Movies
‘Godzilla Minus One’ Nominated for Best Picture at Japanese Academy Awards Plus 11 Other Nominations
In the wake of Godzilla Minus One becoming the first-ever Godzilla movie to get an Academy Awards nomination – it’s up for the “Visual Effects” Oscar – we’ve learned that Toho’s smash hit monster movie has also been nominated for 12 awards at the Japanese Academy Awards.
And unlike the American Oscars, Godzilla Minus One is nominated for “Best Picture” over in Japan, a nomination many felt the movie should’ve received here in the United States.
First brought to our attention by the website Godzilla-Movies.com this afternoon, here’s the full list of Japanese Academy Awards nominations for Godzilla Minus One…
- Best Film – Godzilla Minus One
- Best Director – Takashi Yamazaki
- Best Screenplay – Takashi Yamazaki
- Best Actor – Ryunosuke Kamiki
- Best Actress – Minami Hamabe
- Best Supporting Actress – Sakura Ando
- Best Music – Naoki Sato
- Best Cinematography – Kozo Shibasaki
- Best Lighting – Nariyuki Ueda
- Best Art Direction – Anri Jojo
- Best Sound – Hisafumi Takeuchi
- Best Editing – Ryuji Miyajima
Back in 2017, Toho’s previous Godzilla movie Shin Godzilla took home seven awards at the Japanese Academy Awards, including Best Picture. Can Godzilla Minus One follow suit?
The winners will be announced on March 8, 2024.
Toho’s Godzilla Minus One, written and directed by Takashi Yamazaki, sees an already devastated post-World War II Japan facing a new threat in the form of Godzilla.
Matt Donato writes in his 4.5 star review for Bloody Disgusting, “Minus One is a blessing to Toho’s kaiju franchise and a towering accomplishment for the entire kaiju subgenre.”
The rave review continues, “After thirty-plus films and nearly seventy years, Toho confidently delivers one of their best Godzilla movies to date.”
The film stars Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando, and Kuranosuke Sasaki, with music by Naoki Sato.
In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.
It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.
Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.
“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.
“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”
Glenn Douglas Packard wrote the screenplay that he’ll be directing.
“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.
Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”
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