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[Exclusive] Read the First 4 Pages of George Romero’s New Zombie Short ‘John Doe’!

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Next month, George Romero returns to the world he created in 1968.

Set for release on July 11th from St. Martin’s Griffin, the new horror anthology book Nights of the Living Dead is jam packed with 19 original short zombie stories from some of today’s most important genre writers. Coolest of all, the entire collection was edited by Jonathan Maberry and George A. Romero!

Yes, the man who literally created the living dead makes his grand return to the zombie arena with Nights of the Living Dead, which features an original story penned by Romero himself. It’s titled John Doe and it’s set at the start of the zombie apocalypse, centered on a dead homeless man at a San Diego morgue who begins exhibiting signs of life.

But why wait until next month to read it? We’ve got an EXCLUSIVE EXCERPT from George Romero’s new zombie story right here and right now! Give it a read below!

Nights of the Living Dead returns to that night in 1968 – to the outbreak, to where it all began. New York Times bestselling author Jonathan Maberry teams with the godfather of the living dead himself, George A. Romero, to present a collection of all-new tales set during the forty-eight hours of that legendary outbreak.

Nights of the Living Dead also features stories by Brian Keene, Carrie Ryan, Chuck Wendig, Craig E. Engler, David J. Schow, David Wellington, Isaac Marion, Jay Bonansinga, Joe R. Lansdale, John A. Russo, John Skipp, Keith R.A. DeCandido, Max Brallier, Mike Carey, Mira Grant, Neal and Brenda Shusterman, Jonathan Maberry, and Ryan Brown.

Pre-order your copy of Nights of the Living Dead today.


‘John Doe’

by George A. Romero

Within the early months of the twenty-first century, even before the terrorist attacks of 9/11, most hospitals, nursing homes, and police departments in the United States— those sophisticated enough to be computer-equipped—were mandated to join the VSDC (Vital Statistics Data Collection) network, a cyber-system that received and instantly down-loaded information to a division of the Census Bureau known as AMLD (American Model of Lineage and Demographics). Jokingly referred to as “A Matter of Life and Death.” Whenever a birth or a death was recorded anywhere in the country, the doctor, nurse, registrar—whoever was doing the local filing— simply had to click on a link that copied the statistic directly to the VSDC.

John Doe’s VSDC case number, 129-46-9875, was recognized by the system twice on the night he died. It was initially forwarded by St. Michael the Archangel, a Catholic hospital in San Diego, California. The second entry, the one that made the case notable, came in almost three and a half hours later from the Medical Examiner’s Office in San Diego County. It reached the VSDC at 10:36 p.m. but went unnoticed for another forty-eight hours, until statisticians at the department started to search for abnormalities in recently entered files.

Thousands of similar files were received over those forty-eight hours. Statisticians only began to focus on John Doe’s case when they finally tried to determine when the phenomenon actually began. As sophisticated as the VSDC system was, it was unable to automatically organize entries by date and time. Statisticians had to search manually. John Doe’s dossier—temporarily catalogued in a file labeled ‘Beginners’— predated any of the others that were found. There may have been earlier cases, but they went undiscovered because the statisticians simply stopped looking.

After only four nights—four nights after John Doe’s death, when the whole thing seemed to have started—there were only two men and one woman left at the VSDC. They remained there, alone, working around the clock, clinging heroically—or perhaps stubbornly—to the idea that their work was in some way essential.

After another forty-eight hours nothing seemed essential. One of the men, John Campbell, shut down his computer, went home, and shot himself in the head. At the end of the seventh night, the remaining man, Terry McAllister, made one final entry in his log. It read, ‘Merry Christmas to all, and to all a good night.’ Appropriate, as Christmas was in two weeks. He and the woman, Elizabeth O’Toole, left their computers running when they walked out of the bureau for the last time. They went to the man’s apartment in Georgetown, shared two bottles of Don Julio, and fucked with abandon until the sun rose on the eighth day.

