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5 Christmas Horror TV Episodes That You Can Stream Right Now!

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Doctor Who

Another holiday season is upon us, which means a vast wave of holiday-themed programming heading our way. Almost every television series tends to get in on the holiday spirit and deliver Christmas themed episodes, but our favorite, of course, is when they focus on horror.

We love it when Santa gets homicidal, as he does in Tales from the Crypt’s “And All Through the House,” and American Horror Story: Asylum’s “Unholy Night.” Or even Pagan spins on the holiday, like Supernatural’s “A Very Supernatural Christmas” and the upcoming Netflix special Chilling Adventures of Sabrina: A Midwinter’s Tale.

For those looking for even more macabre twists to the holiday, these five Christmas specials not only bring the yuletide terror, but they’re all available right now to stream.


Inside No. 9 – “The Devil of Christmas”

British dark comedy anthology series Inside No. 9 is a much watch on its own (episodes like The Harrowing are amazing horror TV), and this Christmas special episode proves why. The season three episode is a recreation of ‘70s anthology progamming, complete with authentic filming equipment that lends that grainy, full screen aesthetic. As for plot, it follows a family vacationing at an Austrian Alpine chalet who are soon plagued by the presence of Krampus. The viewer soon learns that this is a film within a film, though, as voice-over narration from the director gives insight to the making of the episode, and we discover that there’s something far more sinister happening for the unwitting star. It’s truly dark stuff.

Where to stream: BritBox subscription on Amazon Prime Video (they offer a 7-day free trial period).


X-Files – “How the Ghosts Stole Christmas”

This season six monster-of-the-week episode sees Mulder call on Scully to investigate a haunted house on Christmas Eve. He explains to his skeptical partner that a pair of lovers haunt the house every Christmas Eve after having killed each other in a lovers’ pact on Christmas in 1917, just so they could spend eternity together. Once inside they’re trapped by the ghosts of Maurice (Ed Asner) and Lyda (Lily Tomlin), who turn the agents against each other, building to a very bloody Christmas finale. Though much more darkly mischievous than overtly scary, this episode is a throwback to the forgotten tradition of holiday ghost stories and its guest stars revel in their twisted roles.

Where to stream: Hulu


Doctor Who – “Last Christmas”

The long-running British sci-fi series Doctor Who has an annual, highly anticipated Christmas tradition; the Doctor Who Christmas special. Every year since the revival series began, you can count on the Doctor and his current companion to travel through time and space to battle imaginative foes in a holiday-themed episode. For horror fans, “Last Christmas” is a ghoulish delight. This episode is what happens when you combine Alien, a smidge of The Thing, a lot of Inception, and jolly old Saint Nicholas (played by Shaun of the Dead’s Nick Frost). The Doctor, his companion, and Santa Claus team up to save a research station at the North Pole from facehugging aliens that send their victims into a deep dream state while they feast on their brains. It’s creepy, weird, and so much fun. You don’t have to be an invested fan of the series to enjoy this episode.

Where to stream: Amazon Prime Video


Black Mirror – “White Christmas”

This British sci-fi anthology series is a deep well of bleak, technology-based terror and the holiday-themed episode “White Christmas” is further proof. An anthology within an anthology, this episode follows two men at a remote outpost in the middle of a snowy wilderness as they tell each other about their lives to pass the time. Starring Jon Hamm and Rafe Spall (The Ritual), their stories are broken up into three segments, and they get bleaker and bleaker the more we learn about the men. It’s depressing, thrilling, and often very creepy. This episode is just as much a reflection on technology addicted culture as it is on humanity, and for those that want their Christmas themed viewings void of sickly-sweet holiday themes, well, this is for you.

Where to stream: Netflix


The Twilight Zone – “The Night of the Meek”

If Black Mirror’s Christmas episode left you feeling blue, this season two holiday themed episode of classic anthology series The Twilight Zone will lift your spirits and leave you feeling warm and fuzzy. Henry Corwin is a down on his luck drunk who happens to be a department store Santa. When he shows up to work plastered on Christmas Eve, he’s fired. All he wants is for the meek to inherit the earth, and to give the hungry children on his street a merry Christmas. When he stumbles upon a large burlap sack that can produce anything a heart desires, Corwin’s dreams become bumpy reality as he becomes Santa for the less fortunate.

Where to stream: Netflix and Hulu

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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