Interviews
‘Haunted Discoveries’ Paranormal Investigators Talk Historical Hauntings in Kentucky [Interview]
Kentucky is rich in folklore and stories of hauntings all across the state. On the evening of August 21, 1955, five adults and seven children went to the Hopkinsville, Kentucky, police station and told a strange story that is now famously known as the Kelly-Hopkinsville encounter. The group claimed they witnessed a flying saucer land near the farmhouse where they were staying, and that several “little men,” later referred to as goblins, surrounded the house, looking in the windows at the frightened witnesses, until they were scared off by one of the men in the house with a shotgun.
The former tuberculosis hospital in Louisville, Kentucky, known as Wavery Hills Sanatorium, is considered one of the most haunted locations in the country.
Brandon Alvis, who starred in the reboot of the popular paranormal series Ghost Hunters, has always been fascinated by history. In 2006, Alvis founded the American Paranormal Research Association, or APRA, and was searching for a location for APRA to call home. He asked his former Ghost Hunters co-star, Mustafa Gatollari, to help him find a location, and the two traveled to Kentucky, which some consider America’s most haunted state. After the two of them interviewed various business owners and residents about their paranormal experiences and possible historical connections, what started as a hunt for a home for APRA turned into a series called Haunted Discoveries, which airs on streaming services HauntTV and Xumo Play.
The show is unique in that it explores stories of paranormal activity from the perspective of historical hauntings in Kentucky, and there is now a spinoff series called Family Spirits that looks at familial hauntings. The Haunted Discoveries’ team consists of lead investigators Brandon Alvis and Mustafa Gatollari, historical researcher Craig Owens, field investigator Kevin Otte, and resident scientist Dr. Harry Kloor. Alvis eventually purchased the Dr. JJ Polk House in Perryville, Kentucky, which has a long history of hauntings, as the location for APRA.
‘Haunted Discoveries’ team
Recently, Bloody Disgusting had a compelling conversation with the Haunted Discoveries Team members Brandon Alvis, Mustafa Gatollari, and Kevin Otte about APRA and what they’ve discovered researching historical hauntings in Kentucky.
Bloody Disgusting: Brandon, you and Mustafa were part of the team on the reboot of Ghost Hunters. Was that your first experience as a paranormal investigator, and what was that like?
Mustafa Gatollari: Brandon and I met on Ghost Hunters, and it was amazing. It set us on a journey together.
Brandon Alvis: No, it wasn’t my first experience as a paranormal investigator. I actually founded the American Paranormal Research Association in 2006, and I had been actively investigating the paranormal from a scientific point of view since 2006. APRA was also featured on The Unexplained Files on Science Channel in 2013, and then I got onto Ghost Hunters in 2019. That’s where I met Mustafa.
BD: Brandon, can you tell me a little bit more about the American Paranormal Research Association and its purpose?
BA: I founded APRA in 2006 to solely investigate historical locations throughout the country. One of our biggest aspects of APRA is to reach out to third parties, professionals from various technical industries, medical doctors, scientists, people that can help us further understand what is natural versus something that is supernatural. The mission was to try and collect data, have that data analyzed by professionals from other industries, and hopefully provide answers to what is in the natural world and what is something we can’t quite understand.
BD: I understand that you and Mustafa Gatollari were looking for a location for the American Paranormal Research Association, and you went to Kentucky to interview people about various haunted locations and the history behind them. Your docuseries Haunted Discoveries documents those cases. Why did you choose Kentucky?
BA: After Mustafa and I did Ghost Hunters, we wrote our book Elements of a Haunting: Connecting History with Science to Uncover the Greatest Ghost Stories Ever Told. I’ve known Kevin for about fifteen years. He reached out, and he works for a production company based out of Kentucky, and they were looking to do a paranormal project. It was just the right place at the right time. So, Kevin reached out to us and started to develop this idea about how APRA has been trying to find a location, a facility, to have as a full-time research center. A place where people can come out and verify for themselves, to monitor 365 days a year. That’s when Kevin reached out, and that’s when the idea for Haunted Discoveries was born.
MG: I investigated the paranormal and had experiences from a young age. A lot of the people that I was working with were very pseudoscience-heavy; we would come across weird stuff. Once I saw Brandon’s methodology and the mission of the American Paranormal Research Association, I was very, very fortunate to join the group. It was like an “Aha” moment for me. I was like, “Oh, this is what it could be. This is what we could do,” and we ran with it. Brandon is heavily invested in the research center, the Polk House. When we started the series, we kind of just got into a world that we had no idea the type of anomalies we were going to come across over there, and just how deep it went. Kentucky has just been a bevy of paranormal evidence that we’ve come across, and it just seems that the more we dig, the more we find.
