Quantcast
Connect with us

Editorials

Pacino, Goldblum and Black Phillip: 10 Great Portrayals of the Devil in Horror

Published

on

Satan, Lucifer, Beelzebub, Mephistopheles, the Devil – whatever you call him, there are few recurring representations of evil as powerful or as fear-inducing as the ruler of hell.

For as long as film has existed the Devil has been a fixture of horror, which means over a hundred years of depictions. Over a century worth of cinematic incarnations means he’s been everything from a fork-tongued, cloven-hooved beast to offspring of powerful anti-matter ruler.

But for all of his countless appearances in horror, these 10 portrayals are sinfully the best.


The Devil’s Advocate – Al Pacino

Pacino’s rendition of John Milton, aka Satan, is pure scene-chewing melodrama. For most of the film, Milton is a bombastic leader of a high-end law firm, working hard to tempt Keanu Reeves’ Kevin Lomax with money, power, and lust. Unadulterated smarm and charisma, Pacino’s version of the Devil is far more outgoing than many of his other onscreen iterations. Of course, all of that pales in comparison to the final act, when Milton reveals that not only is he Kevin’s Satanic dad, but that he wants Kevin and his half-sister to conceive the Antichrist. Because nothing says welcome to the family like incest. Pacino ramps up his performance to eleven here, delivering devilish monologues with over-the-top gusto.


The Witch – Black Phillip

For the family at the center of this period set horror film, being banished from a Puritan colony is only the beginning of their problems. Isolated and alone, they’re vulnerable to the darkness lurking in the nearby woods. A witch. First baby Samuel is stolen by the witch to be ground down into a flying unguent. Then eldest son Caleb is seduced by her, sending him into subsequent madness. In turn, the surviving family members descend into paranoia and chaos, each blaming the other for their ills. No one suspects that the family goat, Black Phillip, was Satan in disguise, manipulating the family all along. No need to be afraid of a neighboring witch when the Devil’s hanging around your yard.


Prince of Darkness – Susan Blanchard

Technically, for a good chunk of the film anyway, Satan is depicted as a large cylinder of swirling green goo. Thanks to John Carpenter’s interest in theoretical physics, which lead to his combining Satan with the concept of anti-matter, this iteration of Satan is the liquid offspring of an even bigger evil – Anti-God. When a group of academics come to study the mysterious stuff in the basement of a church, those exposed become possessed by it, who then bring the cylinder to the chosen physical vessel; a sleeping Kelly (Susan Blanchard). Gnarly and disfigured, the new Kelly is powerful and creepy, but her sole purpose now is to herald in her much more powerful daddy from the other realm.


Constantine – Peter Stormare

Supernatural detective John Constantine (Keanu Reeves) has managed to piss Lucifer off bad enough that he’s the only soul Lucifer would come topside to collect personally. So, when things hit the proverbial fan, John slits his wrists as a means of manipulating Lucifer into intervening with Gabriel’s nefarious plans. If you want your film’s depiction of Lucifer to be memorable, then you hire Peter Stormare. His few small scenes pack a punch; his take on Lucifer is venomous, magnetic, and a little bit unhinged. Stormare plays Lucifer with a malevolent glee.


Tales from the Hood – Clarence Williams III

For the trio of drug dealers taking refuge in a funeral home, they find more than they bargained for with the eccentric owner, Mr. Simms (Williams III). He regales them with four tales of terror before turning the tide on the criminals. Mr. Simms isn’t really a funeral home director; he’s Satan himself come to usher these boys to Hell. Williams is delightfully campy as Simms, the manic energy increasing with each tale, until it explodes in the final reveal. “This ain’t no funeral home! It ain’t the Terror Dome, neither! Welcome to Hell, motherfuckers!”


The Prophecy – Viggo Mortensen

There’s a simplicity in The Prophecy’s version of Lucifer that makes him all the more terrifying. Dressed in black and soft-spoken, this Lucifer doesn’t exactly look threatening at first glance. But Mortensen imbues the first fallen angel with a menace unlike any other portrayal before. His soft-spoken, calm demeanor as he utters lines like, “I can lay you out and fill your mouth with your mother’s feces, or we can talk” is unsettling. Mortensen plays Lucifer with such apathetic disdain toward humans, his body language relaxed, that it communicates a sense of immense power in a way that’s far more sinister and effective than flashy demonstrations and boisterous performances.


Mister Frost – Jeff Goldblum

Mr. Frost is a serial killer arrested and sent to a mental asylum after confessing to multiple murders. He doesn’t speak for two years, and the police aren’t able to discover his identity. He breaks his vow of silence to claim his identity as Satan to one of the doctors, along with his intent to trick her into murdering him. As the title implies, Goldblum plays his sadistic serial killer with icy intelligence. Calm, cool, and cunning, Goldblum makes for one unnerving Devil.


Angel Heart – Robert De Niro

Angel Heart is a horror movie disguised as a noir mystery thriller. De Niro plays Louis Cyphre, a man who hires private investigator Harry Angel (Mickey Rourke) to track down a singer named Johnny Favorite. The investigation leads Harry down one hellish web of deceit, death, and horror. Louis Cyphre is a homophone for Lucifer, who’s playing poor Harry like a fiddle. One of De Niro’s best performances of all time, his take on Lucifer is as regal as it is creepy. Seriously. You’ll never look at hardboiled eggs the same way.


