Editorials
10 Great Netflix Movies to Put on Your Halloween Watchlists
Netflix, like many streaming platforms this month, are rolling out the red carpet for horror with curated “Netflix & Chills” programming. While it’s packed with categories and titles that cover everything from family friendly TV specials to classic horror, it doesn’t include every horror movie available to stream in Netflix’s library.
If the overwhelming selection causes decision paralysis this Halloween season, consider this a starter pack of horror movies to add to your watchlists from charming horror-comedies to hidden Netflix gems.
28 Years Later
Director Danny Boyle and screenwriter Alex Garland return to the world they created in 28 Days Later. Instead of venturing down the expected path, Boyle & Garland introduce a quarantined UK largely forgotten by the outside world, with its survivors having forged new communities and simplified ways of life post-outbreak. Boyle plays with form, introducing a sensory assault through rapid cuts, a punishing soundscape, and immersive camerawork that employs a variety of techniques, including strapping cameras and iPhones to actors to evoke danger and suspense. Yet it’s the surprising third act, pivoting from intense horror to a cathartic, poignant meditation on death, along with an insane hook for the second installment that gets the new trilogy off to an intriguing start. Catch up on this 2025 release in October.
Cobweb
If you’re craving Halloween atmosphere, it doesn’t get more seasonal than the feature directorial debut of Samuel Bodin, creator of Netflix’s “Marianne.” Lizzy Caplan (“Castle Rock”) and Antony Starr (“The Boys”) star as parents whose peculiar behavior instills skepticism and paranoia in young son Peter (Woody Norman), exacerbated by a mysterious knocking on his bedroom walls. Bodin and screenwriter Chris Thomas Devlin’s R-rated horror fairy tale massively embraces its Halloween atmosphere. If you want full throttle scares, watch “Marianne.” For gateway thrills that go big on Halloween and bedtime story vibes, get cozy with Cobweb.
Dead Talents Society
Detention director John Hsu channels the mischievous supernatural spirit of Beetlejuice in this endearing horror-comedy. It follows the timid and recently deceased Rookie (Gingle Wang) as she tries to navigate life as a ghost. That means learning how to scare the pants off of people before fading away permanently in an afterlife where ghosts strive to become the spookiest urban legends and famous stars in the underworld. And competition is fierce. It’s a comedy where the characters are endearing and the jokes land, but it’s unafraid to embrace scares and blood.
Deadstream
The feature directorial debut from husband-and-wife filmmaking couple Vanessa and Joseph Winter follows a disgraced internet personality who attempts to win back his followers by livestreaming one night alone in a haunted house. It’s perfect for Halloween; YouTuber Shawn (Joseph Winters) gets decked out in holiday gear as he introduces his latest stunt as a Halloween event. Let’s just say that karma comes for Shawn in the form of mischievous and malevolent spirits. The Winters’ channel Sam Raimi in their delightfully gonzo horror-comedy full of bodily fluids, gore, and ghostly creatures.
Death Becomes Her
Bruce Willis, Meryl Streep, andGoldie Hawn starred in this satirical dark comedy that saw two women escalate their rivalry after discovering a potion that offers immortality. Of course, living forever isn’t all that it’s cracked up to be for the frenemies, as their tension leads to violence. This horror-lite comedy directed by Robert Zemeckis went toe-to-toe with Buffy the Vampire Slayer at the box office and emerged a commercial hit. It’s not hard to see why; Death Becomes Her is an infectious showcase for tremendous comedic talent and Academy Award-winning visual effects. It’s the precise combo of horror effects meets whimsical humor that hits harder this time of year.
Hellhole
At first glance, Bartosz M. Kowalski’s film appears to be a standard retread of exorcism horror, but quickly becomes apparent that it’s charting a new course. Set in 1957 Poland, Marick travels to a remote and regressive monastery that doubles as a sanitarium for women thought to be possessed by demons. While investigating a string of disappearances, Father Marick (Piotr Zurawski) stumbles into a centuries-old conspiracy of unspeakable horrors. This Polish Gothic horror movie oozes foggy atmosphere, but isn’t afraid to get gruesome. It builds to an unforgettable finale.
His House
Husband-and-wife Sudanese refugees Bol (Sope Dirisu) and Rial (Wunmi Mosaku) have been through more than most endure in a lifetime. They’ve fled their war-torn village, crossed the ocean, survived a degrading stint in a U.K. detention facility, and finally been granted an opportunity for housing in their new country. The home may be roomy, but they face hostility in and outside its moldy walls. Remi Weekes’s feature debut transforms the refugee experience into a petrifying horror film with expertly crafted scares. For all the existential terror Bol and Rial face in their new lives, the director also keeps a firm grip on the supernatural.
It’s What’s Inside
It’s What’s Inside. (L to R) Alycia Debnam-Carey as Nikki and Devon Terrell as Reuben in It’s What’s Inside. Cr. Courtesy of Netflix
Dark secrets, resentment, and jealousy raucously bubble up to the surface in writer/director Greg Jardin’s feature debut. A pre-wedding reunion amongst former college friends begins with easy revelry as eight gather to reminisce and imbibe in mind-altering substances. Only no one knows just how mind-bending the night will become when a suitcase emerges to introduce a new party game, one that catapults the group into an identity-bending funhouse of sci-fi comedy and horror. It’s a twisty puzzle box that demands your attention to avoid missing crucial minutiae, but it rewards through saturated colors, meticulous visual plotting, and an irreverent tone. In other words, this is the perfect party movie to watch with friends.
The Ritual
Hellraiser director David Bruckner’s adaptation of Adam Nevill’s novel delivered a haunting creature feature. Beginning with a horror plot that feels like we’ve been there countless times before, in which a group of long-time friends ventures into the woods for a hiking trip, only for it to go horrifically awry, it quickly proves to be anything but ordinary. A creepy setting that invokes the eeriness of The Blair Witch Project gives way to a bleak monster movie rooted in Norse mythology. It also delivers one hell of a creature design. There’s a crisp autumnal atmosphere to this one that makes it perfect for Halloween viewing.
The Sentinel
In horror, sometimes the perfect home chooses you. For Allison Parker, a desire to strike out on her own finds her in a gorgeous Brooklyn brownstone that’s been converted into apartments. It’s a fantastic piece of real estate, but the place is packed with bizarre neighbors and strange activity. Allison soon finds herself haunted by both memories and unwanted visitors. Eventually, though, poor Allison discovers that she didn’t choose the apartment – the denizens of the building chose her. The sinister evil of the place has a specific purpose in mind for her. Religious horror collides with the haunted house in an unusual way.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.
For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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