Connect with us

Movies

Guillermo del Toro Says “The Shape of Water” is His Proudest Achievement

Published

on

Del Toro loves his latest film so much that he’s taking a break to savor it.

What’s your favorite Guillermo del Toro movie? Is it The Devil’s Backbone? Maybe it’s Pan’s Labyrinth? Well, Del Toro’s favorite Del Toro film is The Shape of Water!

I’ll tell you, it doesn’t get more personal than ‘Shape of Water’ for me. I am the proudest of it,” Del Toro just told Collider. “It’s my favorite movie that I’ve done. You work very hard to get the movie out there and have it seen, and the movie does connect, beautifully, with an audience. It has an enormous heart. I’ve seen it 190 million times and I still cry in three or four moments in the movie. It’s even more than that…I love it. I call it ‘a fairytale for troubled times’ because it’s an ointment against the world, where we’re waking up every morning with worse news.

Del Toro continued, explaining why he’s taking a year off from directing in the wake of The Shape of Water‘s release, “When ‘Devil’s Backbone’ was touring, I was busy in post-production on ‘Blade 2, and it shouldn’t happen like that. I was so proud of that movie, and I didn’t enjoy it and I didn’t maximize my time with it. Movies are like children. They grow up and they leave you, and they don’t come back home. They go to university and don’t call. So, I wanted to travel with ‘Shape of Water.”

In the Creature From the Black Lagoon-inspired love story, “In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.”

Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones also star.

The film opens in limited release on December 1 before expanding on December 8.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

Published

on

In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glen Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glen Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

Continue Reading