Editorials
‘After Midnight’ – An Underseen ’80s Horror Anthology
I first discovered After Midnight (1989) during my freshman year of college. There at I Luv Video was this VHS tape that gave me nostalgia for a movie I actually hadn’t seen yet. The woman on the cover, a character played by Jillian McWhirter, was quite literally trapped in time, and the tagline beneath her fiery fate read: “Anything Can Happen in the Dark.” As it turned out, my little case of memory distortion was rather fitting; this movie starts off with someone having a vague recollection, albeit of a terrible event.
Growing up I had passed by After Midnight many times at my local video shop, but it wasn’t until some years later that I gave it a watch. And after witnessing the nightmarish fate of those college students enrolled in The Psychology of Fear, I was hooked. Jim and Ken Wheat’s movie — their horror debut as directors and producers after penning Silent Scream, A Nightmare on Elm Street 4: The Dream Master, and The Fly II — has since become a favorite. You could even say my enthusiasm for anthologies today was influenced by After Midnight.
In hindsight, the VHS synopsis for After Midnight didn’t exactly advertise itself as an anthology; the only indication was the bit of “sharing stories” on the tape’s back cover. Nevertheless, I was pleasantly surprised to find another movie like Creepshow, Tales from the Darkside: The Movie, and Tales from the Hood. And it is only after the somewhat involved setup does this movie reveal itself to be an anthology. The Wheat Brothers were inspired by 1945’s Dead of Night, another horror portmanteau where the substories happen later than sooner, and the storytellers aren’t your usual Creep or Crypt Keeper types. Much like another anthology I enjoy, Campfire Tales, the narrators here are normal people. Some less so than others, but that fact is revealed later on.
Pictured: Professor Derek (Ramy Zada) aims a gun at his students.
After Midnight begins ordinarily enough. At first there is nothing at all strange about a pair of friends heading for their first class of the new semester. McWhirter, who would go on to appear in other horror movies like Servants of Twilight and The Dentist 2, plays the ostensible protagonist Allison, whose nagging apprehension is brushed off by best friend Cheryl (Pamela Adlon, King of the Hill). The class looks be a breeze because the intense professor, Edward Derek (Ramy Zada, Two Evil Eyes), is not interested in traditional teaching methods. No, he prefers hands-on learning, which he illustrates with a live demonstration of his statement “to understand fear you have to experience fear.” This entails pointing a loaded gun at a meathead named Russ (Ed Monaghan), then turning it on himself. Up until the reveal, no one realized Derek’s stunt was fake until the prof miraculously recovered from his point-blank head wound. The fake brain splatter all over the classroom walls amuses most everyone else in attendance, but Russ’ public humiliation has consequences; the administration puts an immediate end to Derek’s unorthodox lectures.
For those anxious to get on with the anthology aspect, After Midnight soon ditches the classroom setting and moves into more intimate quarters. Derek offers an extracurricular option for his more intrepid students, including Allison and Cheryl. It’s at the professor’s house where the substories finally come out to play. Three, to be exact. In the meantime, the movie circles back to its ominous wraparound whenever a new narrator is required, or whenever needing to update us on Russ’ revenge plot currently underway.
The framing story’s vintage look is intentional and gives it a sort of timeless quality. Even the standalone segments, with the exception of the middle one, have an everlasting appeal to them. Cinematographer Phedon Papamichael, who was early into his now-illustrious career, had previously worked with Katt Shea on Dance with the Dead and Stripped to Kill II: Live Girls. Here Papamichael is instrumental in the moody and rich aesthetic of After Midnight.
Pictured: Joan (Nadine Van der Velde) is about to lose her head in the segment “The Old Dark House”.
Allison has been acting peculiar from the get-go, and that uneasiness only worsens once she’s inside Professor Derek’s home. As that tension continues to brew, the host kicks off a round of storytelling that stormy evening. “Ghost stories?” a student asks. Derek quickly corrects him and says the stories have to be true. For something to be frightening, he continues, it has to be believable. This is where After Midnight stands apart from other anthologies; the substories are grounded rather than fantastical and uncanny.
