Movies
Brea Grant and Ed Dougherty Adapting Horror Novella ‘The Atrocities’ for Squirrel Park
Brea Grant (After Midnight, Lucky) and Ed Dougherty are launching a new production company titled Squirrel Park, we’ve learned, and first up from the duo is a planned adaptation of the award-nominated horror novella The Atrocities by author Jeremy C. Shipp.
Squirrel Park has optioned the rights to the novella, a press release announced today. Grant is set to direct while she and Dougherty will co-write the big-screen adaptation.
The book follows Danna, a modern-day governess who works for the elite and is summoned to Stockton House to tutor a young girl named Isabella Evers. Upon arriving, she realizes her new charge has already passed away, but the girl’s parents insist her ghost is in need of an education.
“I have been a fan of Jeremy’s work for a number of years and am excited to bring this new take on the Gothic novel to life on screen,” says Grant. “I immediately knew this was the perfect project to collaborate on. It has one of the greatest all time premises I’ve ever seen in a horror novel and I think it’ll make an unforgettable film,” continues Dougherty.
Shipp adds, “My goal when writing the book was to create a modern-day ghost story that utilizes certain tropes of the genre while simultaneously turning these devices on their head. I wanted to explore the dissonance created by colliding the supernatural and the rational, the modern and the archaic. I also wanted to construct a nightmarescape of a house that’s both grotesquely beautiful and beautifully grotesque.”
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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