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Stay Home, Watch Horror: 5 Horror Movies to Stream Ahead of ‘Malignant’ This Week

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criterion sale The Brood

This Friday brings James Wan’s return to horror, Malignant, to theaters and HBO Max. The plot sees a woman paralyzed by horrific visions of murders and realizes they’re not just waking nightmares but reality. Wan teased that his latest offers his unique take on a Giallo and cited specific filmmakers and films as inspiration. So, this week’s streaming picks explore some of those inspirations, offering a tease of what madness Wan may have in store.

Here’s where you can stream them this week.


The Eyes of Laura Mars – Prime Video

Before famously helming The Empire Strikes Back, director Irvin Kershner tackled a neo-noir Giallo feature based on a treatment/source story by horror master John Carpenter. Faye Dunaway stars as the titular Laura Mars, a fashion photographer that develops a bizarre ability to see through the eyes of a killer targeting those around her. While played straight, the ending goes off the rails in the most wonderfully melodramatic way. It’s stylish and studded with an all-star cast, including Tommy Lee Jones, Raul Julia, and Brad Dourif.


Phenomena – AMC+, Kanopy, Plex, Roku, Shudder, Tubi

Dario Argento combined both Giallo and supernatural horror with this ‘80s gem. He also dabbled with new techniques, especially Steadicam used for the killer’s prowling and hunting shots. The film stars Jennifer Connelly as a young girl studying abroad at a Swiss academy for girls. She happens to have a gift that allows her to communicate with insects telepathically. That talent proves handy in solving a string of gruesome murders that are plaguing the area. Donald Pleasence also stars as a forensic entomologist with a chimp that befriends Connelly’s character. A girl that can communicate with bugs, and a killer that might be more monstrous than initially expected; this Argento thriller gets a bit bonkers in the best way.


The Brood – HBO Max, Criterion Channel

Only David Cronenberg could conceive of something like The Brood when exorcising the acute pain and fury of divorce. Frank Carveth (Art Hindle) is in the midst of an embittered separation process from his estranged wife Nola (Samantha Eggar), a disturbed woman currently undergoing experimental therapy. Her psychotherapist, Hal Raglan (Oliver Reed), has developed an experimental process that allows his patients to let go of their suppressed emotions via physical manifestations on their body, weird growths, and skin anomalies. That means Nola channels all of her rage into a brood of psychically manifested children, who then act on her fury through murder. It’s visceral body horror meets genuine family tragedy and drama.


Trauma (1993) – IMDb TV, Kanopy

Argento further tests the boundaries of weird with this early ‘90s thriller, which sees his daughter Asia Argento playing Aura, a woman who escapes from a mental institution. When she’s returned, it sparks a series of murders. Aura will have to solve the killer’s identity before she becomes the next victim. It’s Argento taking on an American Giallo, which means the cast includes the likes of Piper Laurie and Brad Dourif.


Fear (1990) – Tubi, Vudu 

Psychic Cayce Bridges (Ally Sheedy) helps police solve murders with her gift; she can telepathically link her mind with the killer. Things get complicated when she encounters a killer that not only shares the same skill but is far more powerful. And he wants to share his victims’ fear with her. Pruitt Taylor Vince (IdentityThe Devil’s Candy) plays the Shadow Man, the killer targeting Cayce. The Shadow Man brings the creep factor in this often suspenseful cat and mouse game between psychics.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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