Kevin Otte
BD: What is your favorite haunted location you’ve investigated? Have you worked on a case that really scared you, and can you share that experience?
BA: I would take it a step further than just a location, I would say an entire town. I would have to say where the research facility is for APRA, which is the Dr. JJ Polk House in Perryville, Kentucky. This is a place that is steeped in history. Dr. JJ Polk himself wrote an autobiography, and he talked about how the entire town of Perryville, Kentucky, was baptized in blood. So, you have the first foundation of the westward expansion into the United States in Perryville at Harbison Station; you have the Battle of Perryville, which took place in October of 1862, where almost 9,000 men died in a six-hour span; and then you have the temperance wars that took place here as well. You know how sometimes you go into a place, and it has a haunted house feeling or a haunted house vibe? That’s exactly what the entire town of Perryville feels like. You could just be walking along the river or walking down a main street, and it feels like you’re inside a haunted house.
I haven’t really been afraid, per se, but I will say that there are times when you get thrown off; there is something unnatural that happens that you can’t explain, so your brain kind of sends you on a wild goose chase in a way. I personally haven’t been terrified of a place, but I’ve definitely been curious, that’s for sure.
Kevin Otte: Location-wise, for me, would be one of several locations we’ve done down around Harlan County, Kentucky, down in the Appalachian mountains, down in coal country. We did everything from an old, abandoned coal mine to the courthouse there, which is still in operation, and a private property that used to be a former coal camp. We definitely documented some very interesting things there that are kind of beyond my explanation at the moment. If you’re outside by yourself at night, you don’t feel alone.
MG: I would have to agree with Brandon. When we first visited Perryville and went to the Karrick-Parks House, we were faced with very, very intriguing, inexplicable phenomena. Every time we went to different places in Perryville and delved into that history, and became more familiarized with it, it really gave us a bevy of phenomena that we couldn’t explain, and we were scratching our heads trying to figure out when we were analyzing it. It kind of reshaped our understanding of paranormal phenomena. The more we go back there and the more we familiarize ourselves with the people who live there, and Brandon has personal ties to the area, a familial connection, and the more we work there, it almost seems like the more you put in, the more you get back, if that makes sense. The last series of cases for me was pretty emotional going in there because we’ve been working so hard on this, we’ve been dedicating so much of our lives to this, you sense this kind of unity or something; some kind of communal feeling, that of something larger than yourself when you’re there. I can’t put my finger on it, but I really can’t wait to get back to Perryville, and that’s the feeling every time.
BA: To build on that, we just wrapped up our fifth season of Haunted Discoveries, we just shot and we’re in post on that now. We went back to the Karrick-Parks House, as well as the Dr. JJ Polk House, which I now own, and they are right next to each other. We actually brought in a geophysicist with us, and she experienced something that completely shattered her belief in science, and she was physically affected, which is really interesting. We have a resident scientist on the team, Dr. Harry Kloor. He’s the first person in history to receive two PhDs simultaneously; he’s someone who has worked with APRA for well over a decade; and someone who is our go-to when it comes to scientific methods and scientific protocol. But to bring in another person who has such credentials, to come in and experience what she did, just took our entire exploration, not only of the Kentucky anomaly, but of Perryville, to a completely different level.
KO: Perryville is one of the places where I believe that we have done the most in-depth research by bringing in professionals from different areas. Like Brandon said, we had a geophysicist, we have Dr. Harry Kloor, and we brought in a geologist from Western Kentucky University. He came in and did some work with us there. So, Perryville is a location where we actually dug in, have done the research, and collected a lot of data.
BA: You could dedicate your entire career to Perryville and still not get to the bottom of it, honestly.
Brandon Alves
BD: I’ve watched Haunted Discoveries, as well as Family Spirits, and your team genuinely seems to want to help people, not just prove whether or not a location is actually haunted. What is the most rewarding part of your job?
BA: The most rewarding thing is to walk away from a case seeing someone who has had their view changed. I mean that from a lifestyle point of view. With Family Spirits, for instance, you have people who have dealt with, sometimes, generational trauma or grief that they have never really faced or dealt with. Then when they come in and we go through the genealogical side of their family history and the experiences they had, they walk away with almost a fresh slate in a sense where they kind of have to go through that grieving process throughout the case, and at the end of it, it’s just amazing to see how people come out the other side with a more positive mindset. That’s been incredible.
