Movies
‘The Exorcist’: Morgan Creek Reportedly Developing a New Reboot Movie for Theaters
Casually mentioned in tonight’s news about Amazon’s “Dead Ringers” series, Deadline has spilled the beans that Morgan Creek is reportedly working on a reboot of The Exorcist.
The site reports, “Current Morgan Creek projects include Stay Tuned at AMC, with a planned theatrical reboot of The Exorcist in the works for 2021.”
The Exorcist franchise hasn’t been on the big screen since the 2005 release of Dominion: Prequel to The Exorcist, an alternate version of the previous year’s Exorcist: The Beginning. Those films came in the wake of 1977’s The Exorcist II: The Heretic and 1990’s The Exorcist III.
More recently, “The Exorcist” became a short-lived television series at Fox, which was surprisingly excellent and cleverly took place in the same world as the original classic.
Alas, the series was cancelled after just two seasons.
Given its status as one of the most iconic horror films of all time, it’s quite frankly surprising that it’s taken this long for The Exorcist to return to theaters. Especially after the cancellation of the Fox series, it was only a matter of time. Stay tuned for more as we learn it.
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”
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