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Before YouTube, the Sci-Fi Channel’s “Exposure” Was the Way to Watch Horror and Sci-fi Shorts [TV Terrors]

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Horror and science fiction have always been a part of the television canvas, and constant attempts have been made over the years to produce classic entertainment. Some have fallen by the wayside, while others became mainstream phenomena. With “TV Terrors,” we take a look back at the many genre efforts from the 80’s, 90’s, and 00’s, exploring some shows that became cult classics, and others that sank in to obscurity.

This month we head back to the early 2000s for a little “Exposure.”

  • Aired from 2000 – 2002
  • Aired on Syfy

I can pinpoint when I started to love the concept of short films and short filmmaking. It was while I was watching the Sci-Fi Channel one night in 2000, and the short “Antebios” came on. “Antebios” was a foreign short about an alien and a human soldier forced to work together to stop a common foe, in the vein of “Hell in the Pacific.” Since then my love for short films has been long lasting and I often take greater interest in them than most features that come my way.

Back in 2000, the Sci-Fi Channel aired “Exposure.” An amalgam of an anthology series, and experimental film series, “Exposure” was an hour long weekly series that aired science fiction, horror, and fantasy short films. Much in the vein of MTV’s “Liquid Television” and “Cartoon Sushi,” there were never really any limits to what kind of short films aired on “Exposure.”

Occasionally hosted by model/actress Lisa Marie, the show aired every Sunday night, and was introduced around the time that the internet was still very much in its infancy. The only platform filmmakers had for short films was Atom Films, and we were still about three years away from the introduction of the juggernaut known as YouTube. Watching short films was often a privilege reserved for film festivals or comic book conventions, and the Sci-Fi Channel presented some of the weirdest, wildest, and most bizarre short films back to back. They aired them for viewers to get a glimpse at some of the minds working in the business that also had potential to break out and produce the next genre masterpieces.

For the most part we always got a glimpse at up and coming artists that would later break out, but the series was at its best when it approached audiences at eye level and presented some classic short cinema that offered bolder entertainment that studios would have never touched. The show seemed happy to take chances with short films that were just downright out there and often surreal. Some of my all time favorites included Jono Oliver’s “The Window” about a heavenly vision in a window that begins to inspire people, and Ian Kessler’s brutally creepy “The Puzzle. 

The show also acted as proving grounds for future studio features. “Season’s Greetings,” the animated short that would become the template for Mike Dougherty’s Trick ‘r Treat, aired on “Exposure,” as did Ellroy Elkayem’s “Larger Than Life” which became the basis for Eight Legged Freaks, and 1994’s “Suspicious” by David Koepp, starring Janeane Garofalo and Michael Rooker, which would later be remade into the prologue for 1998’s Urban Legend. There’s also “Bobby Loves Mangos,” a short that was given a thumbs up by Roger Ebert after its director Stuart Archer begged him to watch it.

While “Exposure” was mainly about science fiction, the producers would also switch things up with themed episodes every now and then like “short toons,” short films about sex, and of course, “Star Wars.” Kevin Smith hosted the “Star Wars” special spotlighting some of the best and weirdest Star Wars-related films around, like Joe Nussbaum’s early viral hit “George Lucas In Love,” Lucas’ early student shorts “Freiheit” and “THX 1138,” and the comedic “Tripping the Rift,” the animated Star Wars spoof that would eventually become a cult series for the channel. There was also the weird but interesting short documentary “Searching for Carrie Fisher,” about a fan’s mission to meet his heroine. I vividly remember the documentary because he did find Ms. Fisher, but she only agreed to meet him if they met in a crowded public place. As always, host Smith often had a great enthusiasm and hilarious sense of humor.

“Exposure” also aired excellent horror based specials every Halloween; hosted by Lisa Marie, the show presented some of the best horror shorts I’d ever seen. This was the series at its best, as the producers often managed to bring out some memorable genre fare. Along with indie films we were also able to check out early works from Tim Burton including “Frankenweenie” and “Vincent.” 

Despite the very late night time slot that Sci-Fi reduced “Exposure” to, it managed to last three whole seasons and was celebrated by its small but loyal fan base for years. When it was cancelled by the channel which was reformatting at the time, Sci-Fi kept the concept of the series alive with the short film showcase “Exposure: Future of Film Festival” in New York City in 2000, and in 2006, the Sundance Channel launched the “Exposure Film Contest” with films showcased from the SciFi Pulse streaming applet, allowing viewers to vote on their favorites. Sadly with so many facets online for movie fans to now view short films of all kinds from any country, the chance of “Exposure” being rebooted is incredibly slim.