MG: Yeah, especially with the latest seasons three and four of Family Spirits. Filming that was extremely rewarding from a research perspective to have them share their stories and then to see phenomena occur as they’re sharing them, or while we’re conducting an ancillary investigation, is very amazing. But also, during Haunted Discoveries, these reports do lead to tangible, real-world finds. At Portal 31, Brandon and Kevin remember that there were murmurs of a mass grave that was hidden in a forest somewhere out in the woods. We were able to get a ground-penetrating radar operator out there, and it was pretty much confirmed. To see the emotions kind of overcome people. We were like, “Oh my God, we found these mass graves of these people, who not only built this town, but were instrumental to the World War II war effort to provide raw materials.” That was very, very rewarding.
BA: Now that we found this mass grave, they’re going to be putting up a historical marker because all the people who knew that grave site was there have all died out in that generation. Now that we have scientifically proven where it is, they’re actually going to put up a historical marker there, so we changed the historical look of that town. So, now people can go and visit their loved ones who they didn’t know where they were buried. It was really a truly incredible experience, not only for us, but for the town.
KO: We have an episode coming up in season five, which is kind of similar, where we kind of uncovered an unknown history for a whole town. I can’t get into much about that yet, but season five is definitely one to keep an eye out for because there are some really groundbreaking discoveries in that episode.
BA: Also, we shot twenty more episodes of Family Spirits that will be coming out either later this year or next year, and we changed the show a little bit by not only having people come in to tell their stories of familial hauntings, but we added an investigative element around it as well. We’re actually at Waverly Hills Sanatorium for 28 days, and we brought in people to Waverly Hills, and they came in and talked about their familial stories, and then we tested the possibility of these people changing the environment within Waverly Hills. So, we did a whole long-form case study, probably the longest case that’s been done at Waverly Hills, by bringing in these subjects to tell their familial ghost stories and to see how that actually changes the environment. That will be in season three and season four of Family Spirits.
For more information on Haunted Discoveries, please visit their website https://www.haunteddiscoveries.com/.
Interviews
The Work ‘Grind’ Is Hell, So Brea Grant & Ed Dougherty Made a Horror Anthology About It [CFF 2026 Interview]
Genre fans rejoice! Chattanooga Film Festival is back for its 13th year in 2026 with a killer lineup and once again offering audiences both in-person and virtual options. After having its World Premiere at SXSW this spring, the horror comedy anthology Grind is playing CFF 2026 opening weekend.
From a screenplay by Brea Grant (Torn Hearts, 12 Hour Shift) and Ed Dougherty (MLM) and segments directed by Grant, Dougherty, and Chelsea Stardust (Satanic Panic), Grind features four interwoven stories that parody the gig economy, hustle culture, and the evils of late-stage capitalism.
The anthology follows weary everyday people juggling side hustles just to survive, while going up against greedy oligarchs, and cleverly uses dark humor and bloody practical effects to portray a world much like our current economic nightmare.
Bloody Disgusting had the pleasure of chatting with Brea Grant and Ed Dougherty about the socioeconomic commentary in Grind, casting Barbara Crampton as a villain, and DIY filmmaking.
Bloody Disgusting: Every segment in this anthology feels relatable because people are actually struggling to survive in the gig economy right now. How did the two of you come up with the idea of creating Grind?
Brea Grant: Like you said, we were trying to come up with a cool idea that seemed relevant right now. The thing that everyone we know is talking about is the economy, the lack of work, and the nightmare hellscape that is late-stage capitalism. It felt like the right time to write something that really featured that as the main horror. As the main thing that people were scared of, this world sort of came to us over the course of a couple of years.
Ed Dougherty: We wanted to make a hit film, and we said, “Let’s make a horror anthology, that’s the most marketable thing there is.” [laughs]
BG: [laughs] Definitely not!
BD: I love anthologies!
ED: We do, too. We feel like it’s kind of an undervalued form of horror film, but it’s a hard sell.
BG: People told us not to make it. They said, “Don’t make an anthology. It’s too hard to sell.” But we did it anyway.
BD: I guess I’m just one of those weirdos who likes anthologies and watches them all.
ED: We believe that there are a lot of weirdos like you out there. It seems like every good horror anthology has a long life, but it’s just getting over the initial hump that’s difficult.
BD: Chelsea Stardust directed some of the segments with the two of you and serves as a producer. How did she first get involved with this project?
