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Six War-Time Horror Movies to Watch After ‘Godzilla Minus One’

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Godzilla Minus One

When promoting Saving Private Ryan, Steven Spielberg claimed that every war movie is an anti-war movie. I think this is doubly true when it comes to genre cinema. After all, what better way to immerse audiences in the horrors of war than by telling a story specifically designed to scare them?

Hell, sometimes the war itself doesn’t even need to happen onscreen, like in the case of 1954’s Godzilla – one of the all-time best commentaries on nuclear warfare. And with Takashi Yamazaki returning the radioactive dinosaur to his post-war roots in Godzilla Minus One, we’ve decided to come up with a list recommending six more war-time horror movies for fans of historical terror.

While not all of the films on this list take place during a war, they all incorporate warfare and its consequences into their stories. That being said, don’t forget to comment below with your own favorite wartime horror yarns if you think we missed a particularly chilling one.

Now, onto the list…


6. Dead Birds (2004)

Brother against brother, freedom fighter against slave-master, it seems like a no-brainer to use the tragedy of the American Civil War as the backdrop for a scary story. Sadly, there aren’t that many civil war horror flicks out there – though one exception is Alex Turner’s deeply underrated Dead Birds, a great example of why 2000s genre cinema wasn’t as creatively bankrupt as some claim.

An unlikely fusion of western and horror, Dead Birds tells the story of a group of Confederate deserters who become violent criminals in order to survive. After a messy bank robbery, the group finds shelter in an abandoned plantation only to discover that it’s inhabited by demonic creatures and the ghosts of its previous owners.

The deliberately slow pacing and familiar haunted house tropes mean that this strange little flick isn’t for everyone, but I’d recommend it to fans of atmospheric millennial horror. And did I mention that it also features a young Michael Shannon?


5. The Jacket (2005)

While it’s heavily influenced by a certain other movie on this list, I’d argue that John Maybury’s The Jacket is much better than its middling reviews would have you believe. Inspired by a novel from 1915, the film uses science fiction to propel a deeply disturbing psychological thriller about time travel and PTSD.

Starring Adrien Brody as Jack Starks, a Gulf War veteran recovering from a shot to the head who finds himself convicted of murder, the film sees Jack being subjected to an experimental treatment that somehow propels him forward in time. Naturally, this leads to a mind-bending thriller that explores the horrors of war and the inhuman treatment of mentally ill patients.


4. Overlord (2018)

Nazi zombies may not be the most original idea in the world, but you’ve got to hand it to Julius Avery for telling such an entertaining version of a familiar story. Taking place in the midst of World War II’s D-Day, Overlord follows a group of paratroopers who accidentally uncover mysterious Nazi experiments meant to create immortal super soldiers. What follows is an action-horror hybrid that perfectly mixes gory B-movie tropes with blockbuster action.

In fact, I’d argue that this is one of the best modern-day equivalents to a vintage EC horror comic, with the creators being more interested in telling a historical “what if?” yarn than a serious World War II flick.


3. Deathwatch (2002)

We’ve already featured M.J. Bassett’s mind-bending WWI nightmare on our list of period-piece monster movies, but we’d be remiss if we didn’t also include it among its wartime horror brethren. Telling the story of a group of British soldiers who find themselves trapped in a mysterious trench, this is one of the freakiest films on this list despite its relatively small scale.

From living barbed wire to a never-ending maze of seemingly supernatural trenches, there’s enough nightmare fuel here to make even the most dedicated horror-hound shudder once the lights are out. And if you like this one, I’d also recommend checking out Bassett’s underrated adaptation of Solomon Kane.


2. Jacob’s Ladder (1990)

It may seem strange that the scariest film about the Vietnam war actually takes place in New York City, but leave it to Adrian Lyne to make the post-war experience just as traumatizing as combat itself. Following a disturbed veteran who begins to hallucinate monsters as he endures a literal double-life, there’s a reason why this is often cited as one of the most influential horror films ever made.

From the iconic hospital sequence to some genuinely disturbing monster effects that are still replicated today, images from the film linger on in the mind much like the fictional drug that inspired its title. Just don’t read too much into the finale’s conspiracy angle, as the filmmakers have since claimed that these elements were more of a means to an end when telling a deeply spiritual story.


1. The Keep (1983)

Michael Mann is usually remembered for his iconic crime thrillers, but the director is also responsible for a paradoxically underrated and yet extremely influential supernatural horror flick named The Keep. Based on the homonymous novel by F. Paul Wilson, The Keep tells the story of a group of Nazi scientists who unwittingly unleash a malevolent entity in an abandoned castle.

Plagued by a grueling shoot and post-production issues once the visual effects supervisor passed away (not to mention the studio recutting the picture without Mann’s involvement), The Keep isn’t exactly the experience that the filmmakers set out to make, but it’s still one hell of an entertaining ride and is even said to have inspired the Wolfenstein games.

That being said, I’m still holding out hope for that long-rumored director’s cut…

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

The Lovecraftian Behemoth in ‘Underwater’ Remains One of the Coolest Modern Monster Reveals

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Underwater Kristen Stewart - Cthulhu

One of the most important elements of delivering a memorable movie monster is the reveal. It’s a pivotal moment that finally sees the threat reveal itself in full to its prey, often heralding the final climactic confrontation, which can make or break a movie monster. It’s not just the creature effects and craftmanship laid bare; a monster’s reveal means the horror is no longer up to the viewer’s imagination. 