On that day, at 6:20 a.m., Elizabeth O’Toole e-mailed her cousin, a priest, to confess her sins and to say that she and her male companion were going to try to get out of Washington. The message ended with ‘We might not make it very far. I probably won’t ever see you again. I don’t even know if you are still there to read this. I hope that you are, and I hope that God will accept a confession that comes via cyberspace. I have tried to make an Act of Contrition, but I can’t remember all the words. Absolve me if you are able.’

‘I think this is the end of the world. Goodbye. Your loving cousin, Beth.’

John Doe’s case file was forwarded to the VSDC by Luis Acocella, an assistant medical examiner in San Diego. The subject carried no ID. No one knew his real name. Sixty-something and homeless, he was panhandling on Mission Bay Drive when he was startled by what sounded like firecracker pops. An old panel truck with S.O.B (“South of the Border”) plates came careening around a corner with an SDPD cruiser in hot pursuit. A coyote sitting in the truck’s passenger side had his door open and was leaning out firing an Uzi at the black-and-white. The truck swerved out of control. Rounds from the automatic whizzed wildly. Seven of those rounds took out the window at a taco joint. Four of them hit John Doe: one high on a thigh, one high on the belly, one low on the left shoulder, and the fourth low on the neck. The homeless man dropped to the pavement and tried to scream. The wound in his neck turned those screams into sounds that resembled the wheeze of escaping steam.

The truck crashed into a telephone pole. Two more black-and-whites arrived and a gun battle ensued. Two police officers were wounded, one critically. As it turned out, there were six Mexicans in the truck, two coyotes and four illegals, all of them male. Four of them were killed, each taking more than two dozen angry rounds from police sidearms. In the end, two were captured alive.

Purely by coincidence, Luis Acocella had been enjoying a caldo gallego at the taco joint when the window was shot out. Once the gunfire had stopped, he rushed out onto the street. When he reached John Doe’s side, the man was still wheezing. Acocella ran to his car to get his medical bag. By the time he returned, the first of three ambulances had arrived and the wounded man’s wheezing had stopped.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Exclusives

Daniel Roebuck Has Joined the Cast of ‘Terrifier 3’! [Exclusive]

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Daniel Roebuck has been cast as Santa Claus in Terrifier 3, Bloody Disgusting can exclusively report.

Writer-director Damien Leone is currently wrapping production on the highly-anticipated sequel, in which Art the Clown unleashes chaos on the unsuspecting residents of Miles County as they peacefully drift off to sleep on Christmas Eve.

“I’ve been holding this secret for a long time!” Roebuck tells Bloody Disgusting. “I’ve been really excited about it. I’m actually entering into the movies that I watch. It’s extraordinary. This is Terrifier bigger, badder, best.”

Roebuck appears in Terrifier 3 alongside returning cast members David Howard Thornton, Lauren LaVera, Samantha Scaffidi, Elliot Fullam, and AEW superstar Chris Jericho.

No stranger to iconic horror properties, Roebuck has squared off against Michael Myers in Rob Zombie’s Halloween II, played The Count in Zombie’s The Munsters, succumbed to The Tall Man’s sphere in Phantasm: Ravager, and investigated death in Final Destination.

A distinguished character actor with over 250 credits, Roebuck has also appeared in The Devil’s Rejects, 3 from Hell, Bubba Ho-Tep, John Dies at the End, The Fugitive, Lost, Agent Cody Banks, and The Man in the High Castle. Incidentally, he’s also playing Santa in the family drama Saint Nick of Bethlehem, due out later this year.

Terrifier 3 will be released in theaters nationwide later this year via Cineverse and Bloody Disgusting in conjunction with our partner on Terrifier 2, Iconic Events Releasing.

Terrifier 3 comes courtesy of Dark Age Cinema Productions. Phil Falcone Produces with Lisa Falcone acting as Executive Producer. Co-producers include Mike Leavy, Jason Leavy, George Steuber, and Steve Della Salla. Brad Miska, Brandon Hill, and Erick Opeka Executive Produce for Cineverse. Matthew Helderman and Luke Taylor also Executive Produce.

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