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[TV Terrors] Remembering Joe Bob Briggs’ “MonsterVision”

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Horror and science fiction have always been a part of the television canvas, and constant attempts have been made to produce classic entertainment. Some have fallen by the wayside, while others became mainstream phenomena. With “TV Terrors,” we take a look back at the many genre efforts from the 80’s, 90’s, and 00’s, exploring some genre TV that took genuine approaches to creativity that became cult classics, and others that sank in to obscurity.

We begin… with “MonsterVision.

  • Aired from 1991 – 2000
  • Aired on Turner Network Television

Once upon a time, cable television was an escape for various audiences that went in search of programming tailored toward them. The super stations though were a platform for whatever programming the networks could afford, allowing them to air blocks of movies and animated series that could fill time. Mornings on the USA Network saw airings of obscure kung fu movies, and on Saturday nights if you stayed up late enough you could entertain yourself with a classic horror or sci-fi film hosted by Joe Bob Briggs.

“Monstervision” was once mainly a creature feature programming block that aired late night with hosts Penn and Teller, but in 1996 it became a playground for the one and only Joe Bob Briggs. Briggs (real name: John Bloom), a very experienced newspaper columnist and satirist, was brought in fresh from The Movie Channel to host “Monstervision” after years on “Joe Bob’s Drive-In Theater.” After a short time the show became synonymous with Joe Bob, who used the platform to deliver his own off the cuff rants about society and instill priceless nuggets of information and trivia to his fans.

“Monstervision” came at a time when the internet was still in its infancy, so Joe Bob’s information was often fresh and surprising, as well as incredibly funny. Probably my all time favorite episode of “Monstervision” was the airing of “The Warriors,” where Joe Bob laid out a map of New York City and showed the trail of the Warriors from the Bronx to Coney Island. There’s even the time he was scolded by Anne Francis during a screening of “Forbidden Planet.” TNT “Monstervision” allowed the Joe Bob character to emerge from his trademark trailer and cop a squat on his lawn chair.

With his own beer in a koozy, he’d introduce the pair of movies for the night. Oftentimes they had their own themes, and they’d come on late. One week Joe Bob aired a Dracula night where he aired 1992’s Bram Stoker’s “Dracula” alongside Mel Brooks’ “Dracula Dead and Loving It.” He also had “Joe Bob’s Summer School” which allowed him to interview folks like Clint Howard, Linnea Quigley, and Roddy Piper. He also sat down with army veterans questioning the credibility of “Red Dawn,” as well as a pet psychic. He could also be found at Wolfgang Puck’s restaurant while hosting “Willy Wonka” and even did remotes for Superbowl weekends, hosting movies like “The Longest Yard” and “Semi-Tough.”

Who can forget the all night marathon of “Friday the 13th” films, sans “The Final Chapter,” which was an especially hard pill to swallow for Joe Bob, who would constantly call out TNT during the marathon. Joe Bob always had a punk edge to him, which made it tough to work within the confines of TNT; the network was increasingly cleaning up its image for a more family friendly section of the audience.

That said, Joe Bob was able to skirt the censors, constantly pointing out the scenes that were cut for sexual content, and never held back on what he thought of specific movies. Watch as Joe Bob spends the entirety of “The Fog” mocking its premise, and harping on how Carpenter is just so much better than the film itself. He even visibly suffers through 1995’s “The Howling: New Moon Rising,” giggling most of the time out of sheer incredulity at the film’s awfulness.

Joe Bob was just such a refreshing part of the late night cable experience, because he often seemed to be working without fear of reprimanding from his superiors. This meant we were almost always given a crusty Joe Bob, and always assured a dirty or funny joke as the show drew to a close. Joe Bob basically kept his format and good old fashioned shtick even when TNT retooled Monstervision to “Joe Bob’s Hollywood Saturday Night.”

There, the concept of Monstervision stretched in to films like “A League of Their Own,” “Look Who’s Talking Now” and “Twins,” but Joe Bob never ran out of quips and comebacks. Without much preamble, Monstervision ended in 2000. “Monstervision” remained a favorite for years, with Joe Bob constantly re-visiting memories of filming the show for fans during conventions and various interviews. The show ended when TNT retooled its entire network in the early aughts; but though it was cancelled, it never died in the hearts of movie buffs.

With the internet age, it garnered a ton of retrospectives and tributes, and inspired a new wave of horror hosts that carried the torch for Joe Bob.

Is It On DVD/Blu-Ray? No, but the segments featuring host Joe Bob Briggs have been made available online, and the “Ice Cream Man” segments were made exclusively available to buyers of the Limited Edition of “Ice Cream Man.” After almost twenty years off the air, Joe Bob is returning for a movie marathon on the popular horror streaming service Shudder TV this Summer, and will surely breed a new generation of horror fanatics who have yet to learn about the horror gospel of Joe Bob.

Felix is a horror, pop culture, and comic book fanatic based in The Bronx. Along with being a self published author, he also operates his blog Cinema Crazed and loves 90's nostalgia. His number one bucket list item is to visit Ireland on Halloween. Or to marry Victoria Justice. Currently undecided.

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Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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