Editorials
10 of the Best Post-Credits Scenes in Horror Movie History
The Marvel Cinematic Universe may have popularized the use of post-credits scenes, but they’ve been around for decades. One of the earliest appearances of the post-credit scene, also referred to as a stinger, is from Night of the Living Dead. Its use picked up speed in the ‘80s and continued to gain momentum until the unstoppable freight train of superhero movies employed them to tease future entries. In truth, the stinger serves many purposes; some filmmakers use it to set up sequels, others as a wry fourth wall wink to the viewer, a punchline to an inside joke, or as a means of wrapping up loose plot threads. No matter the intent behind it, the post-credit scene delivers one final treat to those that stayed in their seats while the end credits played.
In a genre where evil rarely dies, it’d no surprise that horror has always remained at the forefront when it comes to applying the post-credit stinger. Here are 10 of the all-time best.
SLiTHER
Pour one out for the sequel we never got, teased by this stinger. At the end of Slither, Grant is blown to smithereens, and the three survivors walk off into the sunrise. Earth is free from the immediate threat of the alien parasite, and cue the happily ever after for our plucky protagonists. A post-credit scene reveals that curiosity killed the cat, though. Literally. A cat wanders into the frame to inspect a pulsating glob of alien-Grant flesh. As it begins to lick the rattling mass, the screen cuts to black, and it howls. The implication is clear; the parasite just found a new host.
Sadako vs. Kayako
Freddy vs. Jason concluded with neither one truly winning or losing; Freddy’s severed head winks at the viewer. The battle between J-horror ghosts Sadako and Kayako took a very different approach. The third act confrontation between cursed spirits saw the two collide to create something deadlier. Called Sadakaya, this new spirit captured the best of both worlds, taking on Sadako’s appearance and Kayako’s infamous death rattle. Worse, the merging of the two might make them completely unstoppable. The abrupt ending left fates unknown, but the post-credit scene reveals that Sadako’s cursed tape now contains Sadakaya.
Paranormal Activity 4
No matter how you feel about this sequel, its post-credit scene makes for a fantastic example of how to tease the next entry. This quick 30-minute scene, through handheld POV, sees someone enter into a convenience store of sorts featuring shelves lined with occultist objects. Out of nowhere, a strange woman pops out and warns, in Spanish, that this is only the beginning. They flee quickly. This seemingly out of left field clip, having nothing whatsoever to do with the previous film, hinted at Paranormal Activity: The Marked Ones in the most intriguing way.
Trick or Treat

A rock concert should always end with a good encore, and this heavy metal horror film honors that tradition with a humorous stinger. The movie about a teen obsessed with metal forced to thwart the demonic plans of his undead idol boasts a few cameos by notable rock gods, including Ozzy Osborne. Playing television evangelical Rev. Aaron Gilstrom, Osborne’s brief appearances are relegated to TV spots in which the Reverend goes on anti-metal, Satanic Panic style tirades apropos of the era. After the credits, he appears once more to proclaim about the film, “this could kick you off into becoming an absolute pervert!” It’s an early example of the meta wink to the audience.
Urban Legends: Final Cut

This sequel took the concept of its predecessor and placed in a different setting with a whole new set of unrelated characters. Film students at a prestigious film school find themselves getting offed in urban legend inspired ways. The killer isn’t out for revenge this time, but to claim a student’s feature as his own while hiding all traces of the truth through murder. Meaning that the villain in part two isn’t nearly as over the top unhinged as Rebecca Gayheart’s Brenda Bates was. Luckily, she makes an appearance in the stinger. Now a nurse in an asylum, she leans over a patient’s shoulder – Final Cut’s killer – and declares they have much in common… before wheeling him away.
Cult of Chucky
The post-credit scene of Curse of Chucky brought original protagonist Andy Barclay (Alex Vincent) back into the fold. For much of its sequel, Cult of Chucky, Andy works to save Nica (Fiona Douriff) from Chucky and the asylum where she’s incarcerated. It doesn’t end on a positive note for our heroes, so this stinger works both as fan service and an offering of hope. Returning to the tortured Chucky head in Andy’s home, he looks on as a mysterious figure appears at the back door. It’s Kyle (Christine Elise), Andy’s foster sister from Child’s Play 2, promising the doll that the torture fun will continue.
Happy Death Day 2U
This hook technically comes mid-credits, not post, but it’s a substantial setup for a continuation for a third entry, so we’re counting it. With the time loops closed and the lives of the gang back to normal, this scene sees government officials arrive to bring the group into the DARPA lab, where the time device has been relocated. The agents view it as a powerful weapon, and they want Tree (Jessica Rothe) and friends to show them how to use it. When Tree says she knows the perfect test subject, the camera cuts to mean girl Danielle (Rachel Matthews), who sits up in bed screaming. It’s a robust scene that lays out the direction this ever-evolving series is headed; if and when greenlit, of course.
Constantine
Constantine (Keanu Reeves) considers himself a loner; his job ridding the world of demons is a dangerous one. Throughout the film, he’s hesitant to let his young driver Chas Kramer (Shia LeBeouf) tag along, no matter how eager the young protégé gets. Reluctantly, he allows Chas to accompany him to the hospital where the final confrontation occurs, and Chas tragically dies in his quest to help his mentor. This stinger sees Constantine paying respects to his ward’s grave, setting his lighter down as an offering before leaving. While his back is turned, his fallen ally lets him know that he’s doing just fine in the afterlife.
The Collector
This end-credit scene gives a brief glimpse of Arkin’s fate after the film’s ending, which sees the Collector seek vengeance upon Arkin by ambushing the ambulance and capturing him. It’s an eerie scene; the masked killer calmly watches home videos while sitting on a trunk, with a screaming Arkin locked inside. More than a brief hint that this battle is far from over, it’s an effectively moody moment that shows things are starting to get very personal between the Collector and Arkin.
House on Haunted Hill
Evelyn Price (Famke Janssen) and Steven H. Price (Geoffrey Rush) present one of horror’s most unhealthy marriages of all time. The deep-seated malice between them gave the ghosts of the Vannacutt Psychiatric Institute for the Criminally Insane a way to finish off the descendants of the sadistic staff once and for all. The evil Darkness consumed Evelyn and Steven in the climax of the film, but not even death can dissolve this toxic marriage. The post-credit scene reveals the Prices’ spirits are doomed to be tortured by Vannacutt’s patients for eternity; an appropriately dark ending for this deadly duo.
Editorials
6 Dark Fantasy Films That Every Genre Fan Should Watch
From child-eating witches to village-burning dragons, fairy tales have always had a foot in the horror genre. That’s why it makes sense that, for every The Hobbit and The Chronicles of Narnia, there are also darker and more adult-oriented stories about magical worlds inhabited by ravenous monsters and cruel villains.
Funnily enough, these sinister tales were precisely the ones that I gravitated towards back when I was a kid, and I was reminded of this while watching Netflix’s recently released I Am Frankelda, Mexico’s first ever feature-length stop-motion animation and one hell of an entertaining parable about the intersection between fiction and reality.
In honor of this special kind of horror-adjacent fairy tale, today I’d like to share this list recommending six Dark Fantasy films that horror fans might enjoy.
For the purposes of this list, we’ll be defining Dark Fantasy as fantastical stories that don’t shy away from the more macabre elements that fuel classic fairy tales. That being said, don’t forget to comment below with your own grim favorites if you think we missed a particularly thrilling one.
With that out of the way, onto the list!
6. Hansel & Gretel: Witch Hunters (2013)

