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Fear the Reaper – 6 of the Scariest Depictions of Death in Horror Films

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Dellamorte Dellamore
Pictured: 'Cemetery Man'

Does anyone else remember that badass Jason Voorhees design from Wildstorm’s 2007 comic-book sequel Freddy vs. Jason vs Ash? After getting a chainsaw to the face, Jason loses the lower third of his iconic hockey mask and ends up looking like a gnarly parody of the grim reaper throughout the remainder of the story. Not only is this an undeniably cool look for the character, but I also think that it’s an honest depiction of what Jason (and many other horror antagonists) really represent: corpse-like emissaries of Death itself.

And with Final Destination Bloodlines revisiting the idea of death as both a scheming entity and a mere fact of life (not to mention Oz Perkins’ The Monkey dealing with many of the same ideas), we’ve decided to come up with a list celebrating six of the scariest depictions of death in horror films. After all, artists have been fascinated with death since time immemorial, so it stands to reason that there are also plenty of movies featuring creepy Grim Reapers!

For the purposes of this list, we’ll only be considering literal manifestations of death, so no abstract entities like what we see in the aforementioned Final Destination series. There also won’t be any mentions of The Ghost of Christmas Future here, as that’s technically a different character serving a similar role. And while we won’t be including them on the list, I’d also like to give a shout-out to the skeletal beings from Bloody-Disgusting’s very own Southbound!

As usual, don’t forget to comment below with your own favorite Grim Reapers if you think we missed a particularly spooky one.

With that out of the way, onto the list…


6. Bartlett’s Disguise – The Frighteners (1996)

Peter Jackson’s The Frighteners is one of the most underrated horror comedies of the ’90s. While the movie wasn’t exactly a box office success, it was ambitious enough to land Jackson in the director’s chair of the then-upcoming The Lord of the Rings adaptation. This was largely due to the film’s extensive use of visual effects through Weta Digital, with one of its most memorable instances of movie magic being the CGI used to bring the movie’s Reaper antagonist to life.

Ironically, the dated textures and animations actually help to make this villainous imposter look even more uncanny than what was initially planned, with his flowing robes and odd movement feeling appropriately ethereal. And while the character was ultimately just a vengeful spirit in disguise, he still harvests souls and scares the hell out of mortals just like the figure that inspired him, which is why Bartlett’s grim alter ego still makes it onto the list.


5. The Reeker – Reeker (2005)

Reeker

The 2000s were an interesting time for Slashers. While most studios were preoccupied with glossy big-budget remakes of the classics of yesteryear, indie filmmakers were competing to see who could come up with that generation’s equivalent to Jason, Michael or Freddy. Many of these films ended up being forgettable knockoffs, but every once in a while, we saw a special little movie like Dave Payne’s schlocky yet entertaining Reeker.

Following a group of strangers who find themselves mysteriously trapped at a roadside motel, Reeker stands out because of its Twilight-Zone-inspired twist and its titular villain – an amorphous figure that smells of rot and systematically hunts down his prey. Of course, it doesn’t take long to realize that this peculiar slasher is meant to be a desert-dwelling Grim Reaper collecting souls in remarkably brutal fashion.

And while I also enjoy the film’s 2008 prequel, I would have preferred it if No Man’s Land hadn’t tried to give this preternatural villain a human backstory.


4. The Wolf – Puss in Boots: The Last Wish (2022)

From Regular Show to The Grim Adventures of Billy & Mandy (as well as Norm Macdonald’s iconic guest appearances on Family Guy), Death shows up more frequently in animation than he does in live action. However, I think it’s fair to say that the most intimidating animated reaper has to be the Wolf from 2022’s unexpectedly thrilling Puss in Boots: The Last Wish.

Played by Brazilian national treasure Wagner Moura, this ghostly white predator is initially introduced as a sickle-wielding bounty hunter, with Puss later discovering that he’s actually Death incarnate out to personally collect a soul that has illuded him for far too long.

Those of you who haven’t seen The Last Wish may be wondering why a character from a kid’s film made it onto the list, but I’d recommend that you watch the film for yourself and try not to shudder whenever you hear the eerie whistling that signals the Wolf’s arrival.


3. The Angel of Death – Hellboy 2: The Golden Army (2004)

Regardless of how faithful they are to their source material, Guillermo Del Toro’s Hellboy movies are some of the most creative comic-book adaptations out there. In fact, the sequel’s dark re-imagining of fairytale creatures remains one of the most fascinating depictions of urban fantasy in film, which is why I don’t think anyone will be surprised to see The Golden Army’s depiction of Death on this list. After all, this sinister reaper manages to stand out even in a film that’s already chock-full of memorable monsters.

Brought to life by genre veteran Doug Jones (who also appears in the movie as the fan-favorite Abe Sapien), this incarnation of The Angel of Death is special in that he’s Hellboy’s own personal reaper and has watched over the BPRD agent throughout the entirety of his long life. Of course, it’s the Angel’s striking design that earns him a spot here, with his many-eyed wings and indifferent nature making him one hell of a menacing figure even though he’s not exactly a villain.


2. Death – Cemetery Man (1994)

By far my favorite film on this list, Michael Soavi’s Cemetery Man (originally titled Dellamorte Dellamore) is also undoubtedly the strangest. A multinational co-production adapting a novel by Dylan Dog creator Tiziano Sclavi, this surreal horror comedy follows the troubled caretaker of an Italian cemetery as he goes about burying the dead and then shooting them once they inevitably come back to life.

And how does Death factor into all of this? Well, there’s a brief scene during the second act where the Grim Reaper himself appears before our main character and tells him to start shooting the living instead. Like many of the film’s disturbing elements, this moment is initially played for laughs, but it also signals a dark shift in tone for the story, with the looming presence of Death being felt throughout the rest of the experience as this surprisingly poignant zombie flick spirals into homicidal madness.


1. The Red Death – The Masque of the Red Death (1964)

The penultimate entry in Roger Corman’s infamous series of Edgar Allan Poe adaptations, 1964’s The Masque of the Red Death is noteworthy for being a somewhat faithful retelling of three gothic horror yarns at the same time – with one of them not even having been written by Poe! And yet, the film’s final act still features the same visceral terror that made its titular inspiration such a classic in the first place.

Of course, it’s the casting of Vincent Price that makes this such a spooky watch, with the master of horror playing both the decadent Prince Prospero (here portrayed as a Satanist) and the Red Death itself when it finally unmasks in order to punish the prince’s hubris.

It just goes to show that you don’t need fancy special effects to scare audiences when you’ve got Vincent Price on the call sheet!

Born Brazilian, raised Canadian, Luiz is a writer and filmmaker that spends most of his time thinking about movies.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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