Quantcast
Connect with us

Editorials

[Preview] 5 Genre Movies We Can’t Wait to See at the Tribeca Film Festival!

Published

on

The Tribeca Festival is officially underway, its 20th-anniversary ceremony taking place June 9 to June 20 with a feature slate that includes 66 films from filmmakers across the globe and 54 world premieres. This year marks a hybrid event, with Tribeca easing back into in-person events as well as virtual screenings and presentations.

That means that Tribeca is now more accessible than ever, with a slew of genre premieres available to screen at home through individual tickets.

Here are five horror titles we can’t wait to see.


Werewolves Within

(Clockwise from lower right) Sam Richardson, Milana Vayntrub, Catherine Curtin, Harvey Guillen, Cheyenne Jackson, George Basil and Sarah Burns in Werewolves Within

Josh Ruben’s follow-up to Scare Me draws inspiration from Ubisoft’s VR game and unleashes a murder mystery “whatdunit.” Sam Richardson stars in this horror-comedy as a newly assigned forest ranger arriving at his new post just in time for a freak snowstorm to cause a blackout. The eclectic denizens barely get along as they take refuge at the lodge, but then paranoia sets in when the bodies start piling up, and a werewolf seems to be the culprit. A werewolf that could be any one of them, hiding in plain sight. Written by Mishna Wolff, Werewolves Within also stars Milana Vayntrub, Michaela Watkins, Cheyenne Jackson, Glenn Fleshler, and Harvey Guillén.


We Need to Do Something

Sean King O’Grady helms the adaptation of screenwriter Max Booth III’s novella, which sees a dysfunctional family of four encounter unspeakable horrors while trapped in their bathroom after a tornado devastates the area. Some of those horrors come from within as tensions mount. But something otherworldly seems to be lurking just outside, looking for a way inside. Sierra McCormick, Vinessa Shaw, Pat Healy star in this nihilistic Pandora’s box of terror.


False Positive

Ahead of its Hulu release, this A24 film debuts at Tribeca. As with most A24 genre efforts, expect things to get weird. Directed and co-written by John Lee, False Positive stars co-writer Ilana Glazer as Lucy, a woman who seems to have it all save for her struggles with fertility. Her husband (Justin Theroux) seeks help from a former mentor, world-renowned reproductive specialist Dr. Hindle (Pierce Brosnan). He transforms their hopes into happy success, but soon Lucy begins to notice cracks in normalcy and her suspicions untether her grip on reality. What may sound like a familiar pregnancy horror movie quickly gives way to something far more unique. False Positive also stars Gretchen Mol and Sophia Bush.


Ultrasound

Director Rob Schroeder helms a twisty sci-fi puzzle box based on the graphic novel Generous Bosom, written by cartoonist Conor Stechschulte. After his car breaks down, Glen spends one hell of an odd night with a married couple. It starts as a creepy backwoods horror movie then quickly switches gears and perspectives. Schroeder slowly weaves together the lives of several random strangers and how they seem to connect. This layered tale keeps you guessing throughout. Vincent Kartheiser, Chelsea Lopez, Breeda Wool, Tunde Adebimpe, Rainey Qualley, and Bob Stephenson star.


See for Me

When blind former skier Sophie (Skyler Davenport) cat-sits in a secluded mansion, three thieves invade for the hidden safe. Sophie’s only defense is army veteran Kelly (Jessica Parker Kennedy), who acts as her eyes through the See For Me phone app. Kelly helps Sophie defend herself against the invaders and survive. In his sophomore feature, Randall Okita weaves a morally complex home invasion thriller that subverts expectations. 

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

Click to comment

Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

Published

on

Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

Continue Reading