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[Box Office] Crowded Weekend Stuns ‘Godzilla: King of the Monsters’; ‘Ma’ Parties Hard

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In what feels like one of the most crowded early summers in years, Godzilla: King of the Monsters won the box office, only it wasn’t a crowning achievement. Weighed down heavily by competition that included opening weekends for Rocketman and Blumhouse’s Ma, not to mention the second weekend of Aladdin‘s run and the third for John Wick, the latest film in the Monsterverse opened to $49M here in the States, fairly low compared to Godzilla‘s (2014) $93 million opening and Kong: Skull Island‘s $61 million opening. Still, it had a strong global opening of $179M ($130 international).

The budget was reportedly $170M, which is on par with the previous two films that both broke even (if not profited). King of the Monsters (read our review) will struggle to hit the black, although Warner Bros. has already completed production on Kong vs. Godzilla, which will open early next year from director Adam Wingard. A spring opening should bode well for the fourth film in the franchise. Nobody is sweating.

Blumhouse’s hot streak won’t end – thanks to Universal Pictures’ distribution model – as their Octavia Spencer thriller Ma (read our review) opened to an incredible $18M ($21M global) on just a $5M budget. It’ll hit the profit zone before the end of next weekend. Maybe we’ll get a direct-to-video sequel (doubtful)?

Sony’s anti-Superman Brightburn is currently sitting at $24M worldwide on a $5M budget giving us some hope for a followup. John Wick is sitting at a whopping $220M globally. It’s been a wild summer for genre fans and it’s only June 2nd. Lots more to come…

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Movies

‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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