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Eli Roth’s ‘Thanksgiving’ Slashed into Another $10 Million Over the Long Holiday Weekend

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Netflix Thanksgiving Nell Verlaque

Eli Roth is back in the horror genre with the holiday-themed slasher movie Thanksgiving, which dropped just 31% in its second weekend at the box office here in the United States.

TriStar Pictures and Spyglass Media Group’s Thanksgiving made $2.785 million on Friday, $2.785 million on Saturday and a projected $1.580 million on Sunday from 3,204 locations in the US/Canada. The studio projects $11.125 million for the five-day holiday weekend, a stellar hold, bringing the film’s total domestic gross to $24.193 million through Sunday.

Internationally, the film made $1.5 million over the weekend (traditional 3-day) from 2,400+ screens in 16 markets for an international cume of $4.9 million. The global total for Thanksgiving is now $29.1 million. The rated “R” bloodbath was produced for just $15 million.

No word yet on the film’s at-home premiere date. Stay tuned.

The film, an expansion of Roth’s faux trailer seen in Grindhouse (2007), was released in theaters worldwide by TriStar Pictures and Spyglass Media Group (Scream).

In Thanksgiving, “After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the infamous holiday.”

The cast for the feature length slasher movie includes Patrick Dempsey, Addison Rae, Jalen Thomas Brooks (“Walker”), Milo Manheim (Zombies), Nell Verlaque (“Big Shot”), Gina Gershon (“Chucky”), Tim Dillon and Rick Hoffman (Hostel).

Roth wrote the script with Jeff Rendell. Roger Birnbaum and Eli Roth are producing.

Silent Night Deadly Night parody poster

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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