The Wailing – Jun Kunimura

After the arrival of a Japanese stranger in a mountainous village of South Korea, a mysterious illness begins to spread. One of the symptoms is a homicidal rage. A bumbling cop is drawn further into the investigation when his own daughter is stricken with the illness. That’s the simplified version of the plot, which becomes increasingly more complex as it progresses. While the narrative toys with science versus religion behind the mysterious illness for most of the run time, ramping up the dread in the process, the final scenes are pure horror. The Japanese-speaking deacon who aided the police as investigator comes across the stranger in a cave, in the aftermath of absolute anarchy. That stranger reveals himself to have been a soul-stealing Devil all along, and it’s downright unsettling.


Legend – Tim Curry

What happens when you combine the talents of legendary special makeup effects artist Rob Bottin (The Thing) with an iconic performance by Tim Curry? You end up with one of the best iterations of the Lord of Darkness of all time. Ridley Scott’s dark fantasy may have starred Tom Cruise as the naïve hero Jack, out to save his lady love from the Lord of Darkness’ clutches, but he was upstaged by Curry at every possible turn. “What is light without dark? What are you without me? I am a part of you all. You can never defeat me. We are brothers eternal!” Indeed, Darkness. Indeed.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

Click to comment

Editorials

Beyond the Bargain Bin: 5 Underrated Direct-to-Video Horror Sequels

Published

on

Underrated direct-to-video horror sequels

The home video market used to be a chaotic industry wedged neatly between theatrical releases and television productions. It was where indie filmmakers could experiment with and profit from low-budget bangers while big studios could also squeeze extra money out of beloved properties without necessarily investing in blockbuster sequels.

There were plenty of cinematic duds during this time, and you never really knew whether you had just picked up a legitimately fun low-budget endeavor or a quick cash-grab from the rental store, but I’d argue that the good outweighed the bad because these flicks were allowed to be weirder than their big-budget counterparts – especially where sequels were concerned.

In honor of these home video hidden gems, today I’d like to recommend five underrated direct-to-video horror sequels that are still worth tracking down!

For the purposes of this list, I’ll be defining direct-to-video productions as films that were exclusively released on video/DVD, so no limited theatrical releases or TV movies that later made it big on home video. That means avoiding popular recommendations like Curse of Chucky and Wrong Turn 2 in order to focus on less-discussed horror flicks.

That being said, don’t forget to comment below with your own favorite sequels if you think we missed a particularly thrilling one.

With that out of the way, onto the list!


5. Tremors 4: The Legend Begins (2004)

The success of Ron Underwood’s original Tremors was lightning in a bottle that can’t ever be replicated, so as much as I understand the love for the second film and its campy thrills, Tremors 4 remains my personal favorite sequel simply because it dares to do something different with the franchise.

Directed by series co-creator S.S. Wilson, The Legend Begins is a surprisingly effective prequel that tells the story of how the town of Perfection earned its name after a terrifying 1889 encounter with the graboids. This horror western may not live up to the original, but it doesn’t really have to, with the period aesthetic and fresh story making it one hell of a standalone adventure.


4. Children of the Corn III: Urban Harvest (1995)

There are those who argue that there are no good Children of the Corn films, but I think the series has something to offer for every kind of horror fan if you’re willing to deal with low budgets and strange creative decisions. In fact, I’m of the opinion that the initial trilogy of Children films only got better over time, with the third entry being the most entertaining despite having the least to do with Stephen King’s original story.

In this urban horror romp, we follow a pair of siblings who enter foster care after their abusive father is transformed into a scarecrow by He Who Walks Behind the Rows. What follows is an effects-heavy descent into madness as the kids bring their particular brand of religious fury to 90s Chicago – with deadly results.

If that’s not enough to convince you to give this flick a try, you should know that this is the only entry in the series that King himself has admitted to liking. Not only that, but it also marks Charlize Theron’s feature film debut.


3. Boogeyman 2 (2007)

Jeff Betancourt had his job cut out for him when he was first contacted to helm the sequel to 2005’s Boogeyman. Not only was the first film a critical bomb, but the sequel was set to be produced for a mere $4.5 million – less than a fourth of the budget of the original flick.

Yet, Jeff decided to use this direct-to-video sequel as an opportunity to improve on the generic aspects of the flick’s predecessor by making the monster more uncannily human and focusing more on the script than elaborate set pieces. The best part is that Boogeyman 2 isn’t limited by a PG-13 rating, meaning that the deaths are more interesting in spite of the lower budget.


2. Maniac Cop 2 (1990)

The original Maniac Cop is a legitimately entertaining slasher even if it can’t compete with some of the other great franchises from the 80s, but fans know that the direct-to-video sequel is way more fun to revisit despite its shoddy production value and rushed script.

In fact, this rental store hit features more elaborate death sequences while also exploring more of what it means for a community when a police officer goes rogue. Director William Lustig also looks back on this project fondly, claiming that he considers it his personal favorite film of his career and a “terrific B-movie”.

I couldn’t have said it better myself.


1. Bloodstone: Subspecies II (1993)

Direct-to-Video Horror Sequels

More of a middle part of a sprawling trilogy than a standalone horror romp, Ted Nicolaou’s Subspecies II is still the pinnacle of the auteur director’s vampire series and a great example of why it was often worth diving into the bargain bin in order to pick up a Full Moon Features VHS tape.

This fast-paced sequel takes place immediately after the events of the 1991 original, meaning that Subspecies II wastes no time in getting to the lovable practical effects that likely motivated you to purchase the flick in the first place. Nicolaou and Anders Hove (who plays Radu, the iconic vampire) are also much more sure of themselves in this sophomore effort, and that’s why I’d argue that it’s worth watching even if you’re not a fan of the first movie.

Continue Reading