Horror Editorials
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“Listening is Where the Love Begins”: The Power of Kindness in ‘Werewolves Within’
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Killing and Transcending: ‘Halloween Kills’ and the Celtic Mythology of the ‘Halloween’ Franchise
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“Fear Street”: R.L. Stine’s Gruesome ‘Cheerleaders’ Saga is Full of Evil and Spirit
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Facing the Horrors of Conspiracy and Paranoia With William Friedkin’s ‘Bug’
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Stay Home, Watch Horror: 5 Summer Slashers to Stream This Week!
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Mother’s Off Her Rocker Again: ‘Psycho III’ is Ripe for Reappraisal at 35
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Celebrating ’80s Horror Tropes With ‘Garth Marenghi’s Darkplace’
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The ‘Villmark’ Duology Delivers Norwegian Eco-Dread and Hospital Terror [Horrors Elsewhere]
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The ‘Thir13en Ghosts’ Remake Ushered Old-School Horror Into a New Millennium [Revenge of the Remakes]
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R.L. Stine’s 1992 “Point Horror” Novel ‘Hit and Run’ Is Still a Wild Ride
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The Time Was Then – The Heartbreaking Prescience of “Millennium” and Its Viral Pandemic Storyline
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The Horrors of ‘Apaches’ and Other Vintage British Safety Films [Formative Fears]
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The Loneliness, Heartache, and Tragedy of ‘Melancholia’ [Unveiling The Mind]
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‘Fear Street’: 10 Classic Books to Read from R.L. Stine’s Teen Horror Franchise
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Stay Home, Watch Horror: 5 Home Invasion Horror Movies to Stream This Week
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5 Tales of Queer Terror from TV Anthologies [Series of Frights]
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‘Aliens: Stalker’: One of the Most Tragically Overlooked Xenomorph Tales Ever Told
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You Have Been Warned: ‘The Omen’ Turns 45
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‘Savageland’: Redefining Found-Footage With an Underseen Horror Gem
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Damian Maffei on Becoming the Man in the Mask and Filming That Pool Scene in ‘The Strangers: Prey at Night’ [Mask of Insanity]
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Before ‘Basic Instinct,’ Paul Verhoeven Explored Sexuality and the Femme Fatale in ‘The Fourth Man’ [Horrors Elsewhere]
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How Much is ‘Midsommar’ Like a Real Swedish Midsummer Celebration?
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They’re Here Already: The Perpetual Relevance of ‘Invasion of the Body Snatchers’ [Gods and Monsters]
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‘Solace’: Screenwriter Ted Griffin Clears Up the Confusion About the Almost-Sequel to ‘Se7en’ [Larval Ink]
