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Lin Shaye Reflects on Elise Rainer’s Franchise Legacy Ahead of ‘Insidious: The Red Door’ [Interview]

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Lin Shaye - Insidious Red Door

Actor Lin Shaye’s memorable introduction as psychic Elise Rainer in 2011’s Insidious quickly established the character as a franchise mainstay. Sony Pictures is heading back into The Further with Insidious: The Red Door, set to release in theaters on July 7, and we can expect to see Elise in some form.

What’s an Insidious movie without the tough-as-nails Elise, after all?

Especially as the horror franchise returns to the Lambert family in Insidious: The Red Door, directed by and starring Patrick Wilson. Family secrets will be revealed as the Lamberts return to The Further again, encountering demons from the past and brand new terrors.

In the film, “To put their demons to rest once and for all, Josh (Patrick Wilson) and a college-aged Dalton (Ty Simpkins) must go deeper into The Further than ever before.”

The original cast from Insidious is back with Patrick Wilson (also making his directorial debut), Ty Simpkins, Rose Byrne, Andrew Astor, and, of course,Lin Shaye.

Ahead of the film’s release, Bloody Disgusting spoke with Shaye about her franchise legacy as Elise. The actor revealed what working with Wilson as this entry’s director was like and what Elise Rainer taught her about acting.

Shaye left an indelible impression on audiences in the original film as the small-statured but powerful psychic that aided the Lambert family when Dalton got trapped in the Further. Even when her character met her demise in the closing moments of Insidious, Shaye became the central protagonist in subsequent prequels Insidious: Chapter 3 and Insidious: The Last Key.

Lin Shaye

Lin Shaye in 2011’s ‘Insidious’

Because Insidious: The Red Door focuses on the Lamberts, expect to see only a little of Elise this round.

Shaye explains, “Patrick actually did call me when he knew he was going to direct the film and also the script; he was very much involved with the formation of the story. He did say as a disclaimer that Elise wouldn’t have a big part in the movie. I don’t care about the size of a part, to be honest. I never have. I feel some of my best work has been very small parts. So, it doesn’t matter how many lines I have or how many words I have. It’s really about how the character fits into the story. I just knew that her presence was going to be in the film. I was very happy to feel that Patrick was really aligned with me about whatever Elise was going to be in this movie; that was what she would be conveying. The fact that she’s such a good listener and she lets in negativity, she’s also learned how to protect herself sometimes, and sometimes she can’t. So there’s a vulnerability to her that’s always there. Those are all very important aspects of the character to me. But the fact she’s a good listener, she’s a giver, and she takes nothing. She doesn’t take. If you recognize, she’s not a taker, and most of us are. So there’s something special about her being that people are attracted to.

The tenured actor previously shared the screen with Wilson in Insidious and Insidious: Chapter 2. The latest entry sees Wilson pulling double duty, reprising the role of Josh Lambert while making his directorial feature debut. When asked what it was like to work with Wilson as director, Shaye didn’t hesitate with her answer. 

“His sensitivity,” Shaye explains Wilson’s strength as a director. “He has an actor’s sensitivity and a director’s sense of direction. That’s a good way to put it. He’s very clear and yet very open at the same time. Often, directors, the ones that are the most difficult to work with, are the ones that are not good listeners. Patrick being an actor and being a receiver, as beautiful of an actor as he is, he is really, really gifted. He would open that part of himself, certainly with Josh. The film is fantastic. I have to tell you; I was sitting there like, ‘Okay, let’s see what they’re going to do with number five.’ I was so drawn in between Ty and Patrick, the two of them, and the story is, I think, one of the scariest Insidious films because you were so drawn into the emotionality of the characters and their dilemma as a father and son is a beautiful story. Patrick was, to go back to your question, he was able to switch gears like that [between acting and directing]. When we were doing the one scene, actually the final scene with him, he was giving directions to the sound guy. Then he turned on Josh; it was just magic. It was so impressive, so real, and so heartfelt. He’s really, really a gifted artist. And anything he does, I believe.”

Insidious Chapter 2

Lin Shaye with Leigh Whannell and Angus Sampson in ‘Insidious: Chapter 2’

Five films deep, what has Elise Rainer taught Lin Shaye about acting? 

Oh, she’s taught me about quiet,” Shaye reflects. “I can’t remember which one it was in, but there’s a scene that starts with me sitting. I think it was three. There was something where I was supposed to be having a cup of tea, and the director said, ‘Go and get the tea and you’re nervous so that the teacup is going to shake a little.’ So, don’t ever tell me that. That’s not how I work. I didn’t say that but don’t tell me to make the teacup tremble. Let’s see what I got to do that maybe you’ll make the teacup tremble.

“I remember thinking, ‘I don’t want to be doing anything. I just want to sit down, and I want to sit, and I want to think.’ The whole opening of that scene is it doesn’t go on too long, but it goes on just long enough, so it’s almost uncomfortable. Elise is just sitting quietly. Whatever’s happening is happening on the inside. I just knew it was going to be more powerful. That’s something, even for any character to remember, there are moments of doing nothing, of letting yourself think, letting yourself be—especially young actors, not that this is a coaching session for young actors. But in general, don’t be afraid to be quiet because other things will bloom from there. So I’ve learned a lot from her. I love the franchise, and I love her. And I’m hoping it’s not the end. I hope that there’s more to come.”

Insidious Chapter 3 (image source: Focus Features)

Insidious: The Red Door might finally close the door on the Lamberts, but this franchise belongs to Elise in many ways. The good news is that the door is never completely slammed shut in horror, and Lin Shaye has firm ideas of where she’d like to take Elise next.

