Movies
BD Reviews: ‘The Twilight Saga: Eclipse’ Doesn’t (Quite) Bite
Here’s a shocker: Summit Entertainment’s The Twilight Saga: Eclipse doesn’t (quite) bite. Chris Eggertsen and David Harley report back from the third adaptation exclaiming it’s infinitely better than New Moon — but that’s still not saying much. “Where New Moon was a clumsily paced, brutally long-winded exercise that peddled in second-rate CW theatrics, Eclipse – while still at least twenty minutes too long and not without its flaws – is lighter on its feet and infinitely more bearable.” Click the title above for Chris’ full review, with David’s awaiting you inside. Check back here this week to write your own review to tell all of BD what YOU thought.
Eclipse will be considered by many people to be the best of the Twilight series so far, and it’s easy to see why. It still features the same uneven performances and groan-worthy screenwriting that made the other entries unintentionally humorous, but this time around, the film seems to be at peace with what it is: a soap-opera. No longer is the franchise tussling with its identity; it’s comprised of minimal action, minimal plot, and people talking to each other about the same things over and over again, while being especially dramatic about EVERYTHING. And for what it is, I’d be lying if I said it was the worst thing ever, but it’s still not good.
Eclipse, essentially, is a retread of New Moon, the last entry in the series – the major conflict of the film is still Bella (Kristen Stewart) choosing between Edward (Robert Pattinson) and Jacob (Taylor Lautner), even though it’s 100% obvious what’s going to happen. In that sense, it’s kind of like the last Indiana Jones flick: at no point do you get the sense that these characters are in any real danger. You know Bella is going to choose Edward, you know none of the “good guys” are going to bite the dust, and you know those who deserve it are going to get their just desserts. Maybe it’s because our culture is so saturated in “Twilight Pop” that everyone knows what’s going to happen, or maybe it’s because Melissa Rosenberg once again wrote a half-assed screenplay (it still boggles my mind that she writes Dexter, which is actually GOOD), or maybe it stems further than that to the rather dry source material, which I have yet to make it past the first page on – it’s a thesaurus of adjectives.
The big difference between the two latest entries is that instead of Edward running off to spare Bella a less-than-human life, Victoria (now played by Bryce Dallas Howard) is raising an army of new-born vampires to kill Bella in order to get revenge on the Cullen clan for dispatching James in the first film. Talk about holding a grudge! The newborns are ferocious and more powerful than matured vampires, so the Cullens and Jacob’s clan team up to stop Victoria from carrying out her nefarious plan. And therein lays the reason that the film is being shown on IMAX screens.
Except the fight only lasts 5 minutes. It is, in fact, the biggest squandering of a potentially amazing action sequence I’ve seen in a while. Although not as anti-climactic as New Moon, Eclipse‘s climax, promised to you in the first act, is nothing more than a WWE match with CGI wolves jumping around on screen. It’s staged and shot competently, but it’s still a disappointment. Speaking of fight scenes, there’s a really odd plot hole brought up during the dispatching of the undead: they break like china dolls. During the first film, they tear James into pieces and then set his body on fire. But in Eclipse, their heads crack off and their limbs shatter at the joints. In essence, this is the Obi-Wan debate of the Twilight universe. Granted, it’s an inventive way to showcase violence and replace gore in a film that’s manufactured to be PG-13, but it still doesn’t make a lick of sense.
The majority of the film is still Jacob giving Bella 101 reasons why he’s better for her than Edward, and Edward giving even more reasons why it isn’t a good idea to turn her. The characters are flat and uninteresting, and Bella comes off as a bitch throughout the whole thing, toying with the emotions of both. But yet, you still know the end point, making each of their conversations pointless. And don’t even get me started about this ridiculous laughable scene where Jacob spoons with Bella to keep her warm during a snowstorm while Edward watches in plain sight, inches away. This is source material that’s written because it hates its audience and wants to see them eat up stupidity. But I think David Slade’s previous films, Hard Candy (a flick where two people do nothing but build tension while talking about the same thing over and over again) and 30 Days of Night (a terrible vampire flick with some decent action), has given him the experience needed to elevate the material from crap to poop, and when having to sit through Twilight, I guess that’s not a bad thing in the long run. At least he knew what he was directing, and there’s even some inside jokes thrown into the mix that made me grimace.
In the end, Eclipse is a bad movie that is surprisingly watchable. The cast still has no chemistry with each other whatsoever, but watching Pattinson act with nothing but shifting eyebrows and a strong jawbone is almost as amusing as seeing Lautner act the hell out of every scene with the intensity of 1000 teenage Lotharios while everyone else just collects a paycheck. It doesn’t have the same kitsch value as the first film, but it’s definitely an improvement over New Moon.
Score: 2.5/5
Movies
Tuesday, June 23 – These 5 New Horror Movies Released at Home Today
A very hungry hippopotamus leads the charge for this week’s brand new horror releases, with Hungry now available at home along with four other new genre movies on Digital outlets.
Here’s all the new horror that released on Tuesday, June 23, 2026!

