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‘Scare Me’ Celebrates Digital Release with New Character Posters

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Writer/Director Josh Ruben‘s directorial debut, Scare Me, hits Digital HD and VOD today! To celebrate, RLJE Films released new character posters by artist Alex Vincent. The cozy fireside gem stars Ruben as Fred, an aspiring writer who rents a cabin to get his creative juices flowing. There Fred meets successful author Fanny, played by the always great Aya Cash (“The Boys”, “You’re the Worst”).

When the strangers experience a power outage, Fred and Fanny decide to pass the time by telling each other scary stories. But the more Fred and Fanny commit to their tales, the more the stories come to life. As the horrors of reality manifest, Fred confronts his ultimate fear that Fanny may be the better storyteller, forcing him to craft the most horrific tale imaginable and put an end to the competition for good.  Chris Redd‘s Carlo gives the pair a story time assist.

Per my review out of Sundance earlier this year, “As a battle of wits between two endlessly entertaining characters, over the nature of horror movies and scary stories no less, Scare Me feels like a spooky, cozy warm blanket worth cuddling up to by the fire.”

In other words, if you haven’t seen one of the year’s most charming horror-comedies yet, this is the perfect time of year to curl up under a blanket and watch.

With Scare Me arriving on Digital HD and VOD today, you now have more ways to do just that!

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’

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Boorman and the Devil trailer

Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.

Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.

After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.

Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.

“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”

“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”

Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.

Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.

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