Professor Derek kicks things off with “The Old Dark House,” a Gothic offering that could have easily hailed from the vaults of EC Comics. A couple’s celebratory dinner leads to a scenic drive, then a bit of breaking-and-entering as their car stalls on a creepy and deserted road. As Kevin (Marc McClure, Back to the Future) and Joan (Nadine Van der Velde, Critters) look for a phone in what ends up being an infamous and not-so-empty murder house, the husband’s mind starts to play tricks on him. When it seems as if everything here falls in place much too conveniently, the denouement clarifies with macabre effect.
Just in time for the second self-contained segment, the power goes out in Derek’s house. A sudden need for candles only adds to the mystique of the night and elevates the subsequent stories. One random student then goes on to share a yarn he heard from his sister: “A Night on the Town.” Four teenagers, played by Penelope Sudrow (A Nightmare on Elm Street 3: Dream Warriors), Judie Aronson (Friday the 13th: The Final Chapter), Tracy Wells (Mr. Belvedere) and Monique Salcido, become lost and stranded in a run-down area after failing to get into a nightclub. What follows is a straightforward yet nevertheless exciting battle of survival. Character actor Luis Contreras menaces the girls in this empty and derelict part of the city — current Los Angelenos would have a hard time recognizing what used to be the warehouse district — before his trained attack dogs pick up the slack. This second story is the most contemporary of the lot, and it’s not the least terrifying, but it does pack in the semi-slasher thrills.
Pictured: The girls of “A Night on the Town” take Luis Contreras for a ride.
The movie edges closer to its climactic finale as Cheryl reveals a stalker-themed piece called “All Night Operator.” And while she entertains Professor Derek and the others, Russ constructs his payback strategy down below in the basement.
The third and final tale stars Marg Helgenberger of CSI fame as a vestige of a once-thriving business. This segment pits an already injured phone operator against a madman played by Alan Rosenberg (Helgenberger’s real-life husband at the time). The increasingly disturbed caller eventually pays the messenger a visit after dealing with the object of his sick affection (Jordana Capra). Despite the modern timestamp of “All Night Operator,” one featuring a depiction of a soon-to-be obsolete job, this suspenseful closing story is a well-crafted cat-and-mouser that never comes across as too dated. The ending shot alone is a perfect visual garnish that calls back to old Hollywood thrillers.
Allison no longer struggles to remember her own story in the movie’s lengthy epilogue. Her dreadful bout of déjà-rêvé is let loose as Russ gives Derek a taste of his own medicine. However, the professor is more than willing to dole out real fear-inducing horror. From there After Midnight culminates in a display of deus ex machina that was hackneyed even back then, however, as stated before, the directors were motivated by Dead of Night. Not only in assembly but also execution.
After Midnight isn’t held in the same regard as other anthologies, and it’s not particularly scary, but this underseen movie is rich in charm and atmosphere. From my view, it showed up at the right time of my life and opened the door to even more segmented horror. And for that I’m willing to look past its lack of scares and appreciate its many other redeeming traits.
After Midnight is now available on Blu-ray from Shout! Factory and on streaming services such as Tubi.
Horror contemplates in great detail how young people handle inordinate situations and all of life’s unexpected challenges. While the genre forces characters of every age to face their fears, it is especially interested in how youths might fare in life-or-death scenarios.
The column Young Blood is dedicated to horror stories for and about teenagers, as well as other young folks on the brink of terror.
Pictured: Marg Helgenberger in “All Night Operator”.
Some movies are just so beloved that you can experience them through cultural osmosis without ever sitting down to actually watch them. From loving parodies to meticulous recreations of iconic scenes, memorable filmmaking lives on even after the curtains close on the silver screen. And when it comes to horror, few films can compete with the massive impact that Stanley Kubrick’s The Shining had on popular culture as a whole.
