Music
Joseph Bishara’s ‘The Conjuring 2’ Score Now Available
If you’ve been keeping a close eye on horror over the past decade, you’re undoubtedly very familiar with composer Joseph Bishara, who brought terror to the ears of audiences in films such as Insidious, The Gravedancers, Dark Skies, 11-11-11, Gorgeous Vortex, and more. With each new score, Bishara proves yet again that he is one of the very best composers in the horror genre, his works terrifying listeners with each haunting note.
Today, fans can get their hands on Bishara’s music for the highly anticipated The Conjuring 2, the James Wan-directed sequel to the 2013 smash hit.
“Lorraine and Ed Warren travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.”
The Conjuring 2 stars Vera Farmiga, Patrick Wilson, Madison Wolfe, Frances O’Connor, and Lauren Esposito.
You can purchase the album digitally via Amazon.
It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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