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Johnathon Schaech Talks De-programming ‘Jackals’

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Johnathon Schaech, who once starred as the slasher in Prom Night, and was stalked by one in Laid to Rest, is being hunted down by Jackals from Saw VI and Saw 3D: The Final Chapter director Kevin Greutert.

The ’80s-set psychological thriller, in limited theaters and On Demand September 1st., centers on an estranged family who hires a cult de-programmer (Stephen Dorff) to get back their teenage son from a murderous cult, only to find themselves under siege when the cultists surround their cabin, demanding the boy back.

Schaech plays the father who hires the cult de-programmer to save his son from himself. Only, he’s hiding his own secrets that may have caused the events to unfold.

“There is and always will be a program to heal problems,” he explained. “Joining a cult was a serious problem back in the day — but even today, teenage boys need something to believe in — it’s up to their parents to help them avoid bad influence because the latest movement is calling their name. In the case of Jackals the father was holding onto his lies, so his son learned to keep secrets. Dorff’s character is brought in to disconnect the problem, but the Jackals aren’t your typical cult and my son doesn’t have a typical problem.”

“I’m a dad now – it’s changed my life so much,” he adds, speaking to the relatability of his real life to the father role. “But playing a father who did bad things in the past (in Jackals) – those bad things manifested into something deadly. Keeping secrets is one of the most deadly things one can do.” playing a liar only made me deal with it in my life more. It RIPPED a part of my soul out. To know I was responsible for all this pain. Man, I got HONEST real quick.

“Playing a liar only made me deal with it in my life more,” he continues. “It ripped a part of my soul out. To know I was responsible for all this pain. Man, I got honest real quick.

That’s good horror – when it is relatable to our lives. The Jackals are just a mask that the abuse and shame cover.”

The violence was also a lesson, stripping it down to the famous saying, “violence begets violence.”

“It was written violent but we made it [even] more violent,” added Schaech. “I just couldn’t let this character give up – he was going to fight for his family till the end. It’s more interesting when you see someone trying to make up for their sins, fighting to make things right. He finally realizes he was wrong and is determined to make things right. The Jackals stand in his way…

“It’s important to show violence for violence. We don’t want violence in our life, but it’s a reality…if it’s played out differently than it really is – if it’s softened to appease rating, it can be more damaging. You get your point across with violence.”

Schaech can also be seen in the forthcoming remake of Day of the Dead.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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George A. Romero’s ‘Diary of the Dead’ Getting New SteelBook Blu-ray Release

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The fifth installment in the late George A. Romero’s zombie franchise, found footage horror movie Diary of the Dead is getting a new SteelBook Blu-ray on July 2 from Lionsgate.

Lionsgate lets us know in a press release this afternoon, “This gruesome fright flick is only available at Walmart on SteelBook Blu-ray for the suggested retail price of $24.99.”

In Diary of the Dead, Romero continues his influential “Dead” series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies.

Luiz H.C. wrote about the 2008 zombie movie here on Bloody Disgusting a few years back, calling it an underrated movie in Romero’s filmography. Luiz wrote, “Diary of the Dead is far from Romero’s greatest work, but it’s still worth watching after all these years.”

His article continued, “The subtext is still on point, the zombies are still scary and there’s no beating that chilling apocalyptic atmosphere. So, whether you’re a zombie enthusiast, Found Footage fan or just a casual horror hound up for some socially conscious thrills, I wholeheartedly recommend digging this one up. The revolution may not be televised, but if the late, great George A. Romero is to be believed, it might just show up online.”

“And I think that’s a relevant message for these troubling times,” Luiz added.

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