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Ha! Ed Wood’s Disasterpiece ‘Plan 9’ Gets 3-D Treatment!

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Those pesky aliens that want to resurrect dead humans as zombies and vampires to stop mankind from creating a sun bomb will soon be able to do it in full color and in 3-D, as Edward D. Wood Jr’s original 1959 campy Sci-Fi film, Plan 9 From Outer Space (widely considered the worst movie ever made; also considered the first ever zombie movie) will be converted into full 3-D, it was announced today by San Diego-based 3-D Production & Conversion studio PassmoreLab. Plan 9 from Outer Space, Now in 3D! will be seen in select US theatres in limited release and on VOD on various network locations later this summer. You can read the full press release below — and chatter back with your thoughts on this. I think it’s kinda awesome and funny at the same time.
The film, also known as the “worst movie ever made” due to its numerous continuity and production gaffes, has become an iconic sci-fi cult classic due largely to its reputation for being so bad. It was christened “worst movie” back in 1980 by Harry and Michael Medved in their book “The Golden Turkey Awards“, when they claimed to have found the “holy Grail” of bad movies. Since then, the movie has become very popular.

Being dubbed “worst ever” was the probably the best thing that ever happened to this film,” said Greg Passmore, president of PassmoreLab. “That label started a cult following, where it gained a massive fan base, with me included. It may be known as the “worst movie“, but it’s about to get best conversion treatment available. I am delighted to convert the original film into 3D using our proprietary technology.

As campy as it is, “Plan 9” is now widely considered to be legendary B-movie director Ed Wood’s masterpiece, albeit a bad one. Both he and the film gained more notoriety after they became the subject of Tim Burton’s 1994 film “Ed Wood“, with Johnny Depp starring in an angora sweater in the title role.

Our studio has a definite indie feel to it – a little alternative and off-center — and we are absolutely drawn to cool and unusual projects,” continued Passmore. “That was a big reason we converted Romero’s `Night of the Living Dead’ last year. And that’s exactly why we are converting `Plan 9′, because we love cult films, and we take great care with them.

“Plan 9 from Outer Space”, was written, produced, directed and edited by Wood, and was originally shot in black and white over 50 years ago. It was restored and colorized by Legend Films in 2006, and will now be converted, frame by frame into full 3D, using Passmorelab’s proprietary conversion technology. It is Legend Film’s colorized version that is being used for the conversion, which will take over 6 weeks to complete at a cost far greater than the film’s original $60,000 production budget.

“Converting film demands great attention to detail, especially with a film this old. Rest assured, audiences will be able to enjoy the same film they have always known — complete with the 73 or so production flubs — except now they will see those wires, strings and wobbly flying saucers in spectacular 3D,” smiles Passmore.

3D conversion is emerging as an incredible opportunity for content owners worldwide, and by employing PassmoreLab’s proprietary technology, it can become a very cost-effective way of repurposing previously viewed material.

3D continues to penetrate new distribution channels as an industry, and conversion is a big part of our business. All the great films we love in 2D can now be converted into 3D seamlessly to attract new audiences and find new revenue streams,” said Steve Glum, PassmoreLab’s head of Branding & Distribution. “Plan 9 from Outer Space, Now in 3D!” is the original film, the granddaddy of all bad movies, and we think audiences everywhere will have a great time seeing it in 3D.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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