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‘X’ in Real Life – The True Story of the Ray & Faye Copeland Killings

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A24 AMC Theaters X VOD
Pictured: Ti West's 'X'

Warning: This article contains some spoilers for the movie X

Of all the wonderful things to appreciate about A24 and Ti West’s X, the film creates two villains out of an elderly couple whose motives include jealousy, bitterness, and insatiable sexual desires— something so rare and refreshingly different to witness in a slasher movie or a hagsploitation one, let alone a movie that lends itself to both. Walking out of the theater, I felt like I had seen or read a familiar story before. Not in film. Not in a fictional book. But in reality— true crime, specifically.

True crime enthusiasts could namedrop the Bundys and the Dahmers of the world without hesitation, but elderly couple Ray and Faye Copeland seem to have slipped through the proverbial cracks of serial killer notoriety. (Ti West hasn’t cited the couple as a source of inspiration for X’s Pearl and Howard either, but the similarities between the couples were too interesting to bypass.)

In August 1989, an anonymous tip to Crime Stoppers declared some human skulls and bones on a farmhouse property in Mooresville, Missouri from a former labor worker on the farm. The tip would eventually be revealed to be from a man named Jack McCormick, who also alleged that he nearly became a victim himself— if he hadn’t gotten away.

Initially scoffing at the possibility of two elders as stone-cold serial killers, police obtained a search warrant and would discover three bodies and a quilt made out of bloody clothing worn by the victims— before recovering two more bodies on a nearby barn also owned by Ray Copeland— during a two week-long search of the couple’s farmland. “You’ll find nothing on my place,” Ray, 76 at the time, had taunted authorities.

Ray & Faye Copeland

Born in 1914 in Oklahoma, Ray Copeland would become a casualty of the Great Depression in the late 1920s and ‘30s. Dropping out of school in the fourth grade to assist his family with their small farm, Ray would commit his first petty crime at the age of 20— stealing hogs from his own father’s farm and selling them behind his father’s back. He’d continue to steal and scam his way into his first serious crime in 1936, in which he was taken into custody for forging government checks and served one year in county jail. Before long, he would meet his match.

In 1940, Ray met then-19-year-old Faye Wilson before making her his bride just six short months later. The pair would go on to have five children, four boys and one daughter – although the exact number of children has been debated, depending on sources – throughout the span of the 1940s.

After multiple crime stints, several arrests, damaged reputations in various locations, and problematic finances, the Copelands purchased their humble farm with 40 acres in Mooresville, Missouri in 1966. The family, particularly Ray, proved to not be a favorite within the small town, as neighbors and local residents suspected verbal and physical abuse towards his family, as well as his mistreatment towards restaurant workers and intentionally running over dogs. Observers noticed his penchant for hiring luckless employees for his farm that he could easily take advantage of. One resident noted him as a “menacing oddball.” To say the least.

In desperate need of cash to provide for the farm but aware of the fact that another forgery arrest would send him to the clink for an unprecedented time, Ray concocted a scam to send his drifter employees to the cattle market in his place, purchase the cattle for him, and then he’d sell it off swiftly before his bad checks would bounce. Naturally, this stunt eventually sent Ray to prison.

Upon release, however, Ray knew the only way to continue his scheme was to get rid of the evidence— which included, quite literally, ridding himself of the drifters he would employ that would undoubtedly rat him out.

Ray & Faye Copeland X movie

And so began the slayings. Ray (and his wife Faye, as his accomplice) would go on to kill at least five young men: Dennis Murphy, killed in October 1986; Wayne Warner in November 1986; 27-year-old Jimmy Dale Harvey in October 1988; John Freeman, also 27, in December 1988; and 20-year-old Paul Cowart in May 1989. On that summer day of the 1989 search warrant, authorities would find the five bodies buried in shallow graves, each with .22 caliber bullets in their brains.

On top of the trophy quilt made from the victims’ garments worn when murdered, Faye Copeland also created a list of the victims, including seven additional former farm workers, totaling 12— and here’s the kicker— each with an “X” marked next to their name, in Faye’s confirmed handwriting. That (deadly) X factor.

Ray and Faye Copeland would be charged with the five confirmed murders, though authorities believed all 12 names had been victims of the elderly duo. If alligators existed in Missouri, you’d have to wonder if Ray and Faye pushed those other seven into their mouths a la Pearl (Mia Goth) with Brittany Snow’s Bobby-Lynne.

In November of 1990, Faye’s defense team played Faye as the naïve, battered woman and claimed her husband had committed these crimes without her knowledge. But the jury didn’t buy into it, and Faye, then 69, was sentenced to death by lethal injection for four counts and a life sentence without parole for the fifth. When Ray was informed of the sentencing of his wife of exactly 50 years, his alleged response was, “Well, those things happen to some, you know.”

In March of the following year, then 76-year-old Ray was also sentenced to death by lethal injection for all five counts. Ray and Faye Copeland became the oldest couple to receive the death sentence in the United States.

In 1993, Ray would die of natural causes in a prison hospital. In 1999, Faye’s sentences were deduced from lethal injections to life imprisonment, but she passed in 2002 after suffering from a paralyzing stroke.

True, Ray and Faye Copeland may not have been itching for a sexual plaything victim like X’s Pearl and Howard (Stephen Ure), and, as far as we know, Faye wasn’t quite as hands-on with the murders as Pearl proved to be with her trusty rake and butcher knife. However, an elderly couple in cahoots to kill several young victims right off their farmhouse property in the middle of nowhere and parading their exploits like some sort of prized medallion was straight out of a real-life horror movie, those 30 plus years ago.

And, while both Ray and the fictional Howard seemed to share the same “get off my lawn,” old man energy and cantankerousness, who’s to say Faye and Pearl didn’t have more in common than meets the eye? Faye may not have been a former dancer with a distaste for blondes (as far as we know) but perhaps the two women were each victims of long-term abuse that influenced their penchant for bloodlust. (We’ll have to wait for West’s upcoming prequel, Pearl, for those answers.)

Sometimes reality can prove even stranger than horror fiction.

Journalism/Communication Studies grad. A24 horror superfan- the weirder, the better. Hates when animals die in horror films.

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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