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4 More Board Games We Recommend for Fans of Horror Video Games

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Video games and board games share a lot of design DNA, so it’s an easy jump for players to make. Horror has definitely become one of the more popular genres in the board gaming space, so if you’re a fan of horror games (and have checked out the five games we recommended earlier), here are some tabletop experiences to try out.


Like: Castlevania

Try: Boss Monster

If you love old-school video games, there are plenty of board game designers out there creating games right up your alley. One of more interesting competitive card games on the market takes inspiration from the Castlevania series, among others. Boss Monster drops you in a dungeon, but instead of casting you as the adventuring hero, you play as the end-level boss creating the obstacles for the heroes. A certain number of hero cards are dealt out each turn, and which ones you lure into your dungeon will depend on the treasure within. Your job is to make sure that the traps and monsters in your lair are strong enough to kill them.

Each player has a hand of cards, and they will add one room card to their dungeon each round. After each player adds to their dungeon, you check the hero cards and see which ones go to each player. You then compare the damage done by your dungeon to the health of the hero to see if you kill it, giving you victory points, or if the hero makes it through your dungeon, dealing damage to your character. While the heroes are going through the dungeon, other players may play spell cards that can screw over their opponents. The game requires a careful balance of minding your own dungeon while paying attention to what others are up to. It can be a bit over-dependent on the luck of the cards, but the light tone always makes for a fun game session.


Like: Resident Evil 2

Try: Raxxon

Last time I recommended Betrayal at House on the Hill to compliment the first Resident Evil game because the first game makes me think of exploring a creepy mansion. When I think of Resident Evil 2, I think of getting a larger look at the outbreak as it ravages the city, which makes me think of Raxxon. Set in the same universe as Dead of Winter, Raxxon is a co-op game that casts you as a team of people, each with different abilities, trying to evacuate civilians from a city on lockdown with a zombie plague.

The board features a grid of cards, each starting face down. Each of the different characters has a set of actions that range from flipping over cards, switching them, or removing entire rows from the board. To succeed, you need to coordinate with others to create rows of zombies to kill them or rows of civilians to evacuate them. The catch is that each time you perform and action, you put a marker on your character sheet on that action. While resolving each turn, you must also take certain penalties associated with the markers on your sheet. This continues to happen until you take a turn to clear your card, creating an interesting risk-reward of trying to figure out how long to push yourself.

When Raxxon was initially released, it was only available to people who had an invite from someone who had already purchased the game, creating an interesting “viral marketing” scenario. The publisher, Plaid Hat Games, also has a website that features specific scenarios for you to set up to challenge yourself, and a tracker where you can upload your progress through these missions. It’s a really clever way to expand an already fun co-op experience.


Like: Murdered: Soul Suspect

Try: Mysterium

Murdered: Soul Suspect isn’t exactly remembered as one of the best games, but it did have an engaging premise: ghost tried to solve his own murder. For fans of that premise, I would recommend Mysterium, a cooperative game with two very distinct roles. The game takes place in a spooky house in 1920s Scotland. All but one of the players are mediums conducting a séance, trying to communicate with the ghost, the final player. The ghost will attempt to lead the mediums to a Clue-style set of conclusions: who was the killer, what was the weapon and where did it happen.

The real genius of the game is how the ghost communicates this information to the player. The game comes with a deck of cards that have evocative, impressionistic art on them. Each round, the ghost will draw a hand of cards, and distribute one to each of the other players to try lead them to picking their specific killer/weapon/location. Where the fun, or sometimes frustration, comes in is the amount of detail on each card. Was the ghost trying to lead me to pick the baker because there is a muffin in the corner of this card, or did they want me to focus on the target in the background to get me to pick the hunter? Confusion like this create moments that you will be talking about months later when that card comes up again the next time you play. Mysterium isn’t the most accessible game, but if players like a game that requires a bit more abstract thinking to take a break from heavy strategy, this perfectly fits the bill.


Like: War of the Monsters 

Try: King of Tokyo

With the release of the recent Godzilla movie, I’ve been revisiting the PS2 game War of the Monsters. This 2003 fighting game did a great job adapting the genre into something that captures the scale of a classic kaiju battle. King of Tokyo is a dice-heavy board game that aims to capture the same feeling in board game form. Each player picks a monster to represent them in battle. On your turn, you roll a set of six (or more) dice up to three times, Yahtzee style, keeping the results you want and re-rolling the ones you don’t.

Dice can either heal you, gain you victory points, earn you upgrade currency or damage other opponents. The game ends when someone reaches twenty victory points or there is only one monster left standing. Victory points are also awarded each round to the monster who holds Tokyo, but that player will be the target of everyone! Upgrades available to the players can help with progress towards either victory condition, so the strategy you adopt each game can often depend on what cards you are able to acquire. King of Tokyo is light and easy to teach, while still having an interesting strategy, making it one of my favorite games to introduce people to the hobby.

Game Designer, Tabletop RPG GM, and comic book aficionado.

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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