“Many stories to tell,” Shaye says of her character. “Many, many stories. Some I have imagined, and I have ideas. I’m happy to explore those. There’s so much we don’t know about her. We know her qualities but don’t know what stories those qualities fit into. And The Further, we don’t know what’s in The Further, really. We know there are bad things there. Who knows? There could be good things there. I do have a real idea for a story, which we’ll see if anything ever comes from it. But I love the character, and I love it because there’s a purity and a core to her that’s tough and righteous in the best sense.

“She’s not a goody-goody. Can I say a bad word? She’ll say, ‘Fuck’ with the best of them because she knows what’s right, and she’s not afraid to express herself. She floats on that other plane that gives her, what’s the right word? Gives her the ability and the strength to maneuver herself around others. I love her. I really do. I’ve grown more and more in love with the character as the series has gone by. So I was very honored to be included in this and to contribute to the possibilities of what could still be available for her and the stories for Insidious.”

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Interviews

How ‘The Strangers: Chapter 1’ Is Only the First Act in an “Expanding Stranger-Verse” [Interview]

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The Strangers Chapter 1 interview

Out this week is The Strangers: Chapter 1, the first installment of a new reboot trilogy from director Renny Harlin (A Nightmare on Elm Street: The Dream Master, Deep Blue Sea). While Harlin previously detailed fresh plans for the overarching trilogy, Chapter 1 first aims to recreate the visceral terror of Bryan Bertino’s original film.

It also lays the groundwork for what’s ahead, introducing the peculiar small town of Venus, Oregon.

Bloody Disgusting spoke with Harlin, producer Courtney Solomon, and executive producer/star Madelaine Petsch (“Riverdale”) about the seeds planted for Chapters 2 and 3 within The Strangers: Chapter 1 ahead of its release in theaters this Friday, May 17, 2024.

Based on the original 2008 cult horror franchise, the project features Petsch as Maya, who drives cross-country with her longtime boyfriend, Ryan (Froy Gutierrez), to begin a new life in the Pacific Northwest. When their car breaks down in Venus, Oregon, they’re forced to spend the night in a secluded Airbnb, where they are terrorized from dusk till dawn by three masked strangers.

There’s no question that rebooting The Strangers with not one but three movies, all telling one continuous, evolving story, is ambitious. While Renny Harlin was more than up to the task, Courtney Solomon shares what made the director the perfect collaborator on a project that’s more like a miniseries than a straight reboot.

The Strangers – Chapter 1. Photo Credit: John Armour

“Obviously, he has a horror pedigree from the past, and we’re all aware of what it is,” Solomon tells us. “I was looking for somebody who was a great shooter, so I was looking for somebody who would work with me so that I could worry about story and character, which is where my strength lies. In this particular thing, you’re more taking on a sort of showrunner role because it’s a giant movie and somebody that could then give me the Hitchcockian shots that I was looking for to build the suspense and the tension.

Solomon continues, “Together, we could actually blend our talents and our resources, obviously with everybody else on the crew and the amazing cast and Mads and the whole thing. I had been a fan of a bunch of Renny’s work for a long time. I always regaled him as one of the top shooters. When I sent him this 289-page script, he was down for the journey because everybody knows Renny will go on any journey. He’s an explorer.

Chapter 1 mostly adheres to the familiar beats of Bertino’s film, but with a few noteworthy teases of where the trilogy will head next. Part of that stems from the town where protagonists Maya and Ryan find themselves navigating the locals’ quirks. Some residents are spotted in the background only, like Richard Brakesurely to play a larger role in some capacity, right?

Harlin teases what’s ahead, “Obviously, there are some interesting actors there, and the idea is to introduce the town and some of those actors we’ll see in all three movies, some of them in two, some of them only in one. But definitely, my goal was to introduce a town without, by any means, making it look like a madhouse of crazy, weird characters with interesting faces that could be completely innocent, or maybe some of them could be something more than what’s on the surface.”

The Strangers Clip Madelaine Petsch

Madelaine Petsch as Maya in The Strangers. Photo Credit: John Armour

It’s no spoiler to say that Petsch spends most of Chapter 1 in an intense state of fear due to the cabin siege by the masked trio. As palpable as Maya’s fear of her attackers can be, there’s also a defiance that pokes through. When asked whether that may be truer to Maya’s core or hint toward her overarching arc, Petsch offers more insight into her character.

“I think a person can be two things at once, Petsch reflects. Of course, she was fearful for her life, she was fearful for the possibility of losing Ryan, but she is at heart a stubborn, defiant individual who is resilient and tenacious and won’t back down. So, I think it is definitely a little bit of a keyhole into the future.

Bloody Disgusting also asked Solomon whether The Strangers: Prey at Night factored into the new trilogy in the process of evolving the story, and the producer expanded more on what to expect. That comes with the emphasis that Chapter 1 is only the first act of the story.

Solomon explained, “We were trying to make our own flavor, but we looked at both that were done. I mean, the first chapter in this, really, is like using the DNA of the original because it was done so well, and it’s the setup for this really amazing story that we’re telling. Why try to improve on something that was done so well as far as the DNA is concerned, the basic beats? Then, we customize to what we’re doing. Also, there’s a new horror audience out there that’s never seen the original. All we’re doing is expanding The Strangers-verse. I knew the OG people would go with us on that part of the journey because this is not over until you watch the end of Chapter 3. If you want to judge this version of The Strangers, you have to go through all the chapters. That’s what this is.”

But I think they’re going to be very satisfied because we never changed the tone at all through that. In fact, it gets more intense, not less intense. And movie two was nothing like movie one at all. It’s not a repeat in any way,” he adds. “It’s an evolution, both from the point of view of the protagonist and actually being there, if this really happened to you, we go beat by painful beat. That’s the horror. And a little glimpse further into who’s behind the mask without them ever giving a speech or us coming up with some dumb explanation.

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