Movies
Stephenie Meyer Talks How ‘Twilight’ Almost Didn’t Happen
The popularity of the Twilight books is a complete mystery to it’s author, Stephenie Meyer. She originally wrote it for herself, a 29-year-old mother of three, but it’s no mystery to the hundreds of thousands of fans. The popularity of the book series is so huge that even we were compelled to cover the film here at Bloody Disgusting. While we know it’s not a straight up horror film, it does have vampires, and some bloodletting. TWILIGHT may be a nice gateway for a younger generation of horror fans, something dark to pique people’s interests. With that, we went to the press junket for the film TWILIGHT, which opens in theaters this Friday, November 21st. Meyer was her usual charming self, re-answering questions that hundreds of fan websites have covered.
A few years back Meyer sold the rights for the movie to a different company, she realized that they we not going to do the book justice, and almost didn’t renew the rights to anyone.
“It was a horrifying experience, I had realized that it could go wrong, and that it could be done badly, that they would do something that had nothing to do with the [original] story, that was shocking to me.”
The book and film are about a high school girl named Bella falls in love with a vampire. The new couple leads a rival vampire clan to pursue them and attempt to force her to decide if she, too, wishes to become one of the undead.
When Summit wanted the rights, Meyer was wary but agreed after getting it in writing that they had to stick to the fundamental elements of the story.
“Tthe vampires have to have the same basic rules as the vampire world I’ve created, which means no fangs, no costumes, they have to sparkle in the sunlight, the characters have to exist by their present names and you can’t kill anyone that doesn’t die in the book.”
When she was finally able to screen the final product she explains, “So many scenes looked the way I had envisioned them, it was partially creepy and partially wonderful. … I think the acting in this movie is something special.”
An interesting note was about how much involvement she had with the screenplay. The filmmakers and the company behind the film at Summit asked for her input on the script, they incorporated about 90% of her notes.
“One thing I insisted on keeping true to the book is “the lion and lamb” line,” Meyer tells us at the junket where she revealed even more. “I actually think that the way Melissa [Rossenburg] wrote it sounded better for the movie, it was just a little more relaxed, but the problem is that that line is actually tattooed on people’s bodies, which I don’t approve of by the way…“She continues, “If you take that line and change it, that’s a potential backlash situation.”
The Fans in this case were certainly helping Meyer in her decision-making, but what is it about vampires that so many people are connecting with? Meyer explains her theory.
“I am not a vampire fan, and never have been. I don’t do horror, I’m an enormous scaredy cat, Hitchcock is about as much as I can handle, and I love it, but anything more then that and you’re not going to see me in the theater. It’s widely out of character for me to write about them [vampires].
“Besides myself, it seems that everybody really loves to be scared, in a controlled environment, horror movies do really well, it’s a big industry, people read a lot of scary books, I’m just missing that gene.“
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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