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Joseph Bishara Releases “More Music from the Further”, Featuring Original Music from the ‘Insidious’ Films

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void recordings presents the debut release on vinyl and digital download, More Music from the Further on August 18. The album features original music by composer Joseph Bishara (Insidious 1-4, The Conjuring 1&2).

More Music from the Further is a collection of 27 unreleased and developmental score pieces from the first three Insidious films. Composer and creature performer Joseph Bishara delves into the raw takes, pre-scores and unreleased sequences written to sonically define the world of Insidious.

The colors of each film emerge through the body of work with an avant-garde composition style influenced by classical, early goth and industrial music as well as Tangerine Dream and John Carpenter’s works. Noted multi-talented rebel of the horror film score, Bishara employs “gut-wrenching string dissonance, haunting electronic sounds and sudden crescendos” (ASCAP.com) in his use of strings and percussion to create effects designed to evoke “maximum shock effect” in the listener.

The original Insidious garnered Bishara the Fangoria Chainsaw Award for Best Score on the film.  He went on to compose music for its sequels Insidious Chapter 2Insidious Chapter 3 and Insidious: The Last KeyMore Music from the Further is from this dark astral realm of horror.

Beyond his work on Insidious films, Joseph has been both composer and creature performer in The ConjuringThe Conjuring 2 and Annabelle. Formerly guitarist and keyboardist from the LA industrial music scene, Bishara segued to soundtrack work on Mortal Kombat: Annihilation, Heavy Metal 2000, and John Carpenter’s Ghosts of Mars. Bishara’s credits also span from rap to hardcore to film as a music producer. His music production work includes the soundtrack for the cult musical film Repo! The Genetic Opera and its successor The Devil’s Carnival, as well programming and remix contributions for artists such as Tech N9ne, Marilyn Manson, Rasputina, Danzig, Jane’s Addiction and Nine Inch Nails.

Tracklist
1 Further dreaming
2 red out of blackness
3 dwarf apparition
4 void figure 8
5 void figure 4
6 dead family materialization
7 void figure 6
8 the purity
9 refusal
10 moments in void
11 taped vision
12 shadows are your home now
13 not the house
14 the kept in the Further
15 seen through
16 into the Further 2
17 I’ll show you
18 the dark room
19 ghost room
20 broken through
21 calling the dead
22 visit the injured
23 compelled awake
24 long passings
25 Further entry
26 out while alive
27 reaching Further

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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