When to reveal the monstrous threat is just as important as HOW, and few contemporary creature features have delivered a monster reveal as surprising or as cool as 2020’s Underwater


The Setup

Director William Eubank’s aquatic creature feature, written by Brian Duffield (No One Will Save You) and Adam Cozad (The Legend of Tarzan), is set around a deep water research and drilling facility, Kepler 822, at the bottom of the Mariana Trench, sometime in the future. Almost straight away, a seemingly strong earthquake devastates the facility, creating lethal destruction and catastrophic system failures that force a handful of survivors to trek across the sea floor to reach safety. But their harrowing survival odds get compounded when the group realizes they’re under siege by a mysterious aquatic threat.

The group is comprised of mechanical engineer Norah Price (Kristen Stewart), Captain Lucien (Vincent Cassel), biologist Emily (Jessica Henwick), Emily’s engineer boyfriend Liam (John Gallagher Jr.), and crewmates Paul (T.J. Miller) and Rodrigo (Mamadou Athie). 

Underwater crew

Eubank toggles between survival horror and creature feature, with the survivors constantly facing new harrowing obstacles in their urgent bid to find an escape pod to the surface. The slow, arduous one-mile trek between Kepler 822 and Roebuck 641 comes with oxygen worries, extreme water pressure that crushes in an instant, and the startling discovery of a new aquatic humanoid species- one that happens to like feasting on human corpses. Considering the imploding research station, the Mariana Trench just opened a human buffet.


The Monster Reveal

For two-thirds of Underwater’s runtime, Eubank delivers a nonstop ticking time bomb of extreme survival horror as everything attempts to prevent the survivors from reaching their destination. That includes the increasingly pesky monster problem. Eubank shows these creatures piecemeal, borrowing a page from Alien by giving glimpses of its smaller form first, then quick flashes of its mature state in the pitch-black darkness of the deep ocean. 

The third act arrives just as Norah reaches the Roebuck, but not before she must trudge through a dense tunnel of sleeping humanoids. Eubank treats this like a full monster reveal, with Stewart’s Norah facing an intense gauntlet of hungry creatures. She’s even partially swallowed and forced to channel her inner Ellen Ripley to make it through and inside to safety.

Yet, it’s not the true monster reveal here. It’s only once the potential for safety is finally in sight that Eubank pulls the curtain back to reveal the cause behind the entire nightmare: the winged Behemoth, Cthulhu. Suddenly, the tunnel of humanoid creatures moves away, revealing itself to be an appendage for a gargantuan creature. Norah sends a flare into the distance, briefly lighting the tentacled face of an ancient entity.

Underwater Deep Ones creature

It’s not just the overwhelming vision of this massive, Lovecraftian entity that makes its reveal so memorable, but the retroactive story implications it creates. Cthulhu’s emerging presence, awakened by the relentless drilling at the deepest depths of the ocean, was behind the initial destruction that destroyed Kepler 822. More importantly, Eubank confirmed that the Behemoth is indeed Cthulhu, which means that the humanoid creatures stalking the survivors are Deep Ones. What makes this even more fascinating is that the choice to give the Big Bad Behemoth a Lovecraftian identity wasn’t part of the script. Eubank revealed in an older interview with Bloody Disgusting how the creature quietly evolved into Cthulhu.


The Death Toll

Just how deadly is Cthulhu? Well, that depends. Most of the on-screen deaths in Underwater are environmental, with implosions and water pressure taking out most of the characters we meet. The Deep Ones are first discovered munching on the corpse of an unidentified crew member, and soon after, kill and eat Paul in a gruesome fashion. Lucien gets dragged out into the open depths by a Deep One in a group attack but sacrifices himself via his pressurized suit to save his team from getting devoured.

The on-screen kill count at the hands of this movie monster and its minions is pretty minimal, but the news article clippings shown over the end credits do hint toward the larger impact. Two large deepsea stations were eviscerated by the emergence of Cthulhu, causing an undisclosed countless number of deaths right at the start of the film.

underwater cthulhu

Norah gives her life to stop Cthulhu and save her remaining crewmates, but the Great Old One isn’t so easily vanquished. While the Behemoth may not have slaughtered many on screen here, his off-screen kill count through sheer destruction is likely impressive.

But the takeaway here is that Underwater ends in such a way that the Lovecraftian deity may only be at the start of a new reign of terror now that he’s awake.


The Impact

Neither Underwater or Cthulhu overstay their welcome here. Eubank shows just enough of his Behemoth to leave a lasting impression, without showing too much to ruin the mystery. The nonstop sense of urgency and survival complications only further the fast-paced thrills.

The result is a movie monster we’d love to see more from, and for horror fans, there’s no greater compliment than that.


Where to Watch

Underwater is currently available to stream on Tubi and FX Now.

It’s also available on Blu-ray, DVD, and Digital.


In television, “Monster of the Week” refers to the one-off monster antagonists featured in a single episode of a genre series. The popular trope was originally coined by the writers of 1963’s The Outer Limits and is commonly employed in The X-FilesBuffy the Vampire Slayer, and so much more. Pitting a series’ protagonists against featured creatures offered endless creative potential, even if it didn’t move the serialized storytelling forward in huge ways. Considering the vast sea of inventive monsters, ghouls, and creatures in horror film and TV, we’re borrowing the term to spotlight horror’s best on a weekly basis.

Kristen Stewart horror

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