Connect with us

Editorials

‘Silent Night, Deadly Night 4’ Delivers the Most Bugged-Out Entry in a Bonkers Franchise [We Love ’90s Horror]

Published

on

Regardless of any perceived quality when it comes to individual entries, you have to hand it to the Silent Night, Deadly Night franchise. It kicked off with a demented killer Santa story that created immense controversy, cementing it as a piece of hallowed horror history. Since then, it has produced a series of movies that each stand out for any number of memorable reasons (my personal favorite). You can certainly argue the successful and not-so-successful elements of a Silent Night, Deadly Night entry, but it’s tough to say any one of them is “normal.” They all offer such unique quirks and oddities that it’s hard not to find them attractive from the right angles.

And Silent Night, Deadly Night 4: Initiation is the weirdest one of the bunch and so much better for it.

As a franchise entry, we do need to establish some important context. Long story short, the first three Silent Night, Deadly Night films are part of a continuing tale about two brothers who become Santa Claus killers. When the fourth film came around, there was a major changing of the guard and a deliberate desire to get away from the “Christmas slasher” formula. Enter Brian Yuzna (Society, Bride of Re-Animator) and many of his cohorts to turn this Christmas slasher series into… well, a psychosexual goopfest with wacko creature effects that should be far more acclaimed and recognized than they are. So, you know, a Brian Yuzna movie.

In all seriousness, it seems like Brian Yuzna wanted to use Silent Night, Deadly Night 4 to do his own spin on Rosemary’s Baby. The script by Yuzna regular Woody Keith focuses on intrepid reporter Kim Levitt (Neith Hunter) as she delves into the mystery behind a woman’s unexplained and fiery death. She befriends Fima (Maud Adams), the owner of a local bookstore who also seems to be the leader of a women’s club that definitely isn’t a cult (spoiler alert: they are a cult). Kim starts coming under the influence of these women, and it doesn’t take long before she’s barfing up giant roach-worms that would have Franz Kafka tossing his cookies.

Oh yes, you’ll be more than handsomely rewarded during your Silent Night, Deadly Night 4 viewing with the illustrious grotesqueries of Screaming Mad George a.k.a. Jojo Tani. Easily one of the effects geniuses of his era and a Brian Yuzna favorite, ol’ George gets to go buckwild with a cavalcade of nasty bug monsters and gonzo transformation moments. Though Society will always be the masterwork of Screaming Mad George’s career, Silent Night, Deadly Night 4 is also a crowning achievement in the legacy of a special effects icon.

But it’s not only gloppola slime critters that make Silent Night, Deadly Night 4 a worthy endeavor. Yuzna, along with cinematographer Philip Holahan, bring a surprising amount of visual polish to the whole movie. It’s not the highest bar to clear, but Initiation offers a serious argument as the best photographed film in the entire franchise. Though still a low budget affair, Yuzna strives for effective cinematic “nightmare” scenes as Kim doesn’t properly perceive what the cult is doing to her. Silent Night, Deadly Night 4 not only differentiates itself from the previous entries with its story but also with its level of directorial prowess.

Probably the biggest knock Silent Night, Deadly Night 4 often gets is that it’s the one entry in the series that isn’t engaged with or enthusiastic about its Christmas theming. While that’s a fair assessment, that feels deliberate as the story ends up going Old Testament instead, referencing an infamous Biblical character, Lilith. The plot is even about her resurrection-of-sorts around the time of year Christians celebrate the birth of their Lord. Initiation could be embraced by the right crowd as an anti-Christmas movie, and considering not everyone feels so jolly this time of year, it’s nice to know there’s a mean-spirited holiday flick out there where Clint Howard is grabbing some isopod demon out of a ceiling ventilation pipe. It’s the little things, you know?

And if an all-timer action movie whose Christmas connections are mostly set dressing gets hailed as part of the holiday canon, Silent Night, Deadly Night 4: Initiation more than deserves a pass for not being Christmasy enough. Admittedly, it’s a bit of a slow burn but that fuse leads to an explosion of effects excellence and twisted (sometimes, literally) turns that are nothing if not memorable. If you were jazzed at Yuzna’s return to form with Suitable Flesh, you owe yourself a double-dip of satisfaction with this one. It’s time for Silent Night, Deadly Night 4: Initiation to be celebrated as the most bugged-out (in more ways than one) entry in a franchise that made its mark by being bonkers.


The ‘90s often get a bad rap with horror fans. After the numerous successful slashers and creature effects films of the ’80s, the ‘90s offered a different variety of horror fare. Though there were plenty of hits, hidden gems, and misunderstood classics, the ‘90s usually don’t get the kind of love that other decades get when it comes to horror. It’s time to change that.

Drew Dietsch has been professionally writing about film and entertainment for over a decade. His bylines include FANDOM -- where he was a founding contributor and Entertainment Editor -- Bloody Disgusting, SYFY WIRE, Atom Insider, CHUD, Crooked Marquee and more. He created and hosts GenreVision, a weekly film discussion show at genrevision.com.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

Published

on

Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

Continue Reading