I’m fascinated by bizarre attempts at blockbuster filmmaking – especially when the resulting movies are somehow still fun despite their corporate-mandated origins. Hansel & Gretel: Witch Hunters is precisely one of these strangely compelling studio projects, as this surprisingly successful action-thriller boasts a lot of heart (and tongue-in-cheek humor) for a CGI-heavy creature feature.
Directed by Dead Snow’s Tommy Wirkola, Witch Hunters re-frames the classic fairy tale as an origin story for a duo of badass monster-slayers. Of course, it’s the flick’s anachronistic aesthetic and overall visual flair that make it stand out from other action-horror endeavors from around the same time.
5. The Wolf House (2018)

Made in the tradition of faux cursed films in the same vein as Antrum: The Deadliest Film Ever Made, the eerie backstory to 2018’s Chilean animated flick The Wolf House (La Casa Lobo in the original Spanish) already makes it a nightmarish experience before the flick even really begins.
After all, the movie is presented to us as a faux propaganda film produced by the leader of a death cult (heavily inspired by the real life Colonia Dignidad), with this hybrid animated feature using complex movie magic to simulate a single uninterrupted shot as it tells the story of a lazy young girl who runs away from an isolated colony and encounters a creepy old house in the woods.
4. The Brothers Grimm (2005)

Out of all the Monty Python alumni, Terry Gilliam has had the most interesting career outside of the original comedy group. From fascinating canceled projects (such as his scrapped adaptation of Watchmen) to dystopian parodies that feel more relevant by the minute (1985’s Brazil), even his “lesser” films are still intriguing in their own way.
2005’s The Brothers Grimm is one such project, with this peculiar movie attempting to combine the comedian-turned-filmmaker’s unique visual style with a more blockbuster-oriented plot reimagining the titular brothers as con-artists rather than mere writers. The end result isn’t exactly a masterpiece, but it’s still a legitimately fun ride with plenty of memorable monsters and wonderful performances by both the late, great Heath Ledger and Matt Damon.
3. Dante’s Inferno: An Animated Epic (2010)

2010’s Dante’s Inferno game may have a reputation as something of an unapologetic God of War clone, but I’d argue that the now-obscure game was aesthetically unique enough to deserve a bigger fanbase. However, while the title remains trapped on the seventh console generation, its highly underrated anime adaptation is a lot easier to get a hold of!
Animated by 6 different studios in order to make the 9 circles of hell feel unique from each other, this may not be a completely faithful adaptation of Dante Alighieri’s poem, but it’s still one heck of a great (not to mention gory) time that I’d highly recommend to fans of Netflix’s take on Castlevania.
2. Underworld: Rise of the Lycans (2009)

My personal favorite entry in the Underworld franchise, Rise of the Lycans, is a highly ambitious prequel that actually works better if you haven’t had the story spoiled to you by the previous Underworld films.
While the rest of the series features plenty of urban fantasy elements as the movies combine machine guns and modern environments with gothic storytelling, Patrick Tatopoulos’ prequel fully embraces its fantastical origins and tells a classic tale about a doomed romance between a werewolf and a vampire amid a medieval uprising.
And the best part is that we get a lot more Michael Sheen as the fan-favorite Lucian.
1. Solomon Kane (2011)

One of my personal favorite movies on this list, MJ Basset’s criminally underseen adaptation of Robert E. Howard’s other iconic warrior is thoroughly steeped in horror ambience and features plenty of memorable monsters. However, it’s also a classic origin story for a swashbuckling hero that wouldn’t feel out of place in a tabletop RPG.
While I’ve already written about how the film deftly combines both horror and fantasy elements without breaking the bank, I’ll never pass up an opportunity to recommend the bizarre movie where James Purefoy expertly plays a puritan John Wick.
It’s just too bad that we never got the other films in this intended trilogy.
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