Horror Editorials
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Stay Home, Watch Horror: 5 Horror Movies to Stream Ahead of ‘Malignant’ This Week
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Nia DaCosta’s ‘Candyman’ Uses Centuries of Trauma and Loss to Reframe and Reclaim Candyman
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From ‘Interviews With Some Vampires’ to ‘Wellington Paranormal’ – The Evolution of ‘What We Do in the Shadows’
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‘Death Weekend’: Canadian Exploitation and Rural Revenge [Horrors Elsewhere]
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Trading Card Treats: Six Notable Horror Trading Card Sets
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Nia DaCosta’s ‘Candyman’ Reimagines the Mythology With a Sequel-Reboot Hybrid [Revenge of the Remakes]
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Looking Back at the Horror Movies and Their Monsters That Inspired “Castlevania”
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Clive Barker’s ‘The Forbidden’ – The Humble Beginnings of the ‘Candyman’ Franchise
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The Scariest Scene in Bernard Rose’s ‘Candyman’ Shatters a Horror Taboo [Scene Screams]
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Leatherface on Netflix?! Why Streaming Could Be an Exciting New Path for Our Favorite Horror Franchises
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Freeform’s Teen Horror Series “Dead of Summer” Deserved Better
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Stay Home, Watch Horror: 5 Urban Legend Horror Movies to Stream This Week
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“Too Funny for Horror and Too Scary for Comedy” – 40 Years of ‘An American Werewolf in London’
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Larry Fessenden Revisits ‘The Orphanage’ to Discuss the Remake He Never Ended Up Making [Phantom Limbs]
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A Hypnotic Horror: How the Original ‘Candyman’ Led Me Down the Path of Horror Movie Obsession
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Gaslighting Thriller ‘Taste of Fear’ is One of Hammer’s Best [Horrors Elsewhere]
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Suicide, Depression, and Loss in ‘The Night House’
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Who’s Afraid of Candyman? What the Boogeyman’s Presence Says About Representation in Horror
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Mark of the Beast: ‘The Wolf Man’ at 80 [Gods and Monsters]
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Examining the Urban Legends That Inspired ‘Candyman’
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Stay Home, Watch Horror: 5 Neo-Giallo Movies to Stream This Week
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Playing With (Horrific) Super Power! 30 Years of Super Nintendo in North America
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As ‘Devil May Cry’ Turns 20, Bloody Disgusting Revisits its Origins and Influences
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Why Now Is the Perfect Time for a New 3D “Castlevania”