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It’s Time for a Healthier Horror Community: We’re Cleaning Up the Comments and We Need Your Help

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We love you guys. But we have to talk about something.

This Halloween season marks three years since I started writing full-time for Bloody Disgusting, and a year-and-a-half since I became the site’s Editor in Chief. As a writer on the internet, I’ve had many homes over the course of the past 10+ years, but BD is far and away the one that feels most like “home” to me. Partly because of this site’s awesome community.

Bloody Disgusting’s community is the largest and most active on the horror scene, loaded with passionate horror fans who support what we do not only by reading and sharing our articles, but frequently by commenting on them as well. As a writer, there are few things more important than feedback, and it’s been pretty incredible to write for a website with such a massive community that nearly every single article gets some sort of interaction. At the end of the day, that’s what makes Bloody Disgusting so special. It’s a community. It’s a family.

But like all extended families, well, let’s just say I’d be lying if I said there weren’t a handful of bad apples roaming around here. And you know I’d be lying, because the fact that BD’s comments section is something of an internet cesspool is really no secret. It’s common knowledge in the community, and we don’t want another day to go by where that’s the case.

It’s high time we do something about this. And we realize we need your help.

Bloody Disgusting is, at its core, an incredibly small business, run by three people who are each fulfilling a few different full-time jobs every single day. The truth is, we just don’t have the time to strictly moderate the site’s comments in the way we’d like to, and though we’ve been trying our best this past year or so, it’s become clear that we need some extra sets of hands.

What exactly are we looking to clean up? Well, rather than run through a copy/pasted list of boring rules and guidelines, let’s make this simple: we’re no longer going to tolerate assholes, racists, misogynists or general cruelty of any sort on this website. And no, this doesn’t mean we’re going to silence differing opinions or even differing political viewpoints. Truth be told, we love when you guys disagree with us. We love discussion. We love debate. What we don’t love, what we can no longer tolerate, is the savage cruelty I’ve seen way too much of on here.

By all means, tell us when we do something you don’t like. Just don’t be a dick about it.

We realize that we’re never going to see eye to eye with all of you guys, not about movies and certainly not about larger social and political issues, and that’s okay. Particularly when it comes to movie opinions, what we love more than anything is the *discussion* that’s born out of differing viewpoints. That’s why we’re here, at the end of the day. But there’s a certain point where disagreements cross a line into outright cruelty, and that line is being crossed nearly every single day down below in Bloody Disgusting’s comments section. What should be a beautiful community full of horror fans having discussions and talking about movies has become a highly problematic wasteland of meanness. And it doesn’t have to be.

It won’t be. Not anymore.

As the editor in chief of this website, it’s my job to protect my writers and the site as a whole, and when my writers are being bombarded with hateful vitriol simply for daring to express an opinion or their own viewpoint, then I’m not doing my job very well if I’m sitting back and doing nothing about it. And that’s why I’m here to ask for your help. We need moderators who can help make Bloody Disgusting the positive, inclusive and friendly place we know it can be. The only thing “Bloody Disgusting” about this place should be the movies we’re writing about.

And just to double down on this, we’re not looking to silence anyone who disagrees with us. We’re only looking to cut back on hate, vitriol and disgusting behavior. What brings both the writers and readers to this site is the very same thing: a love and a passion for horror movies. We *all* share that in common, and it’s time we start acting like friends rather than enemies.

If you’re just not capable of that, well, it’s time we bid you farewell. Our single most important goal is to encourage and foster a safe, welcoming atmosphere for *ALL* horror fans to come together and discuss the movies that we love. If you’re a consistently negative presence in our community, you can expect that your account will be banned. Period, end of story.

Anyone interested in volunteering to lend a hand as a Bloody Disgusting moderator, please e-mail tomowen@bloody-disgusting.com and use the subject “BD Moderator.”

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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