Editorials
Accidents Happen: Ranking The Six Gnarliest Kills From ‘The Monkey’
The recurring line in director Osgood Perkins’ The Monkey sums it up well: “Everybody dies, and that’s life.”
Perkins’ adaptation of Stephen King’s short story from 1985’s Skeleton Crew, now streaming on Hulu, uses its source material as a loose framework for a Final Destination-like, gory romp filled with a nonstop onslaught of over-the-top, elaborate deaths.
The plot centers around twin brothers who find a mysterious wind-up monkey, triggering a series of outrageous deaths that will tear their family apart. When the Monkey’s arm winds up, get ready; a brutal death occurs whenever the cursed object bangs his toy drum. It’s always at random, too. Per the wind-up toy’s box, it is “like life,“ after all.
And in this movie, death comes fast and furious in morbidly funny fashion. So much so that there are over two dozen gruesome demises packed into The Monkey’s runtime, all highlighting the gallows’ humor with gore. However, many of them are shown in fleeting montages or featured in the background, especially in the film’s final act when the cursed object’s reign of terror unleashes chaos.
Now that The Monkey is on streaming, we’re highlighting six of the horror-comedy’s standout kills beyond the quick montage and background deaths. Spoilers ahead, of course…
6) Hibachi Grill Decapitation

The first time Hal Shelburne (Christian Convery) winds up the Monkey, he doesn’t know what it does or what’s to come. That the audience does means a suspenseful build-up as Hal and his twin brother Bill (also Convery) get treated to dinner by their babysitter, Annie (Danica Dreyer), at a Hibachi restaurant. The chef at the trio’s tableside grill strikes up a flirtation with Annie while attempting to impress with cooking flair. It spectacularly backfires; a quick flip of the wrist with a sharp spatula winds up decapitating the babysitter instead. While The Monkey quickly reveals itself to be rather fond of decapitations, Annie’s freak accident is the twin brothers’ first tangible brush with death. More noticeably, the babysitter’s full name, revealed at her funeral service, makes for an amusing joke in itself: Annie Wilkes, as in Misery‘s Annie Wilkes.
5) Uncle Chip Mince Meat

Of the deaths on this list, Uncle Chip’s is the briefest for good reason. It’s arguably the goriest of the bunch and only shown in quick flashes. After Hal and Bill’s mom dies from an aneurysm courtesy of the monkey, they’re taken in by their swinging Uncle Chip (Osgood Perkins) and Aunt Ida (Sarah Levy) in Casco, Maine. Somehow, the wind-up monkey finds its way to them and promptly triggers another freak accident. This time it claims Uncle Chip, who was decimated off-screen by a horse stampede in his sleeping bag while on a camping trip, but Perkins does give a gag-worthy look at the mince meat aftermath that earns a spot here.
4) Wasp Face Ricky

When Bill finally connects the dots on the Monkey’s M.O. as an adult, he hires Casco local Ricky (Rohan Campbell) to find and retrieve it so he can enact vengeance upon his brother. Ricky becomes obsessed with the wind-up toy, holding Hal and his son Petey (Colin O’Brien) at gunpoint under Bill’s orders. Just before the final confrontation between estranged brothers, the monkey bangs his drum once again, sentencing Ricky to an outlandish demise courtesy of one massive hornet’s nest whose pissed off inhabitants charge straight into his mouth to rearrange and mutilate his jaw.
3) Pawn Shop Harpoon

Talk about a great hook for an opening. The Monkey begins in 1999, where the twins’ blood-drenched dad, Petey (Adam Scott), frantically makes his way to a pawn shop to offload his cursed object. The skeptical owner isn’t interested in the children’s toy or Petey’s insistence that it isn’t one. That’s when the Monkey’s arm comes banging down, setting off a chain of events within the shop that causes a harpoon gun to fire, landing straight into the pawn shop owner’s belly, revealing just how long the small intestines can coil in a brutal disemboweling. It’s the type of scene that warns to buckle up for an absurdly wild ride.
2) Going to Pieces Over a Night Swim

Hal and Petey’s father/son bonding trip derails almost immediately, thanks to Bill’s murder scheme. The pair stops at a motel not unlike the famous Bates Motel, where the deeply broken a/c signals the grim reaper is lurking near. It arrives shortly after Hal steps outside to take a phone call, where he begins to notice the telltale signs that something is amiss. The faulty a/c unit slips from the roof, crashing into the wet pool area and electrifying the water just as a woman takes a dive. Hal is helpless to warn her; she doesn’t even hit the water as she explodes mid-air. It’s as nasty as it is funny, only further underscoring the random cruelty of death.
1) Fish Hooked

The randomness of death doesn’t just apply to who dies, but how they die, too. Some are lucky to receive a swift death, while others inexplicably suffer protracted fates of immense suffering. The worst of it befalls poor Aunt Ida, whose insanely elaborate death reignites a new wave of annihilation 25 years after the twins thought they’d destroyed the Monkey for good. The perky but quiet woman, living alone, succumbs to a bizarre chain of events that sees her falling through basement steps into a faceful of fish hooks. Ida manages to dust herself off and clean her wounds with rubbing alcohol, the move that proves fatal when she ignites her stovetop for a calming beverage, only for her newly flammable face to go up in flames. She runs out the door and impales her fiery head upon the realtor’s sign in her yard. It’s a centerpiece kill that heralds in the second half of the film, and Perkins marks the occasion with Rube Goldberg Machine-style gallows humor.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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