Whether or not you think the flick is a good adaptation of Stephen King’s seminal novel, 1980’s The Shining slowly but surely grew into one of the most influential genre movies ever made, inspiring everything from surprisingly heartfelt sequels to classic episodes of The Simpsons. However, not all The Shining references are created equal, and today I’d like to shine a light on six unexpected homages to Kubrick’s iconic film.
In this list, we’ll be focusing on references and Easter eggs that either came out of the blue or came from creators that you wouldn’t expect to be fans of this classic ghost story. That being said, don’t forget to comment below with your own favorite references to the Torrance family and the Overlook Hotel if you think we missed a particularly memorable one.
With that out of the way, onto the list!
5. A Nightmare on FaceTime – South Park (2012)
Regardless of the brand’s iffy reputation among former employees, the death of Blockbuster Video was a serious blow to fans of physical media. Of course, some folks were more affected by this than others, and South Park’s Randy Marsh definitely took things a little too far in the twelfth episode of the show’s sixteenth season.
Titled A Nightmare on FaceTime, the main plot of this 2012 story is a surprisingly faithful recreation of The Shining where Randy purchases an empty Blockbuster store and begins to go mad once he realizes that his investment may not have been a very good idea due to the rise of streaming and the now-defunct RedBox storefronts.
4. The Overlook Hotel Level – Ready Player One (2018)
I was never really a fan of Ernest Cline’s Ready Player One, so I viewed Stephen Spielberg’s divisive adaptation of the novel as an improvement over the source material despite having its own narrative issues. In fact, I actually prefer how Spielberg changed the story by removing several references to his own work and replacing a lengthy Blade Runner detour with an over-the-top homage to The Shining.
A CGI-heavy recreation of the film’s most iconic moments that feels like a big-budget ghost train ride set within the Overlook Hotel, this intense sequence is more of a recreation of the freaky aesthetics of The Shining rather than its mind-bending narrative. However, it’s still fun to see Spielberg make a heartfelt tribute to a filmmaker that was once his close personal friend.
3. IKEA Singapore Halloween Ad (2014)
It makes sense that commercials don’t typically borrow from the horror genre, as it might be a bad idea to scare away potential customers, but some references are just too much fun to pass up.
That’s probably why the publicists behind this Ikea ad from Singapore were allowed to turn their commercial into a genuinely unsettling recreation of Danny’s tricycle scene from The Shining. After all, nobody cares if your store is haunted so long as it offers late-night shopping hours and a large selection of merchandise that you can become lost in forever and ever…
2. The End of ‘Bondage and Beta Male Sexuality’ – Community (2014)
Community is no stranger to recreating iconic movie moments within the show, and the series had previously tackled horror tropes in episodes like the fan-favorite Epidemiology. However, the most laugh-out-loud moment on this particular list comes from a brief gag towards the end of the season five episode ‘Bondage and Beta Male Sexuality’.
The majority of this episode has nothing to do with scary movies, but there’s a brief subplot involving supporting character Chang and a possible encounter with ghosts that leads him to question his own existence. This subplot culminates in the episode’s hilarious ending where the camera zooms in on a black-and-white photograph of Chang in period clothing at some kind of celebration, just like Jack Nicholson at the end of The Shining.
However, the picture’s subtitle eventually reveals that it’s merely a conveniently placed keepsake from the ‘Old Timey Photo Club’.
1. The Overlook Hedge Maze Sequence – Zootopia 2 (2025)
Disney movies are pretty far removed from both the gruesome horror of Stephen King and the heady filmmaking of Stanley Kubrick, so I don’t think anyone was expecting the climax of last year’s Zootopia sequel to take place in an animated version of the snowy hedge maze from The Shining.
In this unexpectedly intense sequence, friend-turned-villain Pawbert Lynxley (an unhinged lynx cat played by Andy Samberg) chases our protagonists through a creepy labyrinth in a loving recreation of Jack Nicholson’s icy demise outside the Overlook Hotel. The actual ending here might be a little more child-friendly than what’s being referenced, but it’s amazing that the filmmakers were able to push the horror elements as far as they did – especially since the scene doesn’t really have anything to do with the rest of the movie.
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