Movies
Uni Sinks Their Teeth Into Park Chan-wook’s ‘Thirst’
One of my favorite directors is Park Chan-wook, who blew my mind with his trilogy of OLDBOY, SYMPATHY FOR MR. VENGEANCE and SYMPATHY FOR LADY VENGEANCE. It was revealed about a year ago that his next feature will be a vampire tale entitled Thirst, which is currently in production. Today some great news comes in via the trades as it was reported that both Universal Pictures and Focus Features have come onboard to distribute the film here in the States (no wait, woo!). Read on for the story.
Universal Pictures and Focus Features have boarded “Oldboy” director Park Chan-wook’s in-production vampire movie “Thirst.”
It’s the first time a Korean film has received U.S. studio coin and a Stateside distribution commitment before its local release.
Universal and Focus will invest in and co-produce the pic, which has so far been steered by Korean major CJ Entertainment.
Focus will bow the film in North America with CJ handling the remaining international sales rights. CJ also will distribute the film in South Korea.
The deal was announced Thursday by UPI Studio prexy Christian Grass, Focus CEO James Schamus and CJ CEO Kim Joo-sung.
“Thirst” stars Song Kang-ho (“Sympathy for Mr. Vengeance,” “The Host,” “The Good the Bad and the Weird”) and Shin Ha-kyun (“Sympathy for Mr. Vengeance”). Involving unusually risqué elements, pic also stars Kim Ok-bi (“Dasepo Naughty Girls,”) as leading lady.
The pic is about a priest who participates in a medical experiment to find a cure for a deadly disease with traumatic repercussions.
It is skedded to be completed in time for a festival bow in mid-2009.
“ ‘Thirst’ is especially exciting for us, as it’s the first time a major studio has co-produced with a South Korean entertainment company in this way,” said Grass. “Park Chan-wook is one of the most talented and influential Korean directors working today. We’re really pleased to be partnering with CJ on this production.”
“First, this is a vote of confidence in CJ and director Park, but also having a film of this scale get the backing of a major studio in North America opens up an opportunity for all Korean films,” said Katharine Kim, exec VP and head of international at CJ. “Second, it is important to us to have Universal and Focus’ financial commitment while the film is in production.”
Park is best known for “Old Boy,” which won the Grand Jury Prize at the Cannes in 2003 and 2005 hit “Lady Vengeance,” both of which sold internationally after their domestic release.
The co-production is being overseen by Grass; Jason Resnick, senior VP and general manager of worldwide acquisitions for Universal Pictures; and CJ’s Kim.
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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