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“Joe Bob’s Drive-In Theater” Was Our Original Introduction to Joe Bob Briggs [TV Terrors]

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Joe Bob’s Drive-In Theater

For this month’s installment of “TV Terrors” we revisit the Joe Bob Briggs series “Joe Bob’s Drive-In Theater,” which aired from 1986 through 1996 on The Movie Channel.

“Joe Bob’s Drive In Theater” came along before the internet, before cell phones, before Wikipedia, and hell, before Google. Joe Bob Briggs, with his garish cowboy outfits, self awareness, and love for beer, was a professor of genre cinema who made movie watching feel like an educational community experience. Even if you didn’t like what he was premiering on “Joe Bob’s Drive-In Theater,” you at least got to learn something from Uncle Joe Bob, and he was always informative and entertaining. He always came prepared with one of his signature rants, and a nigh endless supply of movie facts that made every show special in its own way.

While “USA Up All Night” delivered the goods in classic schlock, horror, and trash cinema, Joe Bob Briggs offered up an education with his movie watching, which was (and still is) an absolute delight. Even in the digital age, there’s nothing like hearing Joe Bob educate about various filmmakers and the origin of certain sub-genres. Joe Bob Briggs is the pen name and persona of John Irving Bloom, a highly acclaimed and well respected movie critic, journalist, and provocateur who spent much of his days writing reviews for drive-in movies, and discussing modern America. Along with penning some highly coveted books exploring film, Bloom took Joe Bob Briggs to massive heights, including an entertaining stand up comedy special entitled “Dead In Concert.”

“Joe Bob’s Drive In Theater” ran from 1986 to 1996 with Joe Bob initially serving as a guest host and offering up comedic relief. Later in June 1987, Briggs was made the permanent host of the series. Eventually he was given input in the movie acquisitions by 1991. Format wise, “Joe Bob’s Drive In Theater” originally ran on Friday nights, before airing on Saturdays in 1988. Additionally, the show began with only one film per episode, before transitioning to double features in 1991 and then triple features in 1995.

On The Movie Channel, Joe Bob was allowed to be as silly and risqué as possible. All the while he educated his viewers on some of the greatest and or most obscure horror (and various other genre) films ever made. “Joe Bob’s Drive In Theater” garnered an excellent treasure trove of cult films that ranged from horror, science fiction, exploitation, erotica, and various other sub-sub-genres. Among some of the gems that Joe Bob viewed during the series’ run (many of which are still out of print!) the offerings included classics like Syngenor, Savage Streets, Basket Case, the Bikini Carwash Company movies, Small Kill, the nigh endless Emmanuelle movie series, Night Eyes 3, and the painfully underrated Jim Wynorski horror action comedy Hard to Die.

The features were often grouped together into themes (Nick Cassavetes Night, Emmanuelle Week, Post Apocalypse Month, Attack of the Killer Queen B’s Month) which helped elevate the novelty, and often featured special guests. Among them were Linda Blair (for Linda Blair month!) in which Joe Bob viewed many of her films, including the much derided comedy Repossessed. He also brought on fellow horror hosts like Zacherley, Elvira and Ghoulardi, and had great conversations with horror titans and various cult stars like Frank Henenlotter, Jim Wynorski, Robert Forster, Gary Busey, and Julie Strain, respectively.

And who can forget the buxom Honey the Mail Girl? She was later succeeded by Reno, Kat, Rusty, and currently the one and only Darcy for Shudder’s popular “The Last Drive-In.”

One of the more notable episodes of “Joe Bob’s Drive-In” featured Joe Bob screening the original Night of the Living Dead and Tom Savini’s fantastic remake. He was accompanied by surviving cast members of Romero’s original as well as Savini himself, all of whom contributed informative and fun anecdotes and recollections. Joe Bob is noticeably awestruck during these segments and everyone gets to offer their own discussion about working on the original classic. Savini also can’t help boasting about Romero’s masterpiece, amounting to what feels like a once in a lifetime experience.

Joe Bob’s Drive-In Theater show

For years, “Joe Bob’s Drive-in Theater” became the network’s highest-rated show and was twice nominated for the industry’s Cable ACE Award. The series sadly ended when The Movie Channel changed its format in early 1996. Joe Bob was off the air for only four months before joining the TNT network, where he hosted the equally loved “MonsterVision” for four years. As many know, “MonsterVision,” under Joe Bob’s lead, carried much of the format and humor over from his Movie Channel series, offering a great unofficial sequel. “MonsterVision” ended in 2000 when TNT also decided to change its format.

For many, “Joe Bob’s Drive In Theater” was their introduction to Joe Bob Briggs, a persona who was and remains an excellent source of horror movie knowledge, general wisdom, and sheer, unparalleled enthusiasm for the drive-in.

Is It On DVD/Blu-ray/Streaming? Many of the movies presented on the series can be found streaming or on physical media, while many of the movies featured still haven’t had an official release (Hard to Die, please!). Sadly none of the full original shows for “Joe Bob’s Drive-In Theater” are available on any physical format. However, a massive collection of the segments shown before, between, and after the feature presentations are available in full on YouTube. You can also access fully restored footage on Joe Bob’s official Patreon Page, “The Lost Drive In.”

Joe Bob’s Drive-In Theater movie channel


Horror and science fiction have always been a part of the television canvas, and constant attempts have been made over the years to produce classic entertainment. Some have fallen by the wayside, while others became mainstream phenomena. With “TV Terrors,” we take a look back at the many genre efforts from the 80’s, 90’s, and 00’s, exploring some shows that became cult classics, and others that sank into obscurity.

Felix is a horror, pop culture, and comic book fanatic based in The Bronx. Along with being a self published author, he also operates his blog Cinema Crazed and loves 90's nostalgia. His number one bucket list item is to visit Ireland on Halloween. Or to marry Victoria Justice. Currently undecided.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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