robert Englund. Englund’s turn as Victor Creel in the streaming hit’s fourth season is one of the series’ best performances and a role that rises above the mediocrity around it. Victor Creel is an opportunity for Englund to actually subvert expectations and play against type. It’s brilliant casting that initially conditions the audience to be wary of Creel and view him as a frightening threat. This perception is reinforced when Creel is encountered in a psychiatric ward and horrifically blinded.
Creel’s disturbing eye-gouged appearance is revealed to actually be a symptom of his tragic life and the psychological torment he received from Vecna. Creel is hard to look at, but there’s nothing to fear about him. He’s led a sad life that’s filled with inescapable guilt. He’s more like one of Freddy Krueger’s victims than Freddy himself. Englund goes above and beyond as Victor Creel, and the emotional monologues that he delivers are among some of the actor’s best work and proof that Englund’s still got it.
Marquis de Sade (Night Terrors)
Tobe Hooper’s Night Terrors is a particularly forgettable ’90s horror film that faced a litany of production problems and changes that certainly didn’t do it any favors. The story is a mess, even for a Cannon Video production, but it provides the novelty of Englund pulling double duty as the cruel Marquis de Sade and his modern day descendant, Paul Chevalier. Night Terrors banked on the novelty of Hooper directing Englund as one of history’s greatest monsters, and his performance is easily the best thing about this movie.
There’s an unabashed glee to Englund’s work as the Marquis de Sade that’s reminiscent of Freddy Krueger’s twisted jubilation over his creative murders, yet it doesn’t just feel like a carbon copy of Englund’s iconic role. There’s an appreciated degree of restraint going on before the film goes off the rails and incorporates supernatural elements and abstract dream sequences. Chevalier and his modern cult worship the Marquis de Sade as a deity of torture and liberation. The nightmare sequences that involve the Marquis de Sade are the most chilling and make this figure look as frightening on the outside as he is on the inside. There’s enough to latch onto here, even if the film as a whole is a mess, and Englund doesn’t squander the opportunity to play two sides of the same creepy coin.
Scarecrow (Injustice 2)
Robert Englund is no stranger to voiceover work, and he’s voiced his share of macabre and memorable characters over the years. That being said, one of his most inspired roles is the work that he did in NetherRealm’s dark DC Comics-based fighter, Injustice 2, where he plays Jonathan Crane, better known as the Scarecrow. There’s a certain tongue-in-cheek brilliance to having Englund voicing the Batman rogue who is the self-appointed “Master of Fear.” There’s certainly a meta quality to Englund’s casting here, right down to how some of his dialogue explicitly references Freddy Krueger one-liners like “Welcome to your nightmare” and “Now I’m playing with power.”
Englund doesn’t just phone in this performance or replicate his work as Freddy. The actor cultivates a unique voice for Scarecrow that cuts to the core of this character in a menacing manner. Englund’s Scarecrow is raspy, erratic, and honestly one of the better takes on Dr. Crane. It makes one wonder what he’d be able to accomplish if he were playing the part in live-action. He takes a simple role and breathes fresh life into it. Curiously, it’s not his first time playing a Batman villain. He does comparably interesting work as The Riddler in The Batman and the more obscure sorcerer, Felix Faust, in Justice League.
Evil Bloodthirsty Brian (The Hughleys)
There’s a surprising relationship between horror icons and sitcoms, with Robert Englund being no stranger to adding a devious dose of terror to a farcical comedy. Englund shows up as a playful take on Lucifer in Married…with Children, but he also provides a genuinely chilling performance in the first season of The Hughleys. Season one’s “Storm O’ the Century” is centered around the Hughleys and Rogerses getting stranded at a seemingly haunted hotel during an intense blizzard.
“Storm O’ the Century” functions as a proper love letter to horror fans, with genre guest stars that include The Addams Family’s John Astin, The Shining’s Shelley Duvall, and Robert Englund as the comically-named Evil Bloodthirsty Brian. The episode certainly prioritizes its comedy, but it manages to also be legitimately creepy thanks to a locked-in performance by Englund. He’s used sparingly, but always to punctuate a particular scene and function as a jump scare. Evil Bloodthirsty Brian sports a ghastly scar and has a look that’s just frightening enough to be included on a ’90s sitcom. Anyone who is curious about Englund’s performance can check it out for free on Tubi.
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