Horror Editorials
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[31 Days of Halloween] Day Two: Scott Derrickson’s ‘Sinister’!
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Sixty Years Ago, “The Twilight Zone” Pilot Became One of the Most Influential TV Episodes of All Time
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‘The Texas Chain Saw Massacre’ Turns 45: Looking Back at How the Horror Classic Was Initially Received
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[31 Days of Halloween] Day One: James Wan and Leigh Whannell’s ‘Insidious’
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‘Eye See You’: Have YOU Seen Sylvester Stallone’s Only Horror Movie?
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Join Us for Bloody Disgusting’s 31 Days of Halloween!
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7 Horror Movies to Watch Before You See ‘Joker’ This Weekend
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Ripping and Tearing into Hell: The 25th Anniversary of ‘DOOM 2’
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Fantastic Fest 2019 Brought a Spotlight to the Extensive History of Horror Cinema from Mexico
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Send in the Clowns: ‘Joker’ and the Presence of Genre Films at the Oscars
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The 8 Best Portrayals of Frankenstein’s Monster in Film and Television
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[Interview] How ‘Home Sweet Home Episode 2’ Uses Thai Theater for a Fresh Perspective on Horror
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‘Jennifer’s Body’ 10 Years Later: How Karyn Kusama’s Feminist Revenge Film Was Ahead of Its Time
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[Retrospective] The ‘Echo Night’ Games Were ‘Fatal Frame’ Before ‘Fatal Frame’
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10 Great Horror Films That Should Have Gotten Sequels
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[We Love ’90s Horror] Forgotten 1997 Gem ‘The Ugly’ Deserves the Recognition It Never Received
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The Stanley Effect: Why the Ending of ‘It: Chapter Two’ Doesn’t Work [Spoilers]
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A ‘Cronos’ Retrospective: Guillermo del Toro’s Subversive Mexican Vampire Tale
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A Masterful Duality of Horror and Action: ‘Resident Evil 3: Nemesis’ Turns 20
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[It Came From the ‘80s] Death By Stereo and More Practical Carnage in ‘The Lost Boys’
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[Butcher Block] ‘Maniac’ Remake Makes You Complicit in Its Twisted Love Story
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“Marianne” is Netflix’s Most Terrifying Original Horror Yet
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Celebrating 15 Years of Horror at Fantastic Fest!
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[Editorial] ‘Tigers Are Not Afraid’ and the Justified Inclusion of Child Violence in Horror Films