Horror Editorials
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[Retrospective] Brian De Palma’s ‘Blow Out’ Is Still a Scream 40 Years Later!
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‘Strangeland: Disciple’ – Dee Snider Updates on the Planned Return of Captain Howdy [Phantom Limbs]
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Pure Celluloid Mayhem: Stephen King’s ‘Maximum Overdrive’ Turns 35
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‘Razorback’: A Beautiful, Brutal Eco-Horror from Down Under [Horrors Elsewhere]
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‘Terror in the Midnight Sun’ – The Monster Story That Defined “B” Movies in Sweden
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HBO’s “Room 104”: 6 of the Best Episodes for Horror Fans
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Slaves of Satan: Mario Bava, Barbara Steele, and ‘Black Sunday’ [Gods and Monsters]
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‘Fear Street’ Shines a Light on Horror’s History With a Patriarchal Society
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Stay Home, Watch Horror: 5 Road Trip Horror Movies to Stream This Week
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Celebrating ‘The Frighteners’ at 25 and Peter Jackson’s Magical World of Miniatures
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“Barbarella”: Mickey Fisher Recalls the Space Opera Television Series That Almost Took Flight [Phantom Limbs]
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Feelings Change: Anger, Fear, and ‘Possession’ in Andrzej Zulawksi’s Nightmare Divorce
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Haunted by Guilt in Kiyoshi Kurosawa’s ‘Retribution’ [Horrors Elsewhere]
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“Goosebumps”: R.L. Stine Brought Gateway Horror to the Small Screen in the ’90s [TV Terrors]
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How Clive Barker’s Original ‘Hellraiser III’ Pitch Evolved Into ‘The Mummy’
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A Charming Apocalyptic Misfire: The Curious Case of Clive Barker’s ‘The Plague’
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‘Valentine’ Kicked Off 2000s Horror With a Fun Trip Right Back to the 1980s [You Aughta Know]
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10 Killer Records From the First Half of 2021; Introducing Bloody Disgusting’s New Metal Column “Haunted Riffs”
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Stay Home, Watch Horror: 5 Current Horror Series to Stream This Week
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Looking Back on ‘8MM’ – The Horror Masterpiece That Almost Was
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The Clown Act in Gory Irish Slasher ‘Stitches’ Is to Die For [Horrors Elsewhere]
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June Release ‘Censor’ Delivered a Mind-Bending Nightmare Set in Video Nasty Era [Indie Horror Spotlight]
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‘Blood From the Mummy’s Tomb’ Was One of Hammer’s Last Great Monster Movies [Hammer Factory]
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Ranking All Five Films in ‘The Purge’ Franchise, From Worst to Best