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A Boy and His Satanic Dog – The Trashy Thrills of “Mr. Pickles” 10 Years Later

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Mr. Pickles

From possessed children to homicidal animatronic mascots, horror has a long history of taking seemingly innocent concepts and turning them into bona fide nightmare fuel. And when looking for wholesome imagery to corrupt, what better place to start than the adorable bond between a boy and his dog?

This is likely what Will Carsola and Dave Stewart had in mind when they began the brainstorming session that led to one of Adult Swim’s most disturbing cartoons, Mr. Pickles. An unabashedly nasty show that wasn’t afraid to blend low-brow comedy with deeply unsettling violence, this surprisingly popular experiment stood out even among its hyper-violent contemporaries. And with the show celebrating its 10th anniversary, I think that this is the perfect time to look back on this touching story about a small town under siege by an incredibly satanic dog.

Carsola and Stewart had previously collaborated on HBO’s Funny or Die Presents, a televised spin-off of the popular comedy website, which is how they originally came into contact with Adult Swim executives who invited them to try and pitch a new TV show. Repurposing concepts from one of their recurring “write-offs” (where the duo would try to impress each other with silly drawings and story ideas until they came upon something special), the two presented the studio with a one-line pitch for what would ultimately become Mr. Pickles.

Borrowing the basic premise from Lassie and many of the more cutesy elements from Stewart’s own experiences with his Australian Cattle Dog (which he lovingly refers to as Ms. Pickles and was even used as a model in test animations for the pilot), the show’s creators also drew inspiration from a few less than conventional sources.

Mr. Pickles adult swim

He’s a good boy.

There’s actually a long-standing rumor that the entire show is in fact an elaborate reference to the real-life Son of Sam murders, as convicted serial killer David Berkowitz initially claimed he was simply following orders from his neighbor’s black dog – which he insisted was possessed by a demon. While neither Carsola nor Stewart have ever confirmed this widely publicized connection, I’d be surprised if this infamous demonic canine didn’t have at least some impact on the creation of the show.

Regardless of this unconfirmed bit of gossip, a stand-alone pilot for Mr. Pickles would finally surface in August of 2013, with Adult Swim liking it enough to order a full 10-episode season which premiered the following year. In the finished show, we follow the day-to-day life of the Goodmans, a stereotypically happy family living in the aptly named Old Town with their Border Collie, Mr. Pickles. Unbeknownst to the family, however, their dog is actually a satanic monster that sadistically tortures and murders his victims in a horrific underground lair while also being best friends with the Goodman’s six-year-old child, Tommy.

With each episode running a little over eleven minutes, it’s honestly amazing how the writers manage to cram so much story into such a short runtime. A typical episode will usually combine several classic sitcom yarns (and the occasional movie reference) into a single narrative while also having the titular dog go on some kind of absurd murder spree before tying everything together in the final few minutes. This densely packed formula may not appeal to everyone, but it allows for a high rate of jokes per minute even if it also results in the whole thing feeling like a high-octane speedrun of a half-hour comedy.

Of course, shock value is the name of the game here, as most of Mr. Pickles’ humor comes from the contrast between the cartoon’s wholesome inspirations and its moments of extreme gore and sexuality. From full-body flaying to victims being sewn together into unholy abominations, nearly every form of terrifying depravity is on display here in full two-dimensional glory. In some ways, I’d even compare the show to a classic Troma film, where it seems like the creators are using the story as an excuse to test the audience and see just how much they can get away with before we all walk out of the experience in disgust.

Unexpectedly wholesome.

That being said, the idyllic presentation and amusing side characters end up making this bloody ordeal at least somewhat funny instead of completely off-putting. I mean, the creators themselves describe their show as only 30% horror and 70% animated silliness, and I think that ratio is responsible for Mr. Pickles’ success. For example, I appreciate how the titular canine actually seems to love Tommy despite his homicidal proclivities, with the boy’s naïve trust in his evil dog making the eventual horror elements that much more insane.

There are also plenty of horror references here for genre aficionados to pick apart, with entire episodes paying homage to classic slasher flicks and even some familiar religious horror elements that pop up every now and again. However, none of the nightmarish imagery would have quite the same impact if it wasn’t for the simultaneously gorgeous/hideous artwork inspired by Will Carsola’s hyper-detailed style. Mr. Pickles may have been limited by simplified Flash animation, but the memorable visuals and character designs certainly make up for that.

Ultimately, Mr. Pickles is a quintessential “love it or hate it” program. It didn’t exactly reinvent the adult animated comedy wheel, forgoing witty dialogue and three-dimensional characters in favor of crude jokes and hardcore violence in order to entertain late-night viewers, but I think it’s safe to say that there’s an underlying charm beneath all the blood and guts here. That’s why I’d argue that the show is still highly rewatchable a decade later, even if this formula seems a lot more familiar than it did back in 2014.

And if you’re still on the fence about whether or not you’d like to give Mr. Pickles a chance, I’d recommend taking a gander at its incredibly metal intro in order to decide if this insane dive into demonic comedy is right for you.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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