Horror Editorials
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When You See It: 6 of the Freakiest Hidden Scares in Horror Movies
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‘Disturbing Behavior’ – Revisiting the Teen Horror Movie 26 Years Later
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‘Slay’ – The Importance of Drag As Expression in Tubi’s New Original
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‘Take Shelter’ – Michael Shannon, the End Times and the Horrors of Mental Illness
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Looking Back on the Stop-Motion Nightmare of 1986’s ‘The Pied Piper’
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Diving into the Musical Madness of 1983’s Rock Opera ‘Rock & Rule’
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Painting Faces: The ‘X’ Trilogy and Its Reverence for Makeup
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Forgotten Warrior: ‘Darkstalkers’ Still Endures for Many Fans of Capcom Fighters
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‘Kidan: Piece of Darkness’ – This Collaborative J-Horror Anthology Includes ‘Noroi: The Curse’ Director
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Celebrating 6 of the Scariest Stop-Motion Effects in Horror
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‘Amityville Frankenstein’ Isn’t Worth Reanimating [The Amityville IP]
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Remembering That Time Nicolas Cage Battled Satanists in ‘Drive Angry’
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‘I Know What You Did Last Summer’ – The Original Novel Was a Very Different Horror Story
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Daughters, Monsters, and Not So Nice Girls: Mia Goth in the ‘X’ Trilogy
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5 Deep Cut Horror Movies to Seek Out in July 2024
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‘How to Make a Monster’: The 1950s Original and the 2001 Update [Revenge of the Remakes]
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Six Horror Families to Visit Ahead of ‘The Vourdalak’
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The 10 Best Horror Movies Released in the First Half of 2024
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A New Dimension of Terror: 6 Underrated Horror Movies Shot in 3D
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‘My Babysitter’s a Vampire’ – The Immortal Appeal of Disney Channel’s Horror Comedy
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Swimming with Monsters: Why We Still Love ‘Creature from the Black Lagoon’
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‘Exploited’ – A Queer and Erotic Giallo for the Digital Age
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Building a Better Sequel With ‘Winnie the Pooh: Blood and Honey 2’
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‘Amityville Death Toilet’ Flushes the “Franchise” Even Further Down the Toilet [The Amityville IP]