But for a time when the internet was still growing and YouTube was miles away from dominating the internet, “Exposure” was surprisingly ahead of its time, and serves as a wonderful memento of the early digital age that opened the eyes of its viewers to more original and interesting entertainment.

Is It On DVD/Blu-Ray? Syfy had many of the short films available on their website for years after “Exposure” ended, but they were eventually taken down. With copyright issues there aren’t whole episodes available, but the various shorts can be found online, scattered in places like Vimeo and or YouTube… if you look hard enough. 

Felix is a horror, pop culture, and comic book fanatic based in The Bronx. Along with being a self published author, he also operates his blog Cinema Crazed and loves 90's nostalgia. His number one bucket list item is to visit Ireland on Halloween. Or to marry Victoria Justice. Currently undecided.

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Editorials

4 ‘Clayface’ Trailer Details That Put Fan Fears to Rest with Comic Ties and Body Horror

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Clayface trailer breakdown

I was never against Sony’s initial idea to produce solo movies based on Spider-Man’s most memorable supervillains. After all, a hero is only as good as his Rogues’ Gallery is intimidating, so it stands to reason that there were plenty of dark stories to tell here.

While rushed productions like Morbius and Kraven the Hunter didn’t quite turn out as I had hoped, it’s a relief to see James Gunn and the DC Extended Universe learn the right lessons from Marvel’s flops by investing in supervillain stories that aren’t afraid to step into the horror genre.

The new trailer for James Watkins’ upcoming Clayface movie is a great example of this, as the new footage confirms our suspicions that the movie is set to be a full-on piece of body horror focusing more on telling a standalone scary story than setting up a brand.

With that in mind, I’ve decided to take a closer look at the trailer in order to find out what we can expect from this highly anticipated comic-book adaptation from hell.

So without further ado, here are four things we learned from the new Clayface trailer!


4. Matt Hagen is a Club Vesuvius Regular

A seedy nightclub owned by “former” mobster Johnny Sabatino, the comic books have established Club Vesuvius as a hotspot for criminal activity and metahuman action since 2009. Throughout the years, the club has seen everything from an attempted arson by Firefly to magical acts performed by Zatanna herself.

The trailer for Clayface appears to suggest that Vesuvius will feature prominently in this story as well, as the footage shows us several shots of Hagen (Tom Rhys Harries) casually attending the club as well as a couple of more concerning moments where Gotham City Police roll up to the establishment to deal with some kind of emergency.


3. The Movie Will Not Adapt Any Single Specific Comic

As I mentioned before in my Clayface primer for horror fans who aren’t all that familiar with the character, the initial teaser for the film had me convinced that the project would be more of an adaptation of Batman: The Animated Series’ two-part episode Feat of Clay rather than any specific comic-book.

This latest trailer has only confirmed my suspicions, with Hagen’s predicament here feeling much more in line with Marv Wolfman and Michael Reaves’ sympathetic vision of the character than the more traditional criminal that we usually see in the comics. That being said, I’m curious to see how the filmmakers intend to connect this tragic version of Clayface to the more unpleasant monster we saw in Creature Commandos now that it’s been confirmed that these are indeed the same person.


2. James Watkins is Combining Practical and Digital Effects

I’ll always prefer a well-executed practical effect over CGI simply because the former is closer to the stage magic that inspired early moviemaking. That being said, there’s an undeniable artistry to well-crafted visual effects, and I’d argue that a character like Clayface requires the best of both worlds in order to be convincingly brought to life on the big screen.

I’m clearly not the only one who thinks so, as the trailer has shown us that Watkins is combining digital imagery with prosthetics and plenty of flesh-colored goop to depict Hagen’s unique brand of monstrous body horror. James Gunn had already promised us that the film would feature plenty of old-school practical effects wizardry, so it’s exciting to see that this approach in action.


1. Hagen Will Eventually Transform into Clayface’s Iconic True Form

In the comics, whenever Clayface isn’t pretending to be someone else, the character spends most of his time in his “natural” form resembling a gigantic golem-like monster. This look has certainly evolved over the years, but, at this point, most artists have settled on a vaguely humanoid shape accompanied by a gaping maw (though the villain’s terrifying re-imagining in DC’s Absolute Universe is a bit more complicated than that).

While fans were initially skeptical regarding whether or not the upcoming adaptation would even feature this admittedly outlandish design, the trailer has basically confirmed that Hagen’s condition will get progressively worse until he finally resembles the hulking monstrosity from the comics!


Be sure to comment below if you think we overlooked any interesting details in the trailer, and keep in mind that Clayface will be hitting theaters on October 23.

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