BG: The project has a long history. We shot the first segment, which is about multi-level marketing, a couple of years ago. We had decided we wanted to make a full anthology, but it took us about a year after shooting that initial segment to shoot the rest of the movie. When we did that, we knew we needed to bring on a producer aside from Ed and me, since we were directing the bulk of the movie, so that was how she came on board. I’ve been friends with her for a long time, and the one thing I know about her as a friend is that she is very organized, so it felt like a good fit. I just called her one day and said, “Would you want to produce these three segments that we have left to shoot of Grind?” and she came on board.
BD: There are some fun cameos in Grind, but we have to talk about Barbara Crampton. She’s so good as a villainess. Why did you want her for this role, and what was it like working with her on this film?
BG: She’s in her villain era, which is so fun. [laughs] Obviously, we’re huge Barbara Crampton fans, and when we were making MLM, it was a smaller part of the movie that we knew we needed to call on people who could do a good job but were also friendly to us [laughs]. I’m friends with Barbara Crampton, and we’ve done three movies together before this. So, it felt like someone within our reach, but could also really draw a horror crowd. She has a huge fanbase, and she’s also super supportive of all the projects that she’s been in, so that was also really exciting. She’s a great actress, and she’s super funny. I think a lot of these horror actresses, especially those who came up in the eighties and nineties, weren’t given an opportunity to be funny. I think she was ready to jump on an opportunity that was different than what she was used to; it’s not running around and screaming. She is a cult leader, and she is quite funny in it. She just takes the comedy so well and seriously, and she does such an amazing job with it. She has a scene across from Rob Huebel, who is obviously a comedy master, and I feel like the two of them together were hilarious. It’s been fun to watch Barbara go from these iconic roles to a different kind of role at this point in her career. We’re super happy to be a part of that.
ED: And she loves the movie and has been so supportive. Every time she posts about it, I’m like, “I can’t believe this. This is amazing.”
BD: This is an accurate parody of the current socioeconomic situation in this country, as well as our obsession with online culture. It repeatedly asks the question, “What are you willing to do to make money,” in a world with wealth inequality and evil oligarchs. It’s fun, and it’s a horror movie, but it’s thought-provoking. What do you hope audiences take away from Grind, besides having a good time?
ED: I read every review and every Letterboxd review; Brea does not. So, I’ve seen it all. I’ve seen some reviews that say, “Good movie but doesn’t propose a solution.” I think we do propose a solution, which is that the power of unions and organizing is the only way that we will be able to fight back against oligarchs. I do think that is the message of the film. Organizing is the only way to defeat these villains. I do think we have a lot to say in the film. I’d want someone to say, “Man, I’ve never seen a horror anthology that had a political message before.” [laughs]
BG: I think the other thing is that what is currently happening is that we live in a world in which people kind of feel alone in this. They’re like, “Well, I’m doing bad, “or “I’m having trouble paying my rent.” We wanted to hang a lantern on the fact that this is happening to everyone, that wealth disparity is at an all-time high. We’re pointing out to people that you aren’t in this alone; you’re not the only person doing side hustles. Every filmmaker friend I have is working a side job of some sort at this point, and that is just in Los Angeles. Outside of this city, I think things are more dire. I think it was about infusing some politics into something that could make people realize that they aren’t alone and that there are ways of fighting back and fighting the system that has been set up against them.
ED: I think the tone of the movie, which is darkly comedic, also really matches the tone of life right now. Everything seems almost at a parody level as far as the disconnect between oligarchs and trying to make a living and reality. The absurdist nature of the film kind of captures the real tone of life.
BD: There are some cool creature effects and makeup effects in this movie. Can you talk a little bit about the practical effects and makeup?
ED: I think especially because of the message of the film, which is pushing back against the current hellscape we’re in, we wanted to use as many practical effects as possible. We used matte paintings, miniatures, and practical creature effects. I’m always afraid of the matte painting because we used the old school matte painter, but they do look a little AI. I heard someone make a noise behind me during one of the shots, and I was like, “I hope that noise wasn’t them using AI because that’s a matte painting.” [laughs] There’s also the fact that it’s pretty DIY. It’s a film that we financed ourselves and shot in our houses as much as possible. We wanted the whole thing to feel handmade and very tactile.
BG: We’re old school horror fans, so we love seeing practical effects. The practical stuff is really fun for us. It’s the stuff that we think is actually cool. [laughs] So, practical stuff made the most sense for us. We both grew up in the punk scene in the nineties, and I think it just kind of comes naturally to us to try to do things ourselves. And we both work on projects for big companies, with smaller companies, but always for other people, so trying to do something ourselves to see what that felt like was also part of the experiment of Grind.
ED: This was our chance to do everything we wanted our way.
Grind screens at the Chattanooga Film Festival on June 20.
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