After a limited theatrical run, hippo horror movie Hungry is now available at home.
From writer and director James Nunn (Shark Bait, One Shot), Hungry follows thrill-seeking tourists on a riverboat tour through the treacherous Louisiana swamplands. Lured off the beaten path by the promise of an exclusive adventure, they soon find themselves fighting for survival against a ravenous hippopotamus lurking beneath the bayou’s murky waters.
Madison Davenport (It’s What’s Inside), Tracey Bonner (Greenland), Michel Curiel (“She-Hulk: Attorney at Law”), Jim Meskimen (“Parks and Recreation”), Samantha Coughlan (Arcadian), Olivia Bernstone (Fighting with My Family), River Codack (“Happy Face”), and Joaquim de Almeida (Desperado) star.
Rob Hunter wrote in his review for Bloody Disgusting, “When all is said and done, Hungry is a genuinely solid animal attack film that succeeds in making its creature threat thrilling, entertaining, and, dare I say, educational?” Rob’s review continues, “Characters are grounded and engaging, the film moves well between suspense, character beats, and action, and the effects used to bring the hippo to life are highly effective and never feel like distractions.”

William Bagley‘s horror comedy Hold the Fort is now available on Digital.
In the film, “Lucas and Jenny think their life is finally coming together when the couple become homeowners. Little do they know that their new house comes with a big catch.
“Lucas and Jenny soon find themselves in a fight for their lives when they become trapped in a battle between their Homeowners Association and an onslaught of monsters from hell.”
Vertigo Releasing promises, “The horror-comedy takes the timely concern of home-ownership and wraps this up in an entertaining action-packed thrill ride.“
Chris Mayers (Adult Swim Yule Log), Haley Leary (“The Walking Dead”), Levi Burdick, and Julian Smith star in Hold the Fort, written and directed by William Bagley.

The latest from filmmaker Alex Noyer, Love Is the Monster is now available on Digital.
Madeline Zima (“Doom Patrol,” “Twin Peaks”) and Leonardo Nam (Werewolf by Night, “Westworld”) star as the unlucky couple discovering romance’s malevolent side.
“Following their marriage being rocked by infidelity, Ana and Justin attend an exclusive couples retreat in Finland, under the golden rays of the summer’s midnight sun. They join other international couples to experience the transformative teachings of the shaman and healer, Tiina, inspired by the ancient Finnish goddess of love and fertility, Lempo.
“Despite her doubts and some ominous first experiences, Ana gives the retreat a chance, but the thrill is quickly replaced by a battle for survival, as the influence of the divinity and the pagan rituals turn deadly. Couples’ problems lead to calamity, while Ana learns about the peculiar role she unwittingly plays in Tiina’s plans.”
Kimberly Sue-Murray (“The Boys”), Moe Jeudy-Lamour (“Ted Lasso”), Kristina Tonteri-Young (“Warrior Nun“), Milla Puolakanaho (Attack on Helsinki), and Sheila McCarthy (Women Talking) also star in Love Is the Monster.
Alex Noyer co-wrote the script with his Sound of Violence collaborator Hannu Aukia and Blair Bathory. Laurence Gendron joins Noyer and Aukia as a producer.

Samara Weaving (Ready or Not 2: Here I Come) and Kyle Gallner (Strange Darling) come together in Carolina Caroline, a sexy crime thriller now available at home.
It’s not a horror movie, mind you, but it’s worth a mention here all the same.
Kyra Sedgwick (Family Movie) and Jon Gries also star in the romantic crime thriller.
Director Adam Carter Rehmeier’s film stars Samara Weaving as Caroline Daniels, whose desire to leave her small Texas town brings her into the orbit of a charismatic con man (Kyle Gallner), and together they weave a path of crime and passion across the American Southeast.
Adam Rehmeier previously directed the films Dinner in America and Snack Shack.
Tom Dean wrote the screenplay for Carolina Caroline.

Described as a mash-up between Pumpkinhead and Cube, Round the Decay offers a fresh take on the monster movie formula with roots extending into psychological and folk horror.
The film is now available on VOD outlets at home.
Written and directed by Adam Newman (Everwinter Night), indie monster movie Round the Decay follows a young woman as she returns to the sleepy town of Newport’s Valley two years after a devastating tragedy and uncovers an all-consuming secret.
Victoria Mirrer leads a cast that includes Damian Maffei (The Strangers: Prey At Night), Sienna Hubert-Ross (Terrifier 3), Melody Kay (The NeverEnding Story III), Phil Duran (Breaking Bad), Sarah Nicklin (The Black Mass), Rachel Pizzolato (Mythbusters Jr.), and Roger Clark (Red Dead Redemption II).
Round the Decay boasts a practical creature designed by veteran special effects artist Greg McDougall (The Haunting of Hill House, Stranger Things, War of the Worlds).
This week’s new release roundups are presented by HUNGRY.
All aboard the swamp tour from hell – this hippo isn’t playing games…
HUNGRY is now available on Digital. Watch it now!


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