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5 Horror Movies We Can’t Wait to See at the 2023 Tribeca Film Festival

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Tribeca Film Festival - Perpetrator

The Tribeca Festival is nearly here, taking place June 7 to June 18, and it brings a packed slate of screenings and premieres.

The festival’s 22nd edition offers a hybrid experience of virtual and in-person, with notable genre programming dedicated to repertory screenings that include Re-Animator to upcoming premieres.  In other words, Tribeca’s bringing the horror this year.

Here are five titles we can’t wait to see at this year’s Tribeca Film Festival.


Bad Things (United States) – World Premiere

Bad Things

In this haunting thriller, a new variation of psychological horror invites audiences to question the limitations of our contemporary relationships with people and spaces, and the implications of undealt trauma.

Written/Directed by Stewart Thorndike. Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, and Rad Pereira star.

Why we’re excited: Haunted hotels and fragile minds pair well together in horror, as The Shining classically demonstrated.


Perpetrator (United States, France) – North American Premiere

Tribeca Film Festival - Perpetrator

 

Teenager Jonny gains supernatural abilities through a mystical transformation, just as girls from her new school go missing. Jonny takes the investigation into her own hands in this coming-of-age, feminist horror-noir.

Directed and written by Jennifer Reeder. Produced by Derek Bishé, Gregory Chambet. With Kiah McKirnan, Alicia Silverstone, Christopher Lowell, Melanie Liburd, Ireon Roach. A Shudder release.

Why we’re excited: Jennifer Reeder’s Night’s End and Knives and Skin ensure we can expect the unexpected with a stylish twist.


Somewhere Quiet (United States) – World Premiere

Somewhere Quiet

Meg (Jennifer Kim) is trying to readjust to normal life after recently being involved in a heinous abduction. To recenter herself, she takes a trip to the woods by the coast in Cape Cod with her husband Scott (Kentucker Audley) to stay at his wealthy family’s countryside compound. Scott’s cousin arrives, wreaking havoc on Meg’s sanity and leaving her questioning the truth behind her kidnapping.

Directed and written by Olivia West Lloyd in her feature debut. Marin Ireland also stars.

Why we’re excited: A psychological genre-bender that questions what happens after the Final Girl survives? Sign us up.


Suitable Flesh (United States) – North American Premiere

Suitable Flesh

 

After murdering her young patient, a once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

Directed by Joe Lynch, written by Dennis Paoli. Heather Graham, Judah Lewis, Bruce Davison, Johnathon Schaech, and Jonah Ray also star.

Why we’re excited: Lynch helming a Lovecraft tale executive produced by Brian Yuzna, starring Barbara Crampton, and written by Paoli? It’s a Stuart Gordon reunion that we never saw coming.


You’ll Never Find Me (Australia) – World Premiere

Tribeca You'll Never Find Me

During a rampaging storm, a shaken young woman arrives at a stranger’s door in an RV park seeking shelter. They both question motives and desires as things escalate to a deadly, bizarre showdown.

Directed by Josiah Allen, Indianna Bell, written by Indianna Bell. Produced by Josiah Allen, Indianna Bell, Jordan Cowan, Christine Williams. With Jordan Cowan, Brendan Rock.

Why we’re excited: Some of the best horror stories always begin on a dark and stormy night, after all.

Stay tuned for Bloody Disgusting’s full Tribeca 2